{"id":3372,"date":"2012-09-06T14:51:03","date_gmt":"2012-09-06T14:51:03","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=3372"},"modified":"2012-09-06T14:51:03","modified_gmt":"2012-09-06T14:51:03","slug":"ciclo-de-cine-film-series","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2012\/09\/06\/ciclo-de-cine-film-series\/","title":{"rendered":"Ciclo de cine | Film series"},"content":{"rendered":"

\"\"<\/p>\n

Parejas de baile. Presencias musicales en el cine espa\u00f1ol<\/h3>\n

Parejas de Baile es un recorrido por algunas de las pel\u00edculas musicales m\u00e1s representativas de la historia del cine espa\u00f1ol. Desde g\u00e9neros populares como la zarzuela y el sainete hasta su puesta al d\u00eda en esperp\u00e9nticas producciones posmodernas, pasando por la explotaci\u00f3n de ciertos estilos y g\u00e9neros musicales, el programa pretende dar una muestra de la variedad y riqueza de la relaci\u00f3n entre cine y m\u00fasica en Espa\u00f1a.<\/p>\n

Auditorio del Instituto Cervantes, 102 Eaton Square, SW1W 9AN<\/p>\n

SAB 08\/09 – 2.00pm
\n2a sesi\u00f3n:<\/strong> Flamencos y pel\u00edcanos<\/strong><\/p>\n

DUENDE Y MISTERIO DEL FLAMENCO<\/strong>
\nde Edgar Neville. Espa\u00f1a 1952<\/p>\n

DAME VENENO<\/strong>
\nde Pedro Barbadillo. Espa\u00f1a 2007<\/p>\n

SAB 15\/09 \u2013 2.00pm
\n3a sesi\u00f3n: Import-Export<\/strong><\/p>\n

DAME UN POCO DE AMOR<\/strong>
\nde Jos\u00e9 Mar\u00eda Forqu\u00e9. Espa\u00f1a 1935<\/p>\n

LOS TARANTOS<\/strong>
\nde Francisco Rovira Beleta. Espana 1963<\/p>\n

 <\/p>\n

En espa\u00f1ol con subt\u00edtulos en Ingl\u00e9s<\/p>\n

\n

Dancing partners. Musical presences in spanish cinema<\/strong><\/span><\/h3>\n

Dancing partners is a journey through some of the most significant musical films in the history of Spanish cinema. From traditional genres like the zarzuela and the sainete to updated versions in grotesque post-modern productions, examining the use of certain styles and musical genres, the programme aims to showcase the richness and variety of the relationship between cinema and music in Spain.<\/span><\/p>\n

Auditorio del Instituto Cervantes, 102 Eaton Square, SW1W 9AN<\/span><\/p>\n

SAT 08\/09 – 2.00pm<\/span>
\n 2a session:<\/strong> Flamencos y pel\u00edcanos<\/strong><\/span><\/p>\n

DUENDE Y MISTERIO DEL FLAMENCO<\/strong><\/span>
\nby\u00a0 Edgar Neville. Spain 1952<\/span><\/p>\n

DAME VENENO<\/strong><\/span>
\nby Pedro Barbadillo. Spain 2007<\/span><\/p>\n

SAT 15\/09 \u2013 2.00pm <\/span>
\n 3a session: Import-Export<\/strong><\/span><\/p>\n

DAME UN POCO DE AMOR<\/strong><\/span>
\nby Jos\u00e9 Mar\u00eda Forqu\u00e9. Spain 1935<\/span><\/p>\n

LOS TARANTOS<\/strong><\/span>
\nby Francisco Rovira Beleta. Spain 1963<\/span><\/p>\n

 <\/p>\n

Spanish with English subtitles<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Parejas de baile. Presencias musicales en el cine espa\u00f1ol Parejas de Baile es un recorrido por algunas de las pel\u00edculas musicales m\u00e1s representativas de la historia del cine espa\u00f1ol. Desde g\u00e9neros populares como la zarzuela y el sainete hasta su puesta al d\u00eda en esperp\u00e9nticas producciones posmodernas, pasando por la explotaci\u00f3n de ciertos estilos y […]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,14],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3372"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=3372"}],"version-history":[{"count":10,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3372\/revisions"}],"predecessor-version":[{"id":3383,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3372\/revisions\/3383"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=3372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=3372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=3372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}