{"id":4688,"date":"2013-11-05T15:31:29","date_gmt":"2013-11-05T15:31:29","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=4688"},"modified":"2013-11-05T15:31:29","modified_gmt":"2013-11-05T15:31:29","slug":"copiar-pegar-recodificando-el-gesto-copy-paste-recodifying-the-gesture","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2013\/11\/05\/copiar-pegar-recodificando-el-gesto-copy-paste-recodifying-the-gesture\/","title":{"rendered":"Copiar \/ Pegar. Recodificando el gesto | Copy \/ Paste. Recodifying the gesture"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-4692\" alt=\"Copy_Paste650x430\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2013\/11\/Copy_Paste650x430.jpg\" width=\"600\" height=\"397\" \/><br \/>\nPAWQARQURI, 2013 Cabezas de pi\u00f1as cubiertas de pan de oro y tratadas para su conservaci\u00f3n | Pinecones covered in gold leaf and treated for their preservation<\/p>\n<p><strong>Obras de la artista ecuatoriana Mar\u00eda Jos\u00e9 Argenzio<\/strong><\/p>\n<p>INAUGURACI\u00d3N MAR 05 \u2013 6.30pm<br \/>\nHASTA SAB 30\/12<br \/>\nInstituto Cervantes de Londres Sala de exposiciones<\/p>\n<p>La exposici\u00f3n presenta un compendio de piezas realizadas a lo largo de los \u00faltimos a\u00f1os junto a producciones m\u00e1s recientes,\u00a0sintetizando el lenguaje art\u00edstico que ha marcado la pr\u00e1ctica de Maria Jos\u00e9 Argenzio desde sus inicios. De esta manera en\u00a0Copy\/Paste \u2013 Recodificando el gesto se abordan temas como el\u00a0exotismo y sus diversas connotaciones, la absurdidad del gesto,\u00a0la codificaci\u00f3n econ\u00f3mica y pol\u00edtica de la sociedad Ecuatoriana y\u00a0la apropiaci\u00f3n de iconos para poner en tela de juicio conceptos\u00a0como la identidad y el legado hist\u00f3rico. Esta muestra individual\u00a0abre deliberadamente una variedad de interpretaciones y re\u00fane\u00a0las obras en su profunda coherencia as\u00ed como invita a sus ramificaciones desde una perspectiva po\u00e9tica y sutil.<\/p>\n<p>Organizado por Embassy of Ecuador in the United Kingdom<br \/>\nMas informaci\u00f3n<br \/>\nhttp:\/\/www.ecuadorembassyuk.org.uk\/events\/copypaste-recodifying-the-gesture<br \/>\n<strong>Reservas <a href=\"mailto:ecuadoremb.events@gmail.com\" target=\"_blank\">ecuadoremb.events@gmail.com<\/a><\/strong><\/p>\n<hr width=\"90%\" \/>\n<p><span style=\"color: #000080\"><strong>Works by the Ecuadorian artist Mar\u00eda Jos\u00e9 Argenzio<\/strong><\/span><\/p>\n<p><span style=\"color: #000080\">OPENING TUE 05 \u2013 6.30pm<\/span><br \/>\n<span style=\"color: #000080\"> UNTIL SAT 30\/12<\/span><br \/>\n<span style=\"color: #000080\"> Exhibitions room \u00a0Instituto Cervantes London<\/span><\/p>\n<p><span style=\"color: #000080\">The exhibition\u00a0presents a selection of works realised in the last years along with\u00a0her most recent production synthesising a series of concerns that\u00a0have permeated the artist\u2019s practice since her beginnings: the exotism and its multilayered connotations, the\u00a0absurdity of the gesture, the economic and political codification of the Ecuadorian society and the appropriation\u00a0of icons to question concepts such as identity and historical legacy. The individual show deliberately opens\u00a0 an assortment of interpretations that brings the works in their deep coherence and ramifications from a poetical and subtle angle.<\/span><\/p>\n<p><span style=\"color: #000080\">Organised by Embassy of Ecuador in the United Kingdom<\/span><br \/>\n<span style=\"color: #000080\"> More information<\/span><br \/>\n<span style=\"color: #000080\"> http:\/\/www.ecuadorembassyuk.org.uk\/events\/copypaste-recodifying-the-gesture<\/span><br \/>\n<strong><span style=\"color: #000080\">RSVP<\/span> <a href=\"mailto:ecuadoremb.events@gmail.com\" target=\"_blank\">ecuadoremb.events@gmail.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAWQARQURI, 2013 Cabezas de pi\u00f1as cubiertas de pan de oro y tratadas para su conservaci\u00f3n | Pinecones covered in gold leaf and treated for their preservation Obras de la artista ecuatoriana Mar\u00eda Jos\u00e9 Argenzio INAUGURACI\u00d3N MAR 05 \u2013 6.30pm HASTA SAB 30\/12 Instituto Cervantes de Londres Sala de exposiciones La exposici\u00f3n presenta un compendio de [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5,6,21,53],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4688"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=4688"}],"version-history":[{"count":6,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4688\/revisions"}],"predecessor-version":[{"id":4695,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4688\/revisions\/4695"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=4688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=4688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=4688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}