{"id":9694,"date":"2013-10-09T11:20:48","date_gmt":"2013-10-09T10:20:48","guid":{"rendered":"https:\/\/blogs.cervantes.es\/dublin\/?p=9694"},"modified":"2014-01-23T17:34:57","modified_gmt":"2014-01-23T16:34:57","slug":"hispanic-power-poder-hispano","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/dublin\/hispanic-power-poder-hispano\/","title":{"rendered":"Hispanic power \/ Poder hispano"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-9695\" alt=\"ISLA_Hispanic_Power\" src=\"https:\/\/blogs.cervantes.es\/dublin\/files\/2013\/10\/ISLA_Hispanic_Power-232x300.jpg\" width=\"232\" height=\"300\" srcset=\"https:\/\/blogs.cervantes.es\/dublin\/files\/2013\/10\/ISLA_Hispanic_Power-232x300.jpg 232w, https:\/\/blogs.cervantes.es\/dublin\/files\/2013\/10\/ISLA_Hispanic_Power.jpg 361w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><span style=\"color: #000080\">Is there anybody there on the other side of the book? How do readers and writers connect today? Faced with uncertainty, <strong>Mar\u00eda Tena<\/strong> continues writing and editing, having dedicated her entire life to the world of culture, with eminent roles in this area.<\/span><\/p>\n<p><span style=\"color: #000080\"><strong>\u00c1lvaro Enrigue<\/strong>, literary critic, novelist and Professor of creative writing, hails from the United States, where Hispanic power is becoming increasingly visible. However, is it possible to \u201ccreate\u201d writers, when it seems like readers tear them apart? How much power does an editor have over the final draft? What about a critic or an agent? Does an author have any power? How powerful are the institutions that set trends?<\/span><\/p>\n<p><span style=\"color: #000080\"><strong>Fernando S\u00e1nchez Drag\u00f3<\/strong>, essayist, novelist, anarchist and literary scholar, will also participate in the discussion of these powerful themes.<\/span><\/p>\n<p><a title=\"Abre nueva ventana \/ Open new window\" href=\"http:\/\/dublin.cervantes.es\/en\/culture_spanish\/isla_festival\/isla_festival_2013\/programme_isla_2013.htm\" target=\"_blank\">&#8220;Hispanic power&#8221; is the title of our fourth round-table discussion in our Isla Literary Festival<\/a>. <span style=\"color: #000080\">Moderated by Catherine Leen.<\/span><\/p>\n<hr \/>\n<p>\u00bfHay alguien ah\u00ed, del otro lado del libro?, \u00bfd\u00f3nde se encuentran hoy escritores y lectores? Ante la incertidumbre, <strong>Mar\u00eda Tena<\/strong>\u00a0contin\u00faa escribiendo y editando tras una vida entera dedicada al mundo de la cultura, con puestos de gran responsabilidad en esta \u00e1rea.<\/p>\n<p>Desde Estados Unidos, donde el \u00abpoder hispano\u00bb se hace cada vez m\u00e1s visible, llega <strong>\u00c1lvaro Enrigue<\/strong>, cr\u00edtico literario, novelista y profesor de literatura creativa. Pero, \u00bfacaso es posible \u00abhacer escritores\u00bb cuando parece que los lectores se \u00abdeshacen\u00bb? \u00bfCu\u00e1l es el poder del editor sobre la calidad final de la obra?, \u00bfy de un cr\u00edtico, de un agente?, \u00bftiene alg\u00fan poder el autor?, \u00bfcu\u00e1l es el poder de las instituciones para marcar tendencias?<\/p>\n<p>Sobre estos y otros poderosos temas tendr\u00e1 tambi\u00e9n mucho que aportar <strong>Fernando S\u00e1nchez Drag\u00f3<\/strong>, ensayista, novelista, anarquista individualista, sabio de la literatura.<\/p>\n<p><a title=\"Abre nueva ventana \/ Open new window\" href=\"http:\/\/dublin.cervantes.es\/es\/cultura_espanol\/festival_isla\/festival_isla_2013\/programa_isla_2013.htm\" target=\"_blank\">\u00abPoder hispano\u00bb es el t\u00edtulo de la cuarta mesa de nuestro Festival Isla de Literatura. Modera Catherine Leen.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Is there anybody there on the other side of the book? How do readers and writers connect today? Faced with uncertainty, Mar\u00eda Tena continues writing and editing, having dedicated her entire life to the world of culture, with eminent roles in this area. \u00c1lvaro Enrigue, literary critic, novelist and Professor of creative writing, hails from [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5,851,57,19,540,61,47],"tags":[905,1272,1291,901,237,249,851,1292,916],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9694"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/comments?post=9694"}],"version-history":[{"count":7,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9694\/revisions"}],"predecessor-version":[{"id":10877,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/posts\/9694\/revisions\/10877"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/media?parent=9694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/categories?post=9694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/dublin\/wp-json\/wp\/v2\/tags?post=9694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}