{"id":8749,"date":"2013-05-22T10:00:21","date_gmt":"2013-05-22T09:00:21","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=8749"},"modified":"2013-05-22T10:11:48","modified_gmt":"2013-05-22T09:11:48","slug":"cine-film-screening-actas-de-marusia","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/cine-film-screening-actas-de-marusia\/","title":{"rendered":"Cine | Film screening: Actas de Marusia"},"content":{"rendered":"

\"\"<\/a><\/em><\/p>\n

Chile and Mexico join today thanks to the film that we are screening at 6pm at Caf\u00e9 Literario.\u00a0Letters from Marusia\u00a0<\/a><\/em>is a Mexican film, directed by the Chilean Miguel Littin. The film tells the story of the life and death of the\u00a0saltpetre Chilean workers of the early 20th century. The film was\u00a0nominated for an Oscar in 1975\u00a0for best foreign film; it also participated in the official competition at Cannes 1976.\u00a0The film will be presented personally by one of its protagonists, the outstanding and distinguished Mexican artist Diana Bracho.<\/p>\n

Diana Bracho\u00a0has worked with some of the best directors of Cinema in Mexico on over forty films, for instance\u00a0El Castillo de la Pureza<\/em>\u00a0(The Castle of Purity<\/em>),\u00a0Las Poquianchis<\/em>,\u00a0Entre Pancho Villa y una mujer desnuda\u00a0<\/em>(Between Pancho Villa and a Naked Woman<\/em>),\u00a0Cuban Blood<\/em>\u00a0and\u00a0Y Tu Mam\u00e1 Tambi\u00e9n<\/em>. She has also starred in numerous plays, television series and soap operas, including the famous\u00a0Cuna de Lobos\u00a0<\/em>(Cradle of Wolves<\/em>).<\/p>\n

Iv\u00e1n Trujillo, Director of the prestigious Guadalajara International Film Festival, will also be attending\u00a0the screening. Both Diana Bracho and Iv\u00e1n Trujillo will participate in a Q & A session after the film.<\/p>\n

Refreshments will be served compliment of the Embassy of Mexico and the Embassy of Chile.<\/p>\n

\n

Chile y M\u00e9xico se unen en la pel\u00edcula que te ofrecemos hoy a las 18:00 en el Caf\u00e9 Literario.\u00a0Actas de Marusia<\/a><\/em>\u00a0es una pel\u00edcula mexicana dirigida por el chileno Miguel Littin. El filme narra la historia de la vida y muerte de los\u00a0trabajadores chilenos del salitre de principios del siglo XX. La cinta estuvo\u00a0nominada al \u00d3scar\u00a0en 1975\u00a0en la categor\u00eda de mejor pel\u00edcula extranjera, a la vez que particip\u00f3 en la competici\u00f3n oficial del Festival de Cannes de 1976.\u00a0La cinta ser\u00e1 presentada personalmente por una de sus protagonistas, la destacada y distinguida artista mexicana Diana Bracho.<\/p>\n

Diana Bracho\u00a0ha trabajado con algunos de los directores m\u00e1s sobresalientes del cine mexicano en m\u00e1s de cuarenta filmes, entre ellos\u00a0El Castillo de la Pureza<\/em>,\u00a0Las Poquianchis<\/em>,\u00a0Entre Pancho Villa y Una Mujer Desnuda<\/em>,\u00a0Cuban Blood<\/em>\u00a0y\u00a0Y Tu Mam\u00e1 Tambi\u00e9n<\/em>. Ha protagonizado tambi\u00e9n numerosas obras de teatro, series de televisi\u00f3n y telenovelas, entre ellas la muy famosa\u00a0Cuna de lobos<\/em>.<\/p>\n

En\u00a0la proyecci\u00f3n de la pel\u00edcula tambi\u00e9n estar\u00e1 presente el Director del prestigiado Festival Internacional de Cine de Guadalajara,\u00a0Iv\u00e1n Trujillo. Al final de la cinta habr\u00e1 una sesi\u00f3n de preguntas y respuestas en la que Diana Bracho e Iv\u00e1n Trujillo responder\u00e1n a preguntas del p\u00fablico asistente.<\/p>\n

Habr\u00e1 una recepci\u00f3n por cortes\u00eda de la Embajada de M\u00e9xico y la Embajada de Chile.
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Chile and Mexico join today thanks to the film that we are screening at 6pm at Caf\u00e9 Literario.\u00a0Letters from Marusia\u00a0is a Mexican film, directed by the Chilean Miguel Littin. The film tells the story of the life and death of the\u00a0saltpetre Chilean workers of the early 20th century. The film was\u00a0nominated for an Oscar in […]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[438,5,13,540],"tags":[1114,583,155,1117,249,1118,1115,1116],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8749"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=8749"}],"version-history":[{"count":4,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8749\/revisions"}],"predecessor-version":[{"id":8773,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/8749\/revisions\/8773"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=8749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=8749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=8749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}