{"id":5450,"date":"2012-05-02T10:00:19","date_gmt":"2012-05-02T09:00:19","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=5450"},"modified":"2012-05-02T10:08:08","modified_gmt":"2012-05-02T09:08:08","slug":"film-screening-%c2%a1ay-carmela","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/film-screening-%c2%a1ay-carmela\/","title":{"rendered":"Cine \/ Film screening: \u00a1Ay, Carmela!"},"content":{"rendered":"

\"\"<\/a>No olvides que este mi\u00e9rcoles, a las seis, tienes una nueva cita en el Caf\u00e9 Literario. Continuando con el ciclo de cine “Una pel\u00edcula, un libro”, esta semana os ofrecemos la pel\u00edcula \u00a1Ay, Carmela!<\/a><\/em> que nos cuenta la historia de\u00a0Carmela (valiente y espont\u00e1nea), Paulino (pragm\u00e1tico y cobard\u00f3n) y Gustavete (mudo), trovadores que act\u00faan para el ocio del bando republicano durante la Guerra Civil Espa\u00f1ola.<\/p>\n

Son un grupo de c\u00f3micos que ameniza como puede a los soldados republicanos durante la Guerra Civil, pero est\u00e1n cansados ya de pasar penalidades en el frente. Carmela, Paulino y Gustavete se dirigen a Valencia pero, por error, van a parar a la zona nacional. All\u00ed son hechos prisioneros, y la \u00fanica manera de salvar sus vidas es ofreciendo un espect\u00e1culo para un grupo de militares nacionales que choca de lleno con la ideolog\u00eda de los c\u00f3micos.<\/p>\n

El autor de la obra en la que se basa esta pel\u00edcula es Jos\u00e9 Sanchis Sinisterra,\u00a0<\/strong>considerado uno de los grandes renovadores del teatro espa\u00f1ol. Su obra\u00a0 se mueve entre la tradici\u00f3n y las nuevas tendencias contempor\u00e1neas, combinando narraci\u00f3n y dinamismo teatral para implicar al espectador por completo en las obras.<\/p>\n

Su director, Carlos Saura<\/strong>\u00a0es un cineasta y fot\u00f3grafo espa\u00f1ol de amplio prestigio internacional. En 1992 recibi\u00f3 la Medalla de Oro de la Academia de las Ciencias y de las Artes Cinematogr\u00e1ficas de Espa\u00f1a. Sus primeros trabajos se posicionan a favor de los marginados con un estilo documental. Ha sido reconocido con numerosos galardones que lo avalan por obras como La caza<\/em>, Peppermint Frap\u00e9<\/em>, La prima ang\u00e9lica<\/em>, Cr\u00eda cuervos<\/em>…<\/p>\n

A la proyecci\u00f3n le seguir\u00e1 un debate dirigido a todo tipo de p\u00fablico.<\/p>\n

\n
\n

Don\u00b4t forget you appointment this Thursday at 6pm at Cafe Literario. \u00a0We continue with the film series “A film, a book” \u00a0with\u00a0\u00a1Ay Carmela!<\/a><\/em>\u00a0a Spanish film directed in 1990 by Carlos Saura and based on the eponymous play by Jos\u00e9 Sanch\u00eds Sinisterra. The film stars Carmen Maura, Andr\u00e9s Pajares, and Gabino Diego as a trio of traveling players performing for the Republic, who inadvertently find themselves on the Nationalist side during the closing months of the Spanish Civil War.<\/p>\n

The film is based on a play by Jos\u00e9 Sanchis Sinisterra<\/strong>\u00a0who is a Spanish playwright and theatre director. \u00a0He is best known, outside of Spain, for his award-winning play, \u00a1Ay Carmela!\u00a0<\/em>\u00a0His work swifts between tradition and contemporary tendencies, combining narration and the dynamism of theatre in order to involve the audience in the play.<\/p>\n

The director is Carlos Saura,<\/strong>\u00a0 an internationally acclaimed Spanish filmmaker and photographer. In 1992 he was awarded the Golden Medal of the Spanish Academy of Sciences and Film Arts. In his first steps, he used the documentary style to raise awareness for the deprived people. Some of his films, notably La caza, Peppermint Frap\u00e9, La prima ang\u00e9lica<\/em> and Cr\u00eda cuervos<\/em> have received multiple awards.<\/p>\n

The screeening will be followed by an open discussion.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

No olvides que este mi\u00e9rcoles, a las seis, tienes una nueva cita en el Caf\u00e9 Literario. Continuando con el ciclo de cine “Una pel\u00edcula, un libro”, esta semana os ofrecemos la pel\u00edcula \u00a1Ay, Carmela! que nos cuenta la historia de\u00a0Carmela (valiente y espont\u00e1nea), Paulino (pragm\u00e1tico y cobard\u00f3n) y Gustavete (mudo), trovadores que act\u00faan para el […]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,27,61,40,47],"tags":[568,114,566,155,249,567,27,390,565],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/5450"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=5450"}],"version-history":[{"count":17,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/5450\/revisions"}],"predecessor-version":[{"id":5493,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/5450\/revisions\/5493"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=5450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=5450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=5450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}