{"id":13196,"date":"2021-11-03T12:00:00","date_gmt":"2021-11-03T11:00:00","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=13196"},"modified":"2021-10-18T13:09:09","modified_gmt":"2021-10-18T12:09:09","slug":"20-anos-de-comic-injuve-el-pasado-historico-y-el-brillante-futuro-del-comic-espanol-20-years-of-injuve-comic-awards-the-historical-past-and-the-bright-future-of-spanish-comics","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/20-anos-de-comic-injuve-el-pasado-historico-y-el-brillante-futuro-del-comic-espanol-20-years-of-injuve-comic-awards-the-historical-past-and-the-bright-future-of-spanish-comics\/","title":{"rendered":"20 a\u00f1os de c\u00f3mic Injuve. El pasado hist\u00f3rico y el brillante futuro del c\u00f3mic espa\u00f1ol | 20 Years of Injuve Comic Awards. The historical past and the bright future of Spanish comics"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\"Cartel
Cartel de la exposici\u00f3n 20 a\u00f1os de c\u00f3mic Injuve<\/em> en Irlanda<\/figcaption><\/figure><\/div>\n\n\n\n

Exposici\u00f3n dedicada a la evoluci\u00f3n del g\u00e9nero del c\u00f3mic en Espa\u00f1a: s\u00e9 testigo de los cambios a trav\u00e9s de las mentes m\u00e1s creativas de Espa\u00f1a.<\/p>\n\n\n\n

Por desgracia, Galway no es conocida por su clima c\u00e1lido y soleado, y este cuatro de octubre no ha sido una excepci\u00f3n. Sin embargo, la escena cultural de la ciudad celebraba ese d\u00eda un acontecimiento especial, un evento que aport\u00f3 colores m\u00e1s saturados, y un poco de luz del sol espa\u00f1ol, a todos los que estaban dispuestos a participar.<\/p>\n\n\n\n

En el marco del Galway Cartoon Festival (del 1 al 9 de octubre de 2021), el Instituto Cervantes de Dubl\u00edn presentaba la exposici\u00f3n 20 a\u00f1os de c\u00f3mic Injuve,<\/em> que recorre la trayectoria creativa de artistas espa\u00f1oles de c\u00f3mic a lo largo de los \u00faltimos a\u00f1os y que se han dedicado a este g\u00e9nero enriquecedor e inspirador que todav\u00eda est\u00e1 en pleno desarrollo. El comisario de la exposici\u00f3n, Gerardo Vilches, ha representado, literalmente, el flujo de 20 a\u00f1os de creatividad art\u00edstica, ya que ha seleccionado magistralmente dos obras de cada uno de los autores (una de ellas premiada por el Certamen de C\u00f3mic Injuve en el pasado, y otra m\u00e1s reciente).   <\/p>\n\n\n\n\n\n\n\n

  • \"\"<\/figure><\/li>
  • \"\"<\/figure><\/li><\/ul>
    20 a\u00f1os de c\u00f3mic Injuve<\/em> en Cornstore 2020 Hub, Unit 15 (Galway). Fotograf\u00edas de Ekaterina Dragalina<\/figcaption><\/figure>\n\n\n\n

    Injuve es la abreviatura del Instituto de la Juventud, una instituci\u00f3n p\u00fablica espa\u00f1ola que apoya actividades dedicadas a los j\u00f3venes y que a lo largo de los a\u00f1os ha desempe\u00f1ado un papel muy importante en la formaci\u00f3n de la escena art\u00edstica espa\u00f1ola contempor\u00e1nea, apoyando proyectos innovadores e iniciando premios (como el propio Premio del Certamen de C\u00f3mic). Y aunque el nombre de Injuve contiene la palabra “juventud” y el g\u00e9nero del c\u00f3mic se asocia tradicionalmente con el p\u00fablico joven, no cabe duda de que el c\u00f3mic espa\u00f1ol actual es capaz de atraer al p\u00fablico de todas las edades. Tambi\u00e9n es incuestionable que el comisario de la exposici\u00f3n ha realizado un enorme trabajo para demostrarlo al haber seleccionado una amplia gama de temas:desde las coloridas ilustraciones de libros infantiles (Yo oso<\/em> y L’Escala de la Donzella<\/em> de Marta Chaves) hasta los c\u00f3mics con un fuerte compromiso social y pol\u00edtico (Persona Evolutiva<\/em> e Il Signore K e la politica tedesca <\/em>de El\u00edas Ta\u00f1o), pasando por puras representaciones de las emociones del artista (El Camino del Titiritero<\/em> y El para\u00edso perdido<\/em> de Pablo Auladell). <\/p>\n\n\n\n

