{"id":2278,"date":"2017-03-10T18:00:27","date_gmt":"2017-03-10T17:00:27","guid":{"rendered":"https:\/\/blogs.cervantes.es\/bruselas\/?p=2278"},"modified":"2017-03-02T18:07:53","modified_gmt":"2017-03-02T17:07:53","slug":"the-new-baroque-times-voices-brussels-chamber-orchestra-concierto-concert","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/bruselas\/2017\/03\/10\/the-new-baroque-times-voices-brussels-chamber-orchestra-concierto-concert\/","title":{"rendered":"The New Baroque Times Voices &amp; Brussels Chamber Orchestra. Concierto \/ Concert"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Domingo 12 de marzo &#8211; 15:00h <\/strong><\/p>\n<p style=\"text-align: center\"><strong>Dimanche 12 mars &#8211; 15h \/\u00a0<\/strong><strong>Zondag 12 maart &#8211; 15u<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Eglise Protestante (Chapelle royale)\u00a0<\/strong><strong>Protestantse Kapel<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Museumplein 2 Place du Mus\u00e9e (Kunstberg &#8211; Mont des Arts) \u00a0<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Brussel 1000 Bruxelles<\/strong><\/p>\n<p style=\"text-align: justify\"><a href=\"https:\/\/blogs.cervantes.es\/bruselas\/files\/2017\/03\/Concierto-e1488474247815.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2279\" src=\"https:\/\/blogs.cervantes.es\/bruselas\/files\/2017\/03\/Concierto-e1488474247815.jpg\" alt=\"Concierto\" width=\"411\" height=\"493\" \/><\/a><\/p>\n<p>Tras el rotundo \u00e9xito obtenido en el concierto de clausura del festival Midi-Minimes en agosto pasado, The New Baroque Times Voices y la Brussels Chamber Orchestra, vuelven a unir sus fuerzas esta vez para proponer un magn\u00edfico programa de m\u00fasica francesa del siglo XIX.\u00a0Adem\u00e1s del Requiem de Gabriel Faur\u00e9 se podr\u00e1n escuchar otras obras menos conocidas del mismo autor y de su coet\u00e1neo Camille Saint-Sa\u00ebns.<br \/>\nThe New Baroque Times Voices es una formaci\u00f3n coral que se encuentra actualmente en residencia en el Instituto Cervantes de Bruselas.<\/p>\n<hr \/>\n<p style=\"text-align: justify\"><span style=\"color: #808080\">Apr\u00e8s un succ\u00e8s retentissant au concert de cl\u00f4ture du festival Midi-Minimes en ao\u00fbt 2016, The New Baroque Times Voices et le Brussels Chamber Orchestra collaborent \u00e0 nouveau pour proposer, cette fois, un magnifique programme de musique fran\u00e7aise du XIX\u00e8me si\u00e8cle.\u00a0<\/span><span style=\"color: #808080\">Outre le Requiem de Gabriel Faur\u00e9, vous \u00e9couterez des \u0153uvres moins connues du m\u00eame auteur et de son contemporain, Camille Saint-Sa\u00ebns.<\/span><br \/>\n<span style=\"color: #808080\">The New Baroque Times Voices est une formation chorale actuellement en r\u00e9sidence \u00e0 l&#8217; Instituto Cervantes de Bruxelles.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify\"><span style=\"color: #333399\">Na het overweldigende succes bij het slotconcert van het Midi-Minimes Festival in augustus vorig jaar, zullen The New Baroque Times Voices opnieuw samenwerken met het Brussels Chamber Orchestra, ditmaal in een schitterend programma van XIXde eeuwse franse muziek.\u00a0<\/span><span style=\"color: #333399\">Naast het Requiem van Gabriel Faur\u00e9, brengen zij ook minder gekende werken van dezelfde componist en van zijn tijdgenoot, Camille Saint-Saens.<\/span><br \/>\n<span style=\"color: #333399\">The New Baroque Times Voices is een koraal ensemble in residentie in het Instituto Cervantes van Brussel.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Domingo 12 de marzo &#8211; 15:00h Dimanche 12 mars &#8211; 15h \/\u00a0Zondag 12 maart &#8211; 15u Eglise Protestante (Chapelle royale)\u00a0Protestantse Kapel Museumplein 2 Place du Mus\u00e9e (Kunstberg &#8211; Mont des Arts) \u00a0 Brussel 1000 Bruxelles Tras el rotundo \u00e9xito obtenido en el concierto de clausura del festival Midi-Minimes en agosto pasado, The New Baroque Times [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[36,285,183],"tags":[287,286],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/posts\/2278"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/comments?post=2278"}],"version-history":[{"count":4,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/posts\/2278\/revisions"}],"predecessor-version":[{"id":2283,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/posts\/2278\/revisions\/2283"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/media?parent=2278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/categories?post=2278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bruselas\/wp-json\/wp\/v2\/tags?post=2278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}