{"id":9342,"date":"2013-09-09T10:00:55","date_gmt":"2013-09-09T09:00:55","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=9342"},"modified":"2014-01-10T13:51:35","modified_gmt":"2014-01-10T12:51:35","slug":"exhibition-in-a-faceless-world-paintings-and-sculptures-by-amaya-bozal-exposicion-en-un-mundo-sin-rostro-pinturas-y-esculturas-de-amaya-bozal","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/exhibition-in-a-faceless-world-paintings-and-sculptures-by-amaya-bozal-exposicion-en-un-mundo-sin-rostro-pinturas-y-esculturas-de-amaya-bozal\/","title":{"rendered":"Exhibition: In a faceless world. Paintings and sculptures by Amaya Bozal | Exposici\u00f3n: En un mundo sin rostro. Pinturas y esculturas de Amaya Bozal"},"content":{"rendered":"<p><span style=\"color: #000080\">Next Thursday, we open the exhibition<\/span><a title=\"In a faceless world\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha87013_16_1.htm\" target=\"_blank\"> In a faceless world<\/a> <span style=\"color: #000080\">with the paintings and scultures by Amaya Bozal.\u00a0You can enjoy <span style=\"color: #000080\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-9343 alignright\" alt=\"en_un_mundo_sin_rostro\" src=\"https:\/\/blogs.cervantes.es\/dublin\/files\/2013\/07\/en_un_mundo_sin_rostro.jpg\" width=\"259\" height=\"194\" \/><\/span><\/span><br \/>\n<span style=\"color: #000080\"> this\u00a0exhibition until 17th October. The opening hours are Mon-Thu 2-7pm and Sat 10am-2pm.<\/span><\/p>\n<p><span style=\"color: #000080\">Through the verses of Samuel Beckett, \u201cwhat would I do without this world faceless incurious, where to be lasts but an instant\u201d, Amaya Bozal brings to mind\u00a0thoughts of fragility and violence, the starkness of the passage of time. A world wherefaces don\u00b4t belong to real people, they are archetypes, childlike heads painted with earth and gold, moulded\u00a0 in clay like ancient funeral masks, like the remains of an ossuary; fragments of female bodies, earth consumed by fire; wax and clay flowers punctured with old nails.\u00a0This reflection conveys a depersonalized world, where femininity is only saved by its historic connection with nature.<\/span><\/p>\n<p><span style=\"color: #000080\">Amaya Bozal\u00a0(1972, Madrid) takes something from her classical and archaelogical training, that is reflected in all of her work &#8211; a craft she has been developing for over 20 years. She has exhibited in some of the biggest galleries &#8211; Sen, Rayuela, Fern\u00e1ndez Brasso, Marlborough, Paul Sharpe Contemporary Art &#8211; and has participated in ARCO, ArteBA, FIA, and ArtMiami. Her work is visible in the best public and private collections in Europe.\u00a0 Currently, she continues to work in her studio in the mountains near Madrid, using wind, fragments of fallen trees and ancient techniques like fired clay, gold leaf and wax.<\/span><\/p>\n<hr \/>\n<p>El pr\u00f3ximo jueves d\u00eda 12 inauguramos una nueva exposici\u00f3n: <a title=\"En un mundo sin rostro\" href=\"http:\/\/dublin.cervantes.es\/FichasCultura\/Ficha87013_16_1.htm\" target=\"_blank\">En un mundo sin rostro<\/a>, con las pinturas y esculturas de la artista Amaya Bozal. La exposici\u00f3n permanecer\u00e1 abierta hasta el 17 de octubre. Las horas de visita son de lunes a jueves de 14: 00 a 19:00 y los s\u00e1bados de 10:00 a 14:00.<\/p>\n<p>A partir de los versos de\u00a0Samuel Beckett, \u201cque har\u00eda yo sin este mundo sin rostro, sin preguntas, donde ser no dura sino un instante\u201d,\u00a0 Amaya Bozal plantea una\u00a0reflexi\u00f3n sobre la fragilidad y la violencia, lo descarnado del paso del tiempo. Un mundo donde\u00a0los rostros no pertenecen a personas concretas, son arquetipos, cabezas infantiles pintadas con tierra y oro, moldeadas en barro como las antiguas m\u00e1scaras funerarias, como restos de un osario; fragmentos de cuerpos femeninos, tierra devorada por el fuego; flores de cera y barro atravesadas por clavos antiguos. Todauna reflexi\u00f3n sobre un mundo despersonalizado, donde la feminidad s\u00f3lo se salva en su comuni\u00f3n ancestral con la naturaleza.<\/p>\n<p>Amaya Bozal\u00a0(1972, Madrid) procede de formaci\u00f3n cl\u00e1sica y arqueol\u00f3gica, algo que se trasluce en toda su obra, que viene desarrollando desde hace m\u00e1s de veinte a\u00f1os. Ha expuesto en las mejores galer\u00edas, Sen, Rayuela, Fern\u00e1ndez Brasso, Marlborough, Paul Sharpe Contemporary Art y ha participado en ARCO, ArteBA, FIA, ArtMiami. Su obra est\u00e1 presente enlas mejores colecciones p\u00fablicas y privadas de Europa. Actualmente, contin\u00faa trabajando en su estudio de la sierra de Madrid, utilizando el viento, fragmentos de \u00e1rboles ca\u00eddos y antiguas t\u00e9cnicas como la tierra chamotada,\u00a0 pan de oro o enc\u00e1ustica.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Next Thursday, we open the exhibition In a faceless world with the paintings and scultures by Amaya Bozal.\u00a0You can enjoy this\u00a0exhibition until 17th October. The opening hours are Mon-Thu 2-7pm and Sat 10am-2pm. Through the verses of Samuel Beckett, \u201cwhat would I do without this world faceless incurious, where to be lasts but an instant\u201d, [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,24,33],"tags":[583,1227,5,1228,591,1229,249,592],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9342"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=9342"}],"version-history":[{"count":10,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9342\/revisions"}],"predecessor-version":[{"id":10684,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9342\/revisions\/10684"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=9342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=9342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=9342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}