{"id":6793,"date":"2012-10-03T12:29:13","date_gmt":"2012-10-03T11:29:13","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=6793"},"modified":"2012-10-03T12:29:13","modified_gmt":"2012-10-03T11:29:13","slug":"la-biblioteca-propone-cine-argentino-the-library-suggests-argentinian-cinema","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/la-biblioteca-propone-cine-argentino-the-library-suggests-argentinian-cinema\/","title":{"rendered":"La biblioteca propone: Cine argentino | The library suggests: Argentinian Cinema"},"content":{"rendered":"<p>El cine argentino m\u00e1s actual llega este mes a nuestra pantalla del Caf\u00e9 Literario, dentro de nuestra programaci\u00f3n cultural<a href=\"https:\/\/blogs.cervantes.es\/dublin\/2012\/10\/03\/la-biblioteca-propone-cine-argentino-the-library-suggests-argentinian-cinema\/la-mujer-sin-cabeza\/\" rel=\"attachment wp-att-6794\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-6794\" src=\"https:\/\/blogs.cervantes.es\/dublin\/files\/2012\/10\/la-mujer-sin-cabeza.jpg\" alt=\"\" width=\"151\" height=\"227\" \/><\/a> para el mes de octubre.<\/p>\n<p>Tambi\u00e9n desde la biblioteca tambi\u00e9n queremos rendir homenaje a una de las cinematograf\u00edas m\u00e1s potentes de Sudam\u00e9rica tanto por la calidad de sus pel\u00edculas como por el n\u00famero de producciones.<\/p>\n<p>Tras la dolorosa dictadura que sufri\u00f3 Argentina durante la d\u00e9cada de los 70 y primeros a\u00f1os de los 80, su cine experiment\u00f3 un nuevo renacer. Realizadores como Mar\u00eda Luisa Bemberg con <em>Camila<\/em>, Luis Puenzo con <em>La Historia Oficial<\/em> y Adolfo Aristarain (<em>Tiempo de revancha<\/em>, <em>Un lugar en el mundo<\/em>), atrajeron la mirada de nuevos p\u00fablicos.<\/p>\n<p>En la d\u00e9cada del noventa surge una nueva corriente denominada normalmente como nuevo cine argentino, marcada por el car\u00e1cter independiente de las realizaciones y un cambio en la mirada. El precursor en este movimiento es Mart\u00edn Rejtman con su \u00f3pera prima <em>Rapado<\/em> en 1991.<\/p>\n<p>A esta pel\u00edcula le siguieron <em>Mundo Gr\u00faa<\/em>, <em>El bonaerense<\/em> y otras que continuaron esa l\u00ednea de pel\u00edculas de t\u00f3nica y personajes reales, bajo presupuesto y actores no conocidos.<\/p>\n<p><a title=\"Cine argentino\" href=\"http:\/\/dublin.cervantes.es\/es\/biblioteca_espanol\/biblioteca_propone_espanol.htm\" target=\"_blank\">Seguir leyendo<\/a><\/p>\n<hr \/>\n<p>The latest Argentinian cinema comes to our screen in the Caf\u00e9 Literario, as part of the cultural programme in October.<\/p>\n<p>From the library we would like to pay tribute as well to one of the most powerful cinematographies of South America referring to the number and quality of its films.<\/p>\n<p>After the military dictatorship during the 70s and first part of the 80s, Argentinian cinema experienced a new reawakening . Films makers such as Mar\u00eda Luisa Bemberg with <em>Camila<\/em>, Luis Puenzo with <em>La historia oficial <\/em>and Adolfo Aristarain (<em>Tiempo de revancha<\/em>, <em>Un lugar en el mundo<\/em>) attracted the interest of a new audience.<\/p>\n<p>There was a new trend during the 90s usually called the new Argentinian cinema and it stood out because of the independent style of the films and a change in its approach.<br \/>\nThe precursor of this change was Martin Rejtman with his opera prima <em>Rapado<\/em> in 1991.<\/p>\n<p>After this film we can find <em>Mundo Gr\u00faa<\/em>, <em>El bonaerense<\/em> and other films that continued that style with realistic characters, low budget and not very well-known actors.<\/p>\n<p><a title=\"Argentinian Cinema\" href=\"http:\/\/dublin.cervantes.es\/en\/library_spanish\/the_library_suggests_spanish.htm\" target=\"_blank\">Continue reading<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cine argentino m\u00e1s actual llega este mes a nuestra pantalla del Caf\u00e9 Literario, dentro de nuestra programaci\u00f3n cultural para el mes de octubre. Tambi\u00e9n desde la biblioteca tambi\u00e9n queremos rendir homenaje a una de las cinematograf\u00edas m\u00e1s potentes de Sudam\u00e9rica tanto por la calidad de sus pel\u00edculas como por el n\u00famero de producciones. Tras [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,18,39],"tags":[92,505,250,832,39],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6793"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=6793"}],"version-history":[{"count":9,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6793\/revisions"}],"predecessor-version":[{"id":6803,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/6793\/revisions\/6803"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=6793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=6793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=6793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}