{"id":13043,"date":"2021-05-19T10:38:06","date_gmt":"2021-05-19T10:38:06","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=13043"},"modified":"2021-05-19T10:56:06","modified_gmt":"2021-05-19T10:56:06","slug":"the-10th-spring-weekend-of-the-london-spanish-film-festival-is-back","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2021\/05\/19\/the-10th-spring-weekend-of-the-london-spanish-film-festival-is-back\/","title":{"rendered":"The 10th Spring Weekend of the London Spanish Film Festival is back"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/las-ninas-slide.jpg\" alt=\"\" class=\"wp-image-13046\" width=\"549\" height=\"270\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/las-ninas-slide.jpg 760w, https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/las-ninas-slide-300x148.jpg 300w\" sizes=\"(max-width: 549px) 100vw, 549px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>The 10th Spring Weekend of the London Spanish Film Festival comes back, 28 \u2013 30 May 2021, after missing one very strange year, full of energy and positive vibes setting the mood for an exciting 17th edition in September.<\/p>\n\n\n\n<p>To celebrate Spanish cinema and its artists, as part of this weekend, you&#8217;ll find the latest film by veteran Fernando Trueba, three impressive debuts by three promising women, a hopeful and moving reflexion on what life is\u2026 and a special screening of the latest treat from Maestro Almod\u00f3var.<\/p>\n\n\n\n<p>For the full programme go to <a href=\"http:\/\/www.londonspanishfilmfestival.com\">www.londonspanishfilmfestival.com<\/a><\/p>\n\n\n\n<p><strong>LAS NI\u00d1AS<br><\/strong>Schoolgirls<br><em>dir. Pilar Palomero | with Andrea Fandos, Natalia de Molina, Zoe Arnao | Spain | 2020 | 97 min | cert. 15 | London premiere | In Spanish with English subtitles<br><\/em>Celia is an 11-year-old girl studying at a nun\u2019s school in 1992. She\u2019s a responsible student and a considerate daughter but the arrival of a new classmate will open a little window Celia is willing to look out from to discover about the outside world. Together with her group of friends she\u2019ll give her first steps into adolescence and first-times even if that means confronting her mother and questioning everything that meant comfort and security. The film has won several awards among which Best Film, Best New Director, Best<br>Cinematography and Best Original Screenplay Goya Awards.<br>Fri 28 May | 6.30pm | \u00a313, conc. \u00a311<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/el-olvido-que-seremos-slide.jpg\" alt=\"\" class=\"wp-image-13064\" width=\"581\" height=\"286\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/el-olvido-que-seremos-slide.jpg 760w, https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/el-olvido-que-seremos-slide-300x148.jpg 300w\" sizes=\"(max-width: 581px) 100vw, 581px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>EL OLVIDO QUE SEREMOS<br><\/strong>Memories of My Father<br><em>dir. Fernando Trueba, with Javier C\u00e1mara, Nicol\u00e1s Reyes Cano, Juan Pablo Urrego | Colombia | 2020 | 136 min | cert. PG | In Spanish, Italian and English<br><\/em>with English subtitles | Distributed by Curzon<br>Trueba\u2019s latest film tells the story of H\u00e9ctor Abad G\u00f3mez, one of Colombia\u2019s most beloved national heroes, through the eyes of his son. He balances a nuanced portrait of Abad G\u00f3mez\u2019s family life in Medell\u00edn and the harsh reality of the country in the turbulent 1970s and 1980s, in which corruption is common and the government cannot be criticised. Based on the book written by Abad G\u00f3mez\u2019s son, Memories of My Father is a memorable work, a love story and the portrait of a man fighting for the basic human rights of his<br>people: food, water and adequate shelter.<br>Fri 28 May | 8.35pm | \u00a313, conc. \u00a311<br>Sat 29 May | 5.50pm | \u00a313, conc. \u00a311<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-voz-humana-slide.jpg\" alt=\"\" class=\"wp-image-13070\" width=\"565\" height=\"278\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-voz-humana-slide.jpg 760w, https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-voz-humana-slide-300x148.jpg 300w\" sizes=\"(max-width: 565px) 100vw, 565px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>LA VOZ HUMANA<br><\/strong>The Human Voice<br><em>dir. Pedro Almod\u00f3var, with Tilda Swinton | Spain | 2020 | 30 min | cert. PG | In English and Spanish with English subtitles<br><\/em>Jean Cocteau wrote The Human Voice in 1928 and, since then, many artists have staged or filmed their own vision of this woman\u2019s dramatic moments after her lover of the last few years leaves her to get married with to another woman. Almod\u00f3var\u2019s stunning version brings to The Human Voice his sense of aesthetics, of rhythm and his peculiar, subtle sense of humour, making the pi\u00e8ce his own. Chameleonic Swinton, in what seems a wonderful and perfect tuning with Almod\u00f3var, captures the essence of his style bringing to it some<br>delightful British exquisiteness. A must.