{"id":2327,"date":"2022-04-04T13:47:28","date_gmt":"2022-04-04T13:47:28","guid":{"rendered":"https:\/\/blogs.cervantes.es\/bucarest\/?p=2327"},"modified":"2022-04-04T13:47:28","modified_gmt":"2022-04-04T13:47:28","slug":"aprilie-online-documentare-regizate-de-femei-reunite-sub-tema-calatoria-speranta-si-disperare","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/bucarest\/2022\/04\/04\/aprilie-online-documentare-regizate-de-femei-reunite-sub-tema-calatoria-speranta-si-disperare\/","title":{"rendered":"Aprilie, online: documentare regizate de femei reunite sub tema \u201eC\u0103l\u0103toria: speran\u021b\u0103 \u0219i disperare\u201d"},"content":{"rendered":"\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery alignleft columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"580\" height=\"276\" src=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2022\/04\/z.jpg\" alt=\"\" data-id=\"2330\" data-full-url=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2022\/04\/z.jpg\" data-link=\"https:\/\/blogs.cervantes.es\/bucarest\/?attachment_id=2330\" class=\"wp-image-2330\" srcset=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2022\/04\/z.jpg 580w, https:\/\/blogs.cervantes.es\/bucarest\/files\/2022\/04\/z-300x143.jpg 300w\" sizes=\"(max-width: 580px) 100vw, 580px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Programul dedicat fimelor documentare \u00een luna aprilie de Institutul Cervantes continu\u0103 cu o serie de pelicule regizate de femei, \u00een al c\u0103ror prim-plan se afl\u0103 c\u0103l\u0103toria, v\u0103zut\u0103 deopotriv\u0103 ca migra\u021bie \u0219i ca simpl\u0103 deplasare.<\/p>\n\n\n\n<p>Reunit sub tema \u201eC\u0103l\u0103toria: speran\u021b\u0103 \u0219i disperare\u201d, programul se desf\u0103\u0219oar\u0103 \u00een colaborare cu Festivalul de Film de la Malaga \u2013 Cinema, \u00een spaniol\u0103.<\/p>\n\n\n\n<p>Filmele vor putea fi vor fi disponibile pe canalul Vimeo al Instituto Cervantes, timp de 48 de ore, \u00eencep\u00e2nd cu ora 21.00 (ora Rom\u00e2niei), \u00een ziua indicat\u0103.<\/p>\n\n\n\n<p>\u00cen edi\u021bia din 2022, Institutul Cervantes prezint\u0103 patru documentare regizate de femei, \u00een care este u\u0219or de recunoscut o abordare diferit\u0103 a preocup\u0103rilor politice \u0219i sociale, de la investigarea sinelui &#8211; ca o inevitabil\u0103 interoga\u021bie vital\u0103 &#8211; p\u00e2n\u0103 la denun\u021barea ecologic\u0103 sau umanitar\u0103 ca o tr\u0103s\u0103tur\u0103 dureroas\u0103 a vremurilor noastre: ideea de migra\u021bie \u0219i de deplasare traverseaz\u0103 acest ciclu, fiind o tr\u0103s\u0103tur\u0103 caracteristic\u0103 a lumii noastre, uneori purt\u0103toare de speran\u021b\u0103, iar alteori de triste\u021be sau disperare.<\/p>\n\n\n\n<p>Zonazine Documentar este un program permanent al Institutului Cervantes, al c\u0103rui nume provine de la una dintre sec\u021biunile Festivalului de Film de la Malaga, \u00eempreun\u0103 cu care Institutul Cervantes organizeaz\u0103, \u00een fiecare an, acest ciclu de documentare contemporane, realizate de creatori spanioli \u0219i latino-americani din zona filmelor documentare mai ata\u0219ate formulelor experimentale \u0219i cronicilor realit\u0103\u021bii.<\/p>\n\n\n\n<p><strong><u>PROGRAM:<\/u><\/strong><\/p>\n\n\n\n<p><strong># 8 aprilie:<\/strong> <strong><em>Cartas mojadas \/ Scrisori \u00eenl\u0103crimate<\/em><\/strong> (2020), de Paula Palacios<\/p>\n\n\n\n<p>De mai bine de zece ani, regizoarea Paula Palacios abordeaz\u0103 multe dintre problemele care afecteaz\u0103 societatea contemporan\u0103, dar mereu dintr-o perspectiv\u0103 diferit\u0103 de cele abordate \u00een alte \u021b\u0103ri occidentale. Scrisori \u00eenl\u0103crimate poveste\u0219te, prin intermediul unei voci misterioase de pe fundul m\u0103rii, o tragic\u0103 epopee a istoriei noastre contemporane. Urm\u0103rind scrisorile schimbate \u00eentre mame \u0219i copii, \u00eenso\u021bim barca Open Arms \u00een cea mai dramatic\u0103 misiune a sa: salvarea a 550 de persoane de la naufragiu. Dac\u0103 uit\u0103m c\u0103 este vorba de o poveste adev\u0103rat\u0103, lucrurile devin de netr\u0103it atunci c\u00e2nd ne \u00eembarc\u0103m la bordul unei nave a pazei de coast\u0103 libiene \u0219i ajungem \u00eentr-unul dintre cele mai periculoase locuri din lume, \u00een Libia, unde fiin\u021bele umane sunt maltratate \u0219i \u00eenrobite.