{"id":702,"date":"2020-05-21T13:33:09","date_gmt":"2020-05-21T13:33:09","guid":{"rendered":"https:\/\/blogs.cervantes.es\/bucarest\/?p=702"},"modified":"2020-05-25T06:54:21","modified_gmt":"2020-05-25T06:54:21","slug":"alina-cantacuzino-de-mai-bine-de-doua-decenii-in-echipa-cervantes","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/bucarest\/2020\/05\/21\/alina-cantacuzino-de-mai-bine-de-doua-decenii-in-echipa-cervantes\/","title":{"rendered":"Alina Cantacuzino, de mai bine de dou\u0103 decenii \u00een echipa Cervantes"},"content":{"rendered":"<p><!--StartFragment--><\/p>\n\n\n<p><strong><em>Absolvent\u0103 a Facult\u0103\u0163ii de Limbi \u015fi Literaturi Str\u0103ine (sec\u0163ia Francez\u0103-Spaniol\u0103), Alina Cantacuzino este coordonatoarea Departamentului cultural al Institutului, din 1997. Pentru publicul rom\u00e2nesc interesat de subiectele din sfera cultural\u0103 ale Institutului Cervantes din Bucure\u0219ti, ea reprezint\u0103 \u201econstanta\u201d. Cele c\u00e2teva sute de evenimente pe care le-a coordonat de-a lungul anilor au deschis publicului u\u0219a c\u0103tre o lume bogat\u0103, surprinz\u0103toare, fascinant\u0103, la care altfel nu ar fi avut acces. Pentru Alina, ziua de lucru se termin\u0103 doar atunci c\u00e2nd s-a asigurat c\u0103 urm\u0103torul eveniment programat a primit toate aprob\u0103rile. Face asta de mai bine de dou\u0103 decenii.<\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img decoding=\"async\" style=\"width:320px\" src=\"https:\/\/blogs.cervantes.es\/bucarest\/files\/2020\/04\/IMG-20200422-WA0011.jpg\" alt=\"\" class=\"wp-image-422\"><\/figure><\/div>\n\n\n\n<p><strong>C\u00e2nd te-ai al\u0103turat echipei Institutului Cervantes\ndin Bucure\u0219ti?<\/strong><\/p>\n\n\n\n<p>\u00centr-o zi \u00eensorit\u0103 \u0219i\ncald\u0103 de mai, \u00een 1997. Sediul Institutului se afla atunci \u00eentr-o cas\u0103 frumoas\u0103\nde pe strada Paris, la doi pa\u0219i de pia\u021ba Quito, un loc \u00een care ne-am sim\u021bit\nfoarte bine timp de mai mul\u021bi ani.<\/p>\n\n\n\n<p><strong>Cum ai ajuns aici?<\/strong><\/p>\n\n\n\n<p>Lucram al\u0103turi, la\nAmbasada Braziliei \u00een Rom\u00e2nia, care se afla peste gard, ca s\u0103 zic a\u0219a. Am v\u0103zut\nanun\u021bul pentru un post de secretar administrativ \u0219i\u2026 gata. A fost simpatie\nreciproc\u0103, pare-se.<\/p>\n\n\n\n<p><strong>Ai&nbsp;putea aproxima cam la c\u00e2te evenimente\nCervantes ai pus um\u0103rul?<\/strong><\/p>\n\n\n\n<p>S\u0103 tot fie c\u00e2teva\nsute. Au fost ani c\u00e2nd aveam, mai mici sau mai mari, \u0219i c\u00e2te trei evenimente pe\ns\u0103pt\u0103m\u00e2n\u0103.<\/p>\n\n\n\n<p><strong>Trei&nbsp;\u00eent\u00e2lniri de suflet.<\/strong><\/p>\n\n\n\n<p>Dintre colegii rom\u00e2ni,\nun om extraordinar, doamna Svetlana Marinescu, care a fost ca un fel de coloan\u0103\nvertebral\u0103 a Institutului, de la crearea lui, \u00een 1993, p\u00e2n\u0103 acum c\u00e2\u021biva ani c\u00e2nd\nne-a p\u0103r\u0103sit. Filolog, un model de profesionalism, de o c\u0103ldur\u0103 uman\u0103 \u0219i de un\ndevotament fa\u021b\u0103 de ambele culturi, spaniola \u0219i rom\u00e2n\u0103, \u00een slujba c\u0103rora s-a pus\ncu modestie, cu discre\u021bie \u0219i cu mult\u0103 \u0219tiin\u021b\u0103 de carte \u0219i pasiune.<\/p>\n\n\n\n<p>Dintre invita\u021bii\nspanioli, apreape c\u0103 n-a\u0219 \u0219ti ce s\u0103 aleg, n-a\u0219 vrea s\u0103 nedrept\u0103\u021besc pe cineva\u2026 L-a\u0219\nnumi pe poetul Juan Carlos Su\u00f1\u00e9n, care ne-a vizitat de dou\u0103 ori, \u00een calitate de\npoet \u0219i de critic literar, fondatorul \u0219i directorul Escuela de Letras de la\nMadrid, institu\u021bie care \u0219i-a \u00eenchis por\u021bile la sf\u00e2r\u0219itul anilor 2000 din ra\u021biuni\nde criz\u0103 economic\u0103, apoi pe Fernando Leon de Aranoa, pe care am avut bucuria s\u0103-l\n\u00eenso\u021besc la TIFF, la una dintre primele edi\u021bii ale festivalului,&nbsp;\u0219i pe\nClara Duran, o t\u00e2n\u0103r\u0103 artist\u0103 spaniol\u0103 care lucreaz\u0103 \u0219i tr\u0103ie\u0219te la Bucure\u0219ti,\nun om foarte frumos \u0219i special.