<br>The film will be followed by a 40 min video-Q&amp;A with Pedro Almod\u00f3var and Tilda Swinton with Mark Kermode. It will be preceded by a video-presentation by Prof. Maria Delgado<br>Sat 29 May | 4.15pm | \u00a313, conc. \u00a311<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-innocencia-slide.jpg\" alt=\"\" class=\"wp-image-13076\" width=\"528\" height=\"259\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>LA INNOC\u00c8NCIA<br><\/strong>La inocencia | The Innocence<br><em>dir. Lucia Alemany | with Carmen Arrufat, Laia Marull, Sergi L\u00f3pez, Joel Bosqued | Spain | 2019 | 92 min | cert. 15 | London premiere | In Catalan and Spanish with English subtitles<br><\/em>Lis is a teenager whose dream is to become a circus artist and go traveling. While she knows she\u2019ll have to confront her parents and fight for it, she spends the summer playing around with her friends and with her boyfriend, a few years older than herself and the relationship with whom she tries to keep hidden from the constant gossip of the neighbours. Lucia Alemany\u2019s impressive first feature film is a fresh coming-of-age story that captures perfectly the rural and festive mood without losing any realism nor honesty.<br>Sat 29 May | 8.45pm | \u00a313, conc. \u00a311<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/my-mexican-bretzel-slide.jpg\" alt=\"\" class=\"wp-image-13082\" width=\"534\" height=\"263\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/my-mexican-bretzel-slide.jpg 760w, https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/my-mexican-bretzel-slide-300x148.jpg 300w\" sizes=\"(max-width: 534px) 100vw, 534px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>MY MEXICAN BRETZEL<br><\/strong><em>by Nuria Gim\u00e9nez | Spain | 2019 | 73 min | cert. PG | London premiere | In English<br><\/em>Gim\u00e9nez\u2019s debut film offers, through archive footage of home made movies, a glimpse into the life of a wealthy European couple, L\u00e9on and Vivian Barrett, after WW2 and up to the 1960s. The quality of the footage is superb and is accompanied by text from Vivian\u2019s diary offering details of their lives, her thoughts, gossip\u2026 Mesmerising and compelling, this is a clever work of direction and of editing by Gim\u00e9nez, and has won her, among others, the Found Footage Award at the Internation Film Festival of Rotterdam last year.<br>Sun 30 May | 6.10pm | \u00a313, conc. \u00a311<br><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/www.londonspanishfilmfestival.com\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-vida-era-eso-slide.jpg\" alt=\"\" class=\"wp-image-13058\" width=\"-542\" height=\"-267\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-vida-era-eso-slide.jpg 760w, https:\/\/blogs.cervantes.es\/londres\/files\/2021\/05\/la-vida-era-eso-slide-300x148.jpg 300w\" sizes=\"(max-width: 760px) 100vw, 760px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>LA VIDA ERA ESO<br><\/strong>That Was Life<br>dir. David Mart\u00edn de los Santos, with Petra Mart\u00ednez, Anna Castillo, Florin Piersic Jr., Ram\u00f3n Barea | Spain\/Belgium | 2020 | 109 min | cert. PG | UK premiere | In Spanish and French with English subtitles<br>When Mar\u00eda and Ver\u00f3nica end up meeting and sharing a hospital room in Belgium, the only thing they have in common is that they are Spaniards who came to work to this country with the hope to find more opportunities than back at home. Slowly a bond grows between them and one of them will start a<br>journey to Almer\u00eda, where the roots of the other are, initially to meet her family, finally to discover principles beyond those on which she had based her whole life. The film is poignant in his humble and intimate approach. The subtly nuanced acting of Petra Mart\u00ednez in the lead role as a woman pushing herself<br>out of the boundaries of the role in which she felt confined, adds emotion to this wonderful film.<br>Sun 30 May | 7.55pm | \u00a313, conc. \u00a311<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 10th Spring Weekend of the London Spanish Film Festival comes back, 28 \u2013 30 May 2021, after missing one very strange year, full of energy and positive vibes setting the mood for an exciting 17th edition in September. To celebrate Spanish cinema and its artists, as part of this weekend, you&#8217;ll find the latest [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,14],"tags":[1118,1298,605,1625],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/13043"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/269"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=13043"}],"version-history":[{"count":14,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/13043\/revisions"}],"predecessor-version":[{"id":13103,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/13043\/revisions\/13103"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=13043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=13043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=13043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}