{"id":3606,"date":"2012-11-01T14:17:21","date_gmt":"2012-11-01T14:17:21","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=3606"},"modified":"2012-11-01T14:17:21","modified_gmt":"2012-11-01T14:17:21","slug":"bicentenarios-de-america-latina-siglos-de-convivencia","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2012\/11\/01\/bicentenarios-de-america-latina-siglos-de-convivencia\/","title":{"rendered":"Bicentenarios de Am\u00e9rica Latina: siglos de convivencia"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3609\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2012\/11\/bicentenario.jpg\" alt=\"\" width=\"620\" height=\"299\" \/><\/p>\n<p>05\/10 &#8211; 02\/11<br \/>\nAuditorio del Instituto Cervantes, 102 Eaton Square, London, SW1W 9AN<\/p>\n<p>Este ciclo de cine incluye producciones latinoamericanas cuyo v\u00ednculo con la industria y el p\u00fablico espa\u00f1ol ejemplifica la estrecha relaci\u00f3n existente entre ambas culturas cinematogr\u00e1ficas. Las coproducciones con directores latinoamericanos asentados en Espa\u00f1a, los documentales que abordan la perspectiva espa\u00f1ola sobre Am\u00e9rica Latina son, sin duda, ejemplos de siglos de convivencia que el cine vive de manera permeable y evidencia en sus debates e inquietudes de producci\u00f3n.<\/p>\n<p>VIE 02\/11 \u2013 5.00pm<br \/>\nAuditorio del Instituto Cervantes, 102 Eaton Square, London, SW1W 9AN<br \/>\n<strong>Sesi\u00f3n de cortometrajes<\/strong><\/p>\n<p><strong><em>BREGMAN, EL SIGUIENTE<\/em><\/strong><br \/>\nde Federico Veroj, Espa\u00f1a, Uruguay, 2004<\/p>\n<p><em><strong>EL BALANC\u00cdN DE IV\u00c1N\u2028<\/strong><\/em><br \/>\nde Dario Stegmayer, Espa\u00f1a, 2003<\/p>\n<p><em><strong>ATRAPADOS EN EL PARA\u00cdSO<\/strong><\/em><br \/>\nde Cecilia Barriga, Espa\u00f1a, 2001<\/p>\n<p>VO en espa\u00f1ol sin subt\u00edtulos en ingl\u00e9s<br \/>\nOrganizado por Instituto Cervantes<\/p>\n<hr width=\"95%\" \/>\n<p><span style=\"color: #000080\">This cinema season includes Latin American films whose link to the industry and people of Spain tackles the enduring relationship between the two in cinematic culture. The co-productions with Latin American directors working in Spain, the documentaries that tackle the Spanish perspective on Latin America are, without doubt, examples of the centuries of coexistence so clearly portrayed in film and illustrated through the debates and anxieties of the production process.\u2028\u2028\u2028<\/span><\/p>\n<p><span style=\"color: #000080\">FRI 02\/11 \u2013 5.00pm\u2028<\/span><br \/>\n<span style=\"color: #000080\">Auditorio del Instituto Cervantes, 102 Eaton Square, London, SW1W 9AN\u2028<\/span><br \/>\n<strong><span style=\"color: #000080\">Short Film Session\u2028\u2028<\/span><\/strong><\/p>\n<p><em><strong><span style=\"color: #000080\">BREGMAN, EL SIGUIENTE<\/span><\/strong><\/em><br \/>\n<span style=\"color: #000080\">by Federico Veroj, Spain, Uruguay, 2004\u2028\u2028<\/span><\/p>\n<p><span style=\"color: #000080\"><em><strong>EL BALANC\u00cdN DE IV\u00c1N<\/strong><\/em><br \/>\nby Dario Stegmayer, Spain, 2003\u2028\u2028<\/span><\/p>\n<p><em><strong><span style=\"color: #000080\">ATRAPADOS EN EL PARA\u00cdSO\u2028<\/span><\/strong><\/em><br \/>\n<span style=\"color: #000080\">by Cecilia Barriga, Spain, 2001<\/span><br \/>\n<span style=\"color: #000080\"><br \/>\nIn Spanish with no English subtitles\u2028<\/span><br \/>\n<span style=\"color: #000080\">Organised by Instituto Cervantes<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>05\/10 &#8211; 02\/11 Auditorio del Instituto Cervantes, 102 Eaton Square, London, SW1W 9AN Este ciclo de cine incluye producciones latinoamericanas cuyo v\u00ednculo con la industria y el p\u00fablico espa\u00f1ol ejemplifica la estrecha relaci\u00f3n existente entre ambas culturas cinematogr\u00e1ficas. Las coproducciones con directores latinoamericanos asentados en Espa\u00f1a, los documentales que abordan la perspectiva espa\u00f1ola sobre Am\u00e9rica [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,14],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3606"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=3606"}],"version-history":[{"count":6,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3606\/revisions"}],"predecessor-version":[{"id":3613,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/3606\/revisions\/3613"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=3606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=3606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=3606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}