<\/p>\n\n\n\n<p><strong>Ceva care te contrariaz\u0103 \u00een munca ta.<\/strong><\/p>\n\n\n\n<p>A\u0219 vrea s\u0103 \u00een\u021beleg de\nce ziua de lucru nu mai are dou\u0103zeci \u0219i cinci de ore\u2026 Serios acum: nu m\u0103\ncontrariaz\u0103 nimic, dar m\u0103 munce\u0219te \u0219i m\u0103 motiveaz\u0103 g\u00e2ndul c\u0103&nbsp;oamenii care\nvin,&nbsp;la orice eveniment am organiza, fie el modest sau de amploare, \u00ee\u0219i\nrup o or\u0103 sau dou\u0103 din timpul lor, iar timpul e foarte pre\u021bios, ne aleg pe noi,\nuneori \u00een pofida altor lucruri poate mai interesante, \u0219i e chiar o datorie de\nonoare s\u0103 facem \u00een a\u0219a fel \u00eenc\u00e2t s\u0103 fie un timp realmente c\u00e2\u0219tigat, un timp\nneirosit, o s\u0103m\u00e2n\u021b\u0103 firav\u0103 de drag de lumea hispanic\u0103 pe care am s\u0103dit-o \u0219i\ncare ar fi frumos s\u0103 creasc\u0103\u2026<\/p>\n\n\n\n<p><strong>Un cuv\u00e2nt spaniol care \u00ee\u021bi place.<\/strong><\/p>\n\n\n\n<p><em>Ensimismarse<\/em> \u2013 a se cufunda \u00een sine \u00eensu\u0219i, a se retrage \u00een sine<\/p>\n\n\n\n<p><strong>O m\u00e2ncare&nbsp;spaniol\u0103 care fie \u00ee\u021bi place, fie te\npune pe g\u00eenduri. <\/strong><\/p>\n\n\n\n<p>P\u00e2n\u0103 s\u0103 c\u0103l\u0103toresc\nprima oar\u0103 \u00een Spania, n-am avut dimensiunea exact\u0103 a diferen\u021bei de sens dintre \u201etapas\u201d\n\u0219i \u201epintxos\u201d.<\/p>\n\n\n\n<p><strong>Mari scriitori de limb\u0103 spaniol\u0103 pe care te-ai\nbucura s\u0103 \u00eei vezi tradu\u0219i \u00een limba rom\u00e2n\u0103.<\/strong><\/p>\n\n\n\n<p>Foarte subiectiv: Juan\nBenet (Spania), Alejandra Pizarnik (Argentina), Julio Ram\u00f3n Ribeyro (Peru),\nMario Benedetti (Uruguay).<\/p>\n\n\n\n<p><strong>Muzic\u0103 pe \u201ecoordonate\u201d hispanice.<\/strong><\/p>\n\n\n\n<p>Mi-e greu s\u0103 r\u0103spund\nla asta\u2026 Exist\u0103 ni\u0219te tangouri vechi, apoi exist\u0103 voci speciale tip Chavela\nVargas sau Violeta Parra sau Mercedes Sosa. \u00cemi plac mult-mult sonorit\u0103\u021bile\ngalician\u0103 \u0219i asturian\u0103, de pild\u0103\u2026<\/p>\n\n\n\n<p><strong>S\u0103 zicem c\u0103 e\u0219ti Dumnezeul Culturii pentru o zi:\nevenimentul ideal.<\/strong><\/p>\n\n\n\n<p>Nu m\u0103 pot pune \u00een\naceast\u0103 \u00eenchipuire, nici m\u0103car pentru o clip\u0103, dar\u0103mite pentru o zi.\nEvenimentul ideal este acela care \u00eemi permite, zi de zi, s\u0103 v\u0103d c\u0103 cei care au\nfost \u00een sal\u0103 (participan\u021bi sau asisten\u021bi) ies sur\u00e2z\u00e2nd \u0219i multumi\u021bi. Ce mi-ar\npl\u0103cea s\u0103 putem organiza: orice poate pune \u00een leg\u0103tur\u0103 \u0219i crea pun\u021bi \u00eentre\nprofesioni\u0219tii din cultura din Spania \u0219i spa\u021biul de expresie hispanic\u0103 cu\nprofesioni\u0219tii din cultura rom\u00e2n\u0103.<\/p>\n\n\n<p><!--EndFragment--><\/p>","protected":false},"excerpt":{"rendered":"<p>Absolvent\u0103 a Facult\u0103\u0163ii de Limbi \u015fi Literaturi Str\u0103ine (sec\u0163ia Francez\u0103-Spaniol\u0103), Alina Cantacuzino este coordonatoarea Departamentului cultural al Institutului, din 1997. Pentru publicul rom\u00e2nesc interesat de subiectele din sfera cultural\u0103 ale Institutului Cervantes din Bucure\u0219ti, ea reprezint\u0103 \u201econstanta\u201d. Cele c\u00e2teva sute de evenimente pe care le-a coordonat de-a lungul anilor au deschis publicului u\u0219a c\u0103tre o [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[10],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/702"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/comments?post=702"}],"version-history":[{"count":2,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/702\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/posts\/702\/revisions\/729"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/media?parent=702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/categories?post=702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/bucarest\/wp-json\/wp\/v2\/tags?post=702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}