    • \"\"
      Yo Oso<\/em>, de Marta Chaves<\/figcaption><\/figure><\/li>
    • \"\"
      Persona<\/em> Evolutiva<\/em>, de El\u00edas Ta\u00f1o<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

                                                                                                    <\/p>\n\n\n\n

      Durante la inauguraci\u00f3n, Laura Mart\u00edn Blas, la gestora cultural del Instituto Cervantes Dubl\u00edn, mencion\u00f3 que las obras expuestas reflejan inevitablemente el cambio, no s\u00f3lo en la historia del g\u00e9nero del c\u00f3mic en Espa\u00f1a, sino tambi\u00e9n en el estilo de los propios artistas, se\u00f1alandoque, hist\u00f3ricamente, el panorama del c\u00f3mic en Espa\u00f1a ha pasado tanto por cambios muy dr\u00e1sticos \u2014el fin de la dictadura de Franco permiti\u00f3 que las im\u00e1genes humor\u00edsticas estuvieran m\u00e1s presentes en la sociedad\u2014 como por otros m\u00e1s sutiles que se produjeron entre los a\u00f1os 80 y 90 y que marcaron una transici\u00f3n de los tiempos turbulentos a los m\u00e1s tranquilos. El final de los 90 supuso un renacimiento del arte del c\u00f3mic espa\u00f1ol ya que los artistas comenzaron a utilizar en sus obras no s\u00f3lo el humor, sino tambi\u00e9n el drama o la fantas\u00eda.<\/p>\n\n\n\n

      La exposici\u00f3n no solo muestra la evoluci\u00f3n hist\u00f3rica. Tambi\u00e9n vemos la evoluci\u00f3n en el enfoque y el estilo de los artistas. Mientras que algunos de ellos decidieron ser fieles a su estilo creativo original (Mart\u00edn Romero, Mart\u00edn L\u00f3pez Lam o Antonio Hitos), algunas de las obras m\u00e1s recientes apenas pueden atribuirse al mismo autor (\u00c1lvaro Ortiz, Brais Rodr\u00edguez o Francisco Marchante).<\/p>\n\n\n\n

      • \"\"
        Big Tremo<\/em>, de Brais Rodr\u00edguez<\/figcaption><\/figure><\/li>
      • \"\"
        Onde est\u00e1s<\/em>?, de Brais Rodr\u00edguez<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

        La inauguraci\u00f3n de la muestra revel\u00f3 a todos sus visitantes \u2014que tras ver la exposici\u00f3n ser\u00edan testigo de los cambios en la historia del c\u00f3mic\u2014  cambios en el estilo art\u00edstico y.\u2026 finalmente,  cambios en el tiempo meteorol\u00f3gico. La ma\u00f1ana siguiente trajo la luz del sol y el calor a Galway, como si el tiempo estuviera celebrando con nosotros.<\/p>\n\n\n\n

        Adem\u00e1s, la gran noticia es que, tras pasar unos d\u00edas m\u00e1s en Galway (Cornstore 2020 Hub, Unit 15, Middle Street, Galway, Irlanda), la exposici\u00f3n viajar\u00e1 a D\u00fan Laoghaire. Su comisario, Gerardo Vilches, inaugurar\u00e1 la muestra el 9 de noviembre en el centro cultural dlr LexIcon (Level 4 Haigh Terrace, Moran Park, D\u00fan Laoghaire, Irlanda), y los visitantes podr\u00e1n disfrutar de la exposici\u00f3n hasta el 7 de enero del 2022. \u00a1No te pierdas la oportunidad de disfrutar de lasos l\u00edneas y colores espa\u00f1oles!<\/p>\n\n\n\n

        Text: Ekaterina Dragalina<\/p>\n\n\n\n

        \n\n\n\n

        20 Years of Injuve Comic Awards. The historical past and the bright future of Spanish comics.<\/strong><\/p>\n\n\n\n

        Exhibition dedicated to the evolution of the comic genre in Spain: witness the changes with the best of Spanish creative minds.<\/p>\n\n\n\n

        Galway is unfortunately not known for warm and sunny weather, and this October 4 was not an exception. However, the cultural scene of the city was celebrating a special event on that day \u2013 an event that brought the warmest colours and a bit of Spanish sunlight to everyone willing to participate.<\/p>\n\n\n\n

