{"id":4420,"date":"2012-02-29T10:00:32","date_gmt":"2012-02-29T10:00:32","guid":{"rendered":"http:\/\/biblioteca-blogs.cervantes.es\/dublin\/?p=4420"},"modified":"2012-09-10T14:28:12","modified_gmt":"2012-09-10T13:28:12","slug":"cine-film-screening-promedio-rojo","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/cine-film-screening-promedio-rojo\/","title":{"rendered":"Cine \/ Film screening: Promedio rojo"},"content":{"rendered":"<p><span class=\"youtube\"><iframe loading=\"lazy\" title=\"YouTube video player\" class=\"youtube-player\" type=\"text\/html\" width=\"480\" height=\"385\" src=\"\/\/www.youtube.com\/embed\/DgcfLoRLfcg?wmode=transparent&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=1&amp;theme=dark\" frameborder=\"0\" allowfullscreen><\/iframe><\/span><\/p>\n<p>La <a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78315_16_1.htm\" target=\"_blank\">II Semana de Cine Chileno<\/a> da un salto de g\u00e9nero en su tercera entrega con una divertid\u00edsima comedia juvenil. <em><a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78841_16_1.htm\" target=\"_blank\">Promedio rojo<\/a><\/em> (2004) es una co-producci\u00f3n chileno-espa\u00f1ola que logr\u00f3 arrastrar a numerosos espectadores chilenos al cine, poniendo una vez m\u00e1s el punto de mira en la producci\u00f3n cinematogr\u00e1fica nacional. Su director, Nicol\u00e1s L\u00f3pez, a sus solo 29 a\u00f1os, est\u00e1 ya habituado a los \u00e9xitos de taquilla con pel\u00edculas como <em>Qu\u00e9 pena tu vida<\/em> (2010) o <em>Qu\u00e9 pena tu boda<\/em> (2011).<\/p>\n<p><em><a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78841_16_1.htm\" target=\"_blank\">Promedio Rojo<\/a><\/em> es la primera pel\u00edcula chilena que emplea efectos especiales digitales para contar una historia donde se cruzan superh\u00e9roes, abuelos muertos sacados de La Guerra de las galaxias y dibujos animados que interactuar\u00e1n con la realidad.<\/p>\n<p><strong>Hoy, 29 de febrero, a las 18h en Caf\u00e9 Literario.<\/strong><\/p>\n<hr \/>\n<p>The <a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78315_16_2.htm\" target=\"_blank\">2nd Chilean Cinema Season<\/a> drastically moves to a different genre in its third session with this hilarious teenage comedy. <a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78841_16_2.htm\" target=\"_blank\"><em>Promedio rojo<\/em> <\/a>(2004) is a Chilean-Spanish coproduction which made Chilean audiences go en masse to the cinema and put the spotlight once more on the national film making. The director, Nicol\u00e1s L\u00f3pez, at 29, is already in used to box office hits with films like Qu\u00e9 pena tu vida (2010) and Qu\u00e9 pena tu boda (2011).<\/p>\n<p><em><a href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha78841_16_2.htm\" target=\"_blank\">Promedio rojo<\/a><\/em> is the first Chilean movie to use digital effects to combine cartoon animation with reality, creating a world in which you can see characters of every type imaginable, from superheroes to grandparents, from the deceased to intergalactic heroes you would expect to see in movies like <em>Star Wars<\/em>.<\/p>\n<p><strong>Today, February 29th at 6pm at Caf\u00e9 Literario.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La II Semana de Cine Chileno da un salto de g\u00e9nero en su tercera entrega con una divertid\u00edsima comedia juvenil. Promedio rojo (2004) es una co-producci\u00f3n chileno-espa\u00f1ola que logr\u00f3 arrastrar a numerosos espectadores chilenos al cine, poniendo una vez m\u00e1s el punto de mira en la producci\u00f3n cinematogr\u00e1fica nacional. Su director, Nicol\u00e1s L\u00f3pez, a sus [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[438,5,13],"tags":[467,438,460,433,237,13],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/4420"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=4420"}],"version-history":[{"count":14,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/4420\/revisions"}],"predecessor-version":[{"id":4583,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/4420\/revisions\/4583"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=4420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=4420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=4420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}