{"id":6631,"date":"2012-10-17T10:00:26","date_gmt":"2012-10-17T09:00:26","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=6631"},"modified":"2012-10-17T10:27:11","modified_gmt":"2012-10-17T09:27:11","slug":"film-screening-cine-el-mural","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/film-screening-cine-el-mural\/","title":{"rendered":"Cine \/ Film screening: El mural"},"content":{"rendered":"<p>La segunda sesi\u00f3n del <a title=\"ciclo de cine argentino\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha81749_16_1.htm\" target=\"_blank\">ciclo de cine argentino<\/a> llega hoy a las seis al Caf\u00e9 Literario con la proyecci\u00f3n de la pel\u00edcula <em><a title=\"El mural\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha83918_16_1.htm\" target=\"_blank\">El mural<\/a><\/em>.<\/p>\n<p>La trama desarrolla su acci\u00f3n en los a\u00f1os treinta, cuando llega al pa\u00eds David Alfaro Siqueiros. El film relata las<a href=\"https:\/\/blogs.cervantes.es\/dublin\/2012\/10\/17\/film-screening-cine-el-mural\/el_mural\/\" rel=\"attachment wp-att-6632\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-thumbnail wp-image-6632\" src=\"https:\/\/blogs.cervantes.es\/dublin\/files\/2012\/09\/el_mural-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a> distintas circunstancias que llevaron al pintor a realizar el famoso mural en la quinta Los Granados, propiedad de Natalio Botana, con la colaboraci\u00f3n de los pintores argentinos Lino Enea Spilimbergo, Antonio Berni y Juan Carlos Castagnino y el uruguayo Enrique L\u00e1zaro; m\u00e1s las complicadas y entrecruzadas relaciones entabladas entre los personajes protagonistas de la historia.<\/p>\n<p>Pel\u00edcula ganadora de cinco Premios Sur 2010: Mejor Fotograf\u00eda, Mejor Montaje, Mejor Direcci\u00f3n art\u00edstica, Mejor Dise\u00f1o de vestuario y Mejor Maquillaje y Caracterizaci\u00f3n.<\/p>\n<p><span class=\"youtube\"><iframe loading=\"lazy\" title=\"YouTube video player\" class=\"youtube-player\" type=\"text\/html\" width=\"520\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/mrlTxcwj7MU?wmode=transparent&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=1&amp;theme=dark&amp;hd=1\" frameborder=\"0\" allowfullscreen><\/iframe><\/span><\/p>\n<hr \/>\n<p>The second session of the <a title=\"Argentinian Film Series\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha81749_16_2.htm\" target=\"_blank\">Argentinian film series<\/a> will be held today at 6pm at Cafe Literario with the screening of <em><a title=\"El mural\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha83918_16_2.htm\" target=\"_blank\">El mural<\/a><\/em>.<\/p>\n<p>The plot takes place in the 30s, when David Alfaro Siqueiros arrived to the country. The film relates the several circumstances leading the artist to paint the famous mural in Los Granados, the country estate of Natalio Botana, with the collaboration of Argentinean painters Lino Enea Spilimbergo, Antonio Berni and Juan Carlos Castagnino, and the Uruguayan Enrique L\u00e1zaro. The story reveals the complicated criss-cross relations among the main characters.<\/p>\n<p>Awarded five Premios Sur 2010: Best Photography, Best Editing, Best Art Direction, Best Costume Design, Best Makeup and Portrayal.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La segunda sesi\u00f3n del ciclo de cine argentino llega hoy a las seis al Caf\u00e9 Literario con la proyecci\u00f3n de la pel\u00edcula El mural. La trama desarrolla su acci\u00f3n en los a\u00f1os treinta, cuando llega al pa\u00eds David Alfaro Siqueiros. El film relata las distintas circunstancias que llevaron al pintor a realizar el famoso mural [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[611,5,13],"tags":[583,92,114,505,155,807,248],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6631"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=6631"}],"version-history":[{"count":13,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6631\/revisions"}],"predecessor-version":[{"id":6637,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6631\/revisions\/6637"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=6631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=6631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=6631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}