{"id":8001,"date":"2012-11-03T20:00:36","date_gmt":"2012-11-03T19:00:36","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=8001"},"modified":"2013-05-22T11:33:21","modified_gmt":"2013-05-22T10:33:21","slug":"video-catherine-dunne-en-el-festival-isla-de-literatura-isla-literary-festival","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/video-catherine-dunne-en-el-festival-isla-de-literatura-isla-literary-festival\/","title":{"rendered":"[Video] Catherine Dunne en el Festival Isla de Literatura \/ Isla Literary Festival"},"content":{"rendered":"<p><span class=\"youtube\"><iframe loading=\"lazy\" title=\"YouTube video player\" class=\"youtube-player\" type=\"text\/html\" width=\"520\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/d9qrQ2rteNg?wmode=transparent&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=1&amp;theme=dark&amp;hd=1&amp;feature=share&amp;list=PLWDS334vqrFn2zgc_TcSSPhQ6_OsIquAY\" frameborder=\"0\" allowfullscreen><\/iframe><\/span><\/p>\n<p>Catherine Dunne particip\u00f3 en la mesa redonda &#8220;<a title=\"Abre nueva ventana \/ Open new window\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha84339_16_1.htm\" target=\"_blank\">Escritores sin escr\u00fapulos: intimidad, violencia y humor en literatura<\/a>&#8221; \/ <a title=\"Abre nueva ventana \/ Open new window\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha84339_16_2.htm\" target=\"_blank\">Writers without scruples: Intimacy, violence and humour in literature<\/a>. Entrevistada por Megan Specia. Edici\u00f3n de video: Cris M\u00e9ndez.<\/p>\n<p>Temas como la identidad y la memoria, la violencia o el humor fueron tratados por los invitados Ita Daly, Christopher Dom\u00ednguez Michael, Rafael Gumucio y Catherine Dunne, con la moderaci\u00f3n de Ciaran Cosgrove (Trinity College Dublin).<\/p>\n<p>Catherine Dunne (Dubl\u00edn, 1954), estudi\u00f3 ingl\u00e9s y espa\u00f1ol en Trinity College de Dubl\u00edn. Su primera novela, In the Beginning, fue publicada en 1997. Le sigui\u00f3 A Name for Himself, finalista del premio Kerry Fiction Prize. Ha publicado otras seis novelas, The Walled Garden (2000), Another Kind of Life (2003), Something Like Love (2006), At a Time Like This (2007), Set in Stone (2009), Missing Julia (2011) y el ensayo An Unconsidered People: The Irish in Sixties London (2003).<\/p>\n<p>Sus novelas The Walled Garden (El jard\u00edn vallado) y A Name for Himself (Un nombre propio) han sido traducidas al espa\u00f1ol.<\/p>\n<hr \/>\n<p><a title=\"Abre nueva ventana \/ Open new window\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha84339_16_2.htm\" target=\"_blank\">Topics such as identity and memory, violence or humour<\/a> were dealt with by guests Ita Daly, Christopher Dom\u00ednguez Michael, Rafael Gumucio and Catherine Dunne, chaired by Ciaran Cosgrove (Trinity College Dublin).<\/p>\n<p>Catherine Dunne (Dublin, 1954) studied English and Spanish at Trinity College, Dublin. Her first novel, In the Beginning, was published in 1997. A Name for Himself followed a year later, and was short listed for the Kerry Fiction Prize. She has published six further novels, The Walled Garden (2000), Another Kind of Life (2003), Something Like Love (2006), At a Time Like This (2007), Set in Stone (2009), Missing Julia (2011) and the non-fiction book An Unconsidered People: The Irish in Sixties London (2003).<\/p>\n<p>Her novels The Walled Garden (El jard\u00edn vallado) and A Name for Himself (Un nombre propio) have been translated into Spanish.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Catherine Dunne particip\u00f3 en la mesa redonda &#8220;Escritores sin escr\u00fapulos: intimidad, violencia y humor en literatura&#8221; \/ Writers without scruples: Intimacy, violence and humour in literature. Entrevistada por Megan Specia. Edici\u00f3n de video: Cris M\u00e9ndez. Temas como la identidad y la memoria, la violencia o el humor fueron tratados por los invitados Ita Daly, Christopher [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,243,55,851,19,37,47],"tags":[467,1085,5,155,529,901,249,687,55,851,685,916,400],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8001"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=8001"}],"version-history":[{"count":9,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8001\/revisions"}],"predecessor-version":[{"id":8819,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8001\/revisions\/8819"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=8001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=8001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=8001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}