        In the framework of the Galway Cartoon Festival (October 1-9, 2021), our Institute was lucky enough to present an exhibition called 20 Years of Injuve Comic Awards<\/em>, which traces the creative paths of Spanish comic artists throughout the years that they dedicated to this enriching, inspiring and rapidly developing genre. The curator of the exhibition Gerardo Vilches has literally captured the 20 -yearlong flow of artistic creativity, since he has masterfully selected two artworks from each of the authors (one is an Injuve award winner from the past, and the other is current).    <\/p>\n\n\n\n

        Injuve is an abbreviation for the Instituto de la Juventud<\/em> \u2013 a Spanish public organization promoting activities dedicated to the youth. Throughout the years, it has played a very important role in the forming of modern Spanish artistic scene by supporting ground-breaking projects and initiating awards (like the Comic award itself). And, even though the name Injuve contains the word \u201cyouth\u201d and the comic genre is traditionally associated with young public, there is no doubt that modern Spanish comics will attract the public of all ages. It is also unquestionable that the exhibition\u00b4s curator has made a tremendous work in proving this point, having selected a wide range of represented themes. They vary all the way from colourful children\u00b4s book illustrations (Yo oso<\/em> and L\u00b4Escala de la Donzella<\/em> by Marta Chaves) to politically engaged comics (Persona Evolutiva<\/em> and Il Signore K e la politica tedesca <\/em>by El\u00edas Ta\u00f1o) and obscure representations of the artist’s emotions (El Camino del Titiritero <\/em>and El para\u00edso perdido<\/em> by Pablo Auladell).  <\/p>\n\n\n\n

        During the opening ceremony, Laura Mart\u00edn Blas, the arts officer of the Instituto Cervantes Dublin, mentioned that the works presented in the exhibition inevitably depict change, not only in the history of the comic genre in Spain, but also in the work of the artists themselves. She noted that, historically, the comic scene in Spain has gone through both very drastic changes \u2013 the end of the dictatorship led by Franco allowed more humoristic images to be present in the society\u2014 and some more subtle ones that happened from the 80s to the 90s and marked a transition from the turbulent to more calm times. The end of the 90s brought a revival to Spanish comic art, as the artists started to use not only humour, but also drama and fantasy in their works.<\/p>\n\n\n\n

        The exhibition does not only depict historical evolution. We also see the evolution in the artistic approach of the artists. While some of them decided to be loyal to their original creative style (Mart\u00edn Romero, Mart\u00edn L\u00f3pez Lam or Antonio Hitos), some of the current artworks can hardly be attributed to the same author, compared to their ancestors (\u00c1lvaro Ortiz, Brais Rodr\u00edguez or Francisco Marchante).<\/p>\n\n\n\n

        The opening ceremony showed all its visitors that, after seeing the exhibition, they would witness changes in the history of comics, changes in artistic style and\u2026 eventually, changes in the weather. The few following days have brought sunlight and warmth to Galway, as if the weather was celebrating with us.<\/p>\n\n\n\n

        Moreover, the great news is that, after spending a few more days in Galway (Cornstore 2020 Hub. Unit 15, Middle Street, Galway, Ireland), the exhibition will travel to Dun Laoghaire. Lead by its curator Gerardo Vilches, the opening will take place on November 9 in the dlr LexIcon cultural centre (Level 4 Haigh Terrace, Moran Park A96 H283 D\u00fan Laoghaire, Ireland), and the visitors will be able to enjoy the exhibition up until January 7. Don\u00b4t miss your chance to get your own portion of Spanish colours!<\/p>\n\n\n\n

        Text: Ekaterina Dragalina<\/p>\n","protected":false},"excerpt":{"rendered":"

        Exposici\u00f3n dedicada a la evoluci\u00f3n del g\u00e9nero del c\u00f3mic en Espa\u00f1a: s\u00e9 testigo de los cambios a trav\u00e9s de las mentes m\u00e1s creativas de Espa\u00f1a. Por desgracia, Galway no es conocida por su clima c\u00e1lido y soleado, y este cuatro de octubre no ha sido una excepci\u00f3n. Sin embargo, la escena cultural de la ciudad […]<\/p>\n","protected":false},"author":323,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1505],"tags":[2063,2060,2066,2036,2048,2021,2015,2039,2057,2051,2045,2024],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/13196"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/323"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=13196"}],"version-history":[{"count":1,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/13196\/revisions"}],"predecessor-version":[{"id":13223,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/13196\/revisions\/13223"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=13196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=13196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=13196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}