{"id":1682,"date":"2021-05-28T05:41:07","date_gmt":"2021-05-28T05:41:07","guid":{"rendered":"https:\/\/blogs.cervantes.es\/bucarest\/?p=1682"},"modified":"2021-05-28T05:41:07","modified_gmt":"2021-05-28T05:41:07","slug":"el-trap-prima-carte-spaniola-de-amploare-un-studiu-unic-dedicat-acestui-gen","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/bucarest\/2021\/05\/28\/el-trap-prima-carte-spaniola-de-amploare-un-studiu-unic-dedicat-acestui-gen\/","title":{"rendered":"\u201eEl trap\u201d &#8211; prima carte spaniol\u0103 de amploare, un studiu unic dedicat acestui gen"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2021\/05\/victor.jpeg\" alt=\"\" class=\"wp-image-1685\" width=\"294\" height=\"451\" srcset=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2021\/05\/victor.jpeg 552w, https:\/\/blogs.cervantes.es\/bucarest\/files\/2021\/05\/victor-196x300.jpeg 196w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/figure><\/div>\n\n\n\n<p>S\u0103pt\u0103m\u00e2na aceasta v\u0103 recomand\u0103m, din partea bibliotecii, o carte de muzic\u0103. Hmmm, nu chiar! De filozofie. Sau, mai bine zis, de muzic\u0103 \u0219i filozofie :))<\/p>\n\n\n\n<p>Filozoful Ernesto Castro (Madrid, 1995) ne vorbe\u0219te despre&nbsp;<strong><em>Trap<\/em><\/strong>. Prima \u00eentrebare, evident\u0103 \u0219i necesar\u0103, ar fi ce este&nbsp;<em>trap<\/em>-ul? Pentru Yung Beef, una dintre figurile reprezentative pentru scena trap-ului \u00een Spania, \u201e<em>trap<\/em>&nbsp;este cocain\u0103 \u0219i sex\u201d. \u00cen regul\u0103. Dar atunci, de ce Ernesto Castro, autorul acestei c\u0103r\u021bi, care sus\u021bine c\u0103 este cump\u0103tat, nu a luat niciun drog puternic \u0219i nu a mai f\u0103cut sex de ani \u00eentregi, tot fredoneaz\u0103 c\u00e2ntece lascive, despre consumul excesiv de droguri, c\u00e2ntece pe care le numim \u201etrap\u201d? Ce \u00eel determin\u0103 s\u0103 dedice at\u00e2t de mult timp scrierii primei sale c\u0103r\u021bi de amploare \u0219i unice despre trap, \u00een spaniol\u0103? Mai mult: ce s-a \u00eent\u00e2mplat cu tineretul spaniol pentru ca un doctor \u00een Filozofie, din clasa mijlocie, s\u0103 aib\u0103 ca reper cultural o figur\u0103 precum cea a lui Yung Beef? Citi\u021bi cartea \u0219i ve\u021bi afla :)))<\/p>\n\n\n\n<p>Ernesto Castro (Madrid, 1995), filozof, analizeaz\u0103 \u00een detaliu, \u00een aceast\u0103 carte, na\u0219terea, dezvoltarea \u0219i evolu\u021bia acestei mi\u0219c\u0103ri care \u0219i-a c\u00e2\u0219tigat un loc \u00een industria muzical\u0103 \u0219i \u00een mediile de comunicare&nbsp;<em>main\u00adstream<\/em>, bucur\u00e2ndu-se de o popularitate spectaculoas\u0103.<\/p>\n\n\n\n<p>Plec\u00e2nd de la premisa c\u0103<em>&nbsp;trap<\/em>-ul a fost coloana sonor\u0103 a crizei (o criz\u0103 \u00een principal economic\u0103, de\u0219i a fost \u0219i una social\u0103, cultural\u0103 \u0219i genera\u021bional\u0103), Ernesto Castro analizeaz\u0103, dintr-o perspectiv\u0103 filozofic\u0103 \u0219i sociologic\u0103 \u2013 \u0219i cu un colosal sim\u021b al umorului \u2013, istoria&nbsp;<em>trap<\/em>-ului \u00een Spania, rela\u021bia sa cu rapul, personajele cele mai importante de pe scena urban\u0103, precum \u0219i rela\u021bia acestui stil muzical cu no\u021biuni precum feminismul, genera\u021bia&nbsp;<em>millennial<\/em>, memoria istoric\u0103, aproprierea cultural\u0103, modelul economic capitalist sau lupta de clas\u0103. Lectur\u0103 pl\u0103cut\u0103!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>S\u0103pt\u0103m\u00e2na aceasta v\u0103 recomand\u0103m, din partea bibliotecii, o carte de muzic\u0103. Hmmm, nu chiar! De filozofie. Sau, mai bine zis, de muzic\u0103 \u0219i filozofie :)) Filozoful Ernesto Castro (Madrid, 1995) ne vorbe\u0219te despre&nbsp;Trap. Prima \u00eentrebare, evident\u0103 \u0219i necesar\u0103, ar fi ce este&nbsp;trap-ul? Pentru Yung Beef, una dintre figurile reprezentative pentru scena trap-ului \u00een Spania, \u201etrap&nbsp;este [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/1682"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/comments?post=1682"}],"version-history":[{"count":1,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/1682\/revisions"}],"predecessor-version":[{"id":1688,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/1682\/revisions\/1688"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/media?parent=1682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/categories?post=1682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/tags?post=1682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}