<\/p>\n\n\n\n<p><strong>#15 aprilie<\/strong>: <strong><em>A media voz \/ Cu jum\u0103tate de glas<\/em><\/strong> (2019), de Patricia P\u00e9rez \u0219i Heidi Hassan<\/p>\n\n\n\n<p>Dou\u0103 regizoare, prietene din copil\u0103rie, se confrunt\u0103 cu provoc\u0103rile dezr\u0103d\u0103cin\u0103rii \u00een timp ce \u00eencearc\u0103 s\u0103 \u00ee\u0219i reconstruiasc\u0103 via\u021ba departe de Cuba. Filmul este un documentar etnografic emo\u021bionant despre nostalgie, prietenie, r\u0103d\u0103cini \u0219i exil, \u0219i care exprim\u0103 nelini\u0219tea unei \u00eentregi genera\u021bii. Coresponden\u021ba dintre cele dou\u0103 regizoare ale acestui documentar, tinere cubaneze for\u021bate s\u0103 \u00ee\u0219i p\u0103r\u0103seasc\u0103 \u021bara \u00een c\u0103utarea unui viitor mai bun, ofer\u0103 un mozaic de imagini \u00een care compozi\u021bia vizual\u0103 delicat\u0103 a vie\u021bii lor cotidiene \u00eenso\u021be\u0219te imaginea vremurilor&nbsp; redate prin povestirea propriilor vie\u021bi.<\/p>\n\n\n\n<p><strong># 22 aprilie<\/strong>: <strong><em>Sanmao, la novia del desierto \/ Sanmao, mireasa de\u0219ertului<\/em><\/strong> (2020), de Marta Arribas \u0219i Ana P\u00e9rez<\/p>\n\n\n\n<p>Tandemul format din regizoarele Marta Arribas Veloso \u0219i Ana P\u00e9rez de la Fuente ne ofer\u0103 povestea a doi oameni din lumi radical diferite care au sim\u021bit imediat c\u0103 sunt sorti\u021bi unul altuia &#8211; marea scriitoare chinez\u0103 care a unit Estul \u0219i Vestul cu pove\u0219tile Saharei \u0219i scafandrul spaniol Jos\u00e9 Mar\u00eda Quero. Povestea rela\u021biei \u00eentre doi oameni care ne dezv\u0103luie periplurile, bucuriile \u0219i tragediile lor.<\/p>\n\n\n\n<p><strong># 29 aprilie<\/strong>: <strong><em>\u00c9rase una vez en Venezuela, Congo Mirador \/ A fost o dat\u0103, \u00een Venezuela<\/em><\/strong> \u2013 Congo Mirador, (2020), de Anabel Rodr\u00edguez R\u00edos<\/p>\n\n\n\n<p>Un film de debut magistral semnat de Anabel Rodr\u00edguez R\u00edos, n\u0103scut\u0103 la Caracas, acest film cutremur\u0103tor reflect\u0103 situa\u021bia actual\u0103 a Venezuelei prin ochii a dou\u0103 femei, cu ideologii opuse, care v\u0103d cum satul lor, Congo Mirador, se descompune, abandonat \u00eentre seceta provocat\u0103 de schimb\u0103rile climatice \u0219i neglijen\u021ba sau corup\u021bia celor care ar putea s\u0103 le previn\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programul dedicat fimelor documentare \u00een luna aprilie de Institutul Cervantes continu\u0103 cu o serie de pelicule regizate de femei, \u00een al c\u0103ror prim-plan se afl\u0103 c\u0103l\u0103toria, v\u0103zut\u0103 deopotriv\u0103 ca migra\u021bie \u0219i ca simpl\u0103 deplasare. Reunit sub tema \u201eC\u0103l\u0103toria: speran\u021b\u0103 \u0219i disperare\u201d, programul se desf\u0103\u0219oar\u0103 \u00een colaborare cu Festivalul de Film de la Malaga \u2013 Cinema, [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/2327"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/comments?post=2327"}],"version-history":[{"count":1,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/2327\/revisions"}],"predecessor-version":[{"id":2333,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/2327\/revisions\/2333"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/media?parent=2327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/categories?post=2327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/tags?post=2327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}