{"id":4797,"date":"2013-11-28T15:09:59","date_gmt":"2013-11-28T15:09:59","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=4797"},"modified":"2013-11-28T15:46:58","modified_gmt":"2013-11-28T15:46:58","slug":"la-nao-de-china-musica-de-la-ruta-espanola-a-extremo-oriente-the-nao-of-china-music-from-the-spanish-routes-to-the-east","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2013\/11\/28\/la-nao-de-china-musica-de-la-ruta-espanola-a-extremo-oriente-the-nao-of-china-music-from-the-spanish-routes-to-the-east\/","title":{"rendered":"La Nao de China: M\u00fasica de la ruta espa\u00f1ola a extremo oriente | The Nao of China: music from the spanish routes to the East"},"content":{"rendered":"

\"la<\/p>\n

Concierto conmemoraci\u00f3n\u00a0del V centenario del descubrimiento del Oc\u00e9ano Pac\u00edfico
\n<\/strong><\/h2>\n

Con la participaci\u00f3n de La Fol\u00eda<\/strong>
\nLUN 09 \u2013 6.30pm <\/strong>
\nAuditorio del Instituto Cervantes de Londres<\/strong><\/p>\n

La ruta espa\u00f1ola a Extremo Oriente qued\u00f3 instituida a partir de 1567, cuando se logr\u00f3 realizar el tornaviaje, es decir la traves\u00eda del Pac\u00edfico (oc\u00e9ano que hab\u00eda descubierto Vasco N\u00fa\u00f1ez de Balboa en 1513) navegando hacia el Este de vuelta de Filipinas a Nueva Espa\u00f1a (el actual M\u00e9xico), lo que ven\u00eda intent\u00e1ndose desde que en 1523 Magallanes y Elcano hab\u00edan hecho el viaje de ida por primera vez. Abarcando una extensi\u00f3n de 25.000 kil\u00f3metros, las naves viajaban desde las costas espa\u00f1olas hasta Veracruz, en la costa atl\u00e1ntica del continente americano \u2013 mientras que otro ramal iba al istmo de Panam\u00e1 y de all\u00ed viajaba al Callao en el virreinato de Per\u00fa\u2013, que era cruzado luego en caravana por tierra pasando por ciudades como Puebla y Ciudad de M\u00e9xico hasta llegar a Acapulco, al borde del Pac\u00edfico, desde donde part\u00eda el Gale\u00f3n de Manila o Nao de China, que aseguraba la conexi\u00f3n al Lejano Oriente.<\/p>\n

De diversos lugares de esta ruta, se han seleccionado piezas musicales a d\u00fao que son interpretadas con 18 flautas de diferentes tipolog\u00edas y tesituras, copias de instrumentos hist\u00f3ricos de los siglos XVI a XVIII, incluyendo m\u00fasica barroca compuesta y conservada en Pek\u00edn, glosando figuras como la del madrile\u00f1o Diego Pantoja, instructor musical en 1601 de los eunucos en la Ciudad Prohibida, o el italiano Teodorico Pedrini, que hizo un accidentado periplo para llegar a la capital china, que le llev\u00f3 a recorrer toda Am\u00e9rica del Sur y Central, despu\u00e9s de naufragar en Cabo Hornos y hacerlo aun dos veces entre Manila y Macao.<\/p>\n

El D\u00fao de solistas de La Fol\u00eda<\/strong>, que forma parte del grupo de m\u00fasica barroca de m\u00e1s larga trayectoria continuada en Espa\u00f1a desde que fue fundado en 1977 en Madrid por Pedro Bonet. Pedro Bonet y Bel\u00e9n Gonz\u00e1lez Casta\u00f1o son los solistas de flauta de pico del Grupo de m\u00fasica barroca La Fol\u00eda, En esta formaci\u00f3n de d\u00fao, interpretan el rico y abundante repertorio barroco para dos flautas sin bajo, junto a una muestra de la literatura para flauta sola o para flauta y bajo, as\u00ed como piezas a dos voces de la m\u00fasica contrapunt\u00edstica medieval y renacentista. Cuentan para ello con abundante instrumental de diferentes tipolog\u00edas hist\u00f3ricas y tesituras que confiere gran variedad a la audici\u00f3n y constituye uno de los atractivos de los conciertos del d\u00fao.<\/p>\n

Pedro Bonet es catedr\u00e1tico de flauta de pico del Real Conservatorio Superior de Madrid, donde imparte tambi\u00e9n Teor\u00eda de la Interpretaci\u00f3n, Improvisaci\u00f3n de la M\u00fasica Antigua y Conjunto Barroco. Bel\u00e9n Gonz\u00e1lez Casta\u00f1o ha realizado con La Fol\u00eda numerosas giras de concierto y grabaciones discogr\u00e1ficas. Compagina su actividad profesional flaut\u00edstica con el piano, instrumento con el que lleva a cabo tambi\u00e9n diversas actuaciones a solo y de c\u00e1mara.<\/p>\n

Organizado por Instituto Cervantes Londres
\nEntrada libre con reserva obligatoria\u00a0reservas.londres@cervantes.es<\/a> \/ 02072010752<\/strong><\/p>\n

\n

Concert commemorating the V\u00a0centenary of the discovery of the Pacific Ocean<\/strong><\/span><\/h2>\n

With the participation of La Fol\u00eda<\/strong><\/span>
\nMON 09 \u2013 6.30pm\u00a0<\/strong><\/span>
\nAuditorium<\/strong>\u00a0Instituto Cervantes London<\/strong><\/span><\/p>\n

The Spanish route to the Far East was first established in 1567, when they succeeded in making the \u2018return journey\u2019. In other words, crossing the Pacific (the ocean discovered by Vasco N\u00fa\u00f1ez de Balboa in 1513), sailing eastwards on their return from the Philippines to New Spain (present day Mexico), something which they had been attempting ever since Magellan and Elcano made the outward journey for the first time. Covering a further 25,000 kilometres, the ships sailed from the Spanish coasts to Veracruz, on the Atlantic coast of America (while others sailed to the Isthmus of Panama and from there to El Callao in the viceroyalty of Peru), where they then crossed over land in convoy passing through cities like Puebla and Mexico City until they reached Acapulco, on the Pacific. From there, the Gale\u00f3n de Manila – also known as the Nao de China – set sail, securing the link to the Far East.<\/span><\/p>\n

From various points on this route, the Grupo de Fol\u00eda have selected musical duets to perform on 18 flutes of different typologies and tessituras, copies of historical instruments from the 16th to the 18th centuries. These pieces include Baroque music composed and kept in Beijing, and take in figures such as the Madrile\u00f1o Diego Pantoja, music instructor in 1601 to the eunuchs of the Forbidden City; and the Italian Teodorico Pedrini, whose eventful journey to reach the Chinese capital took him through the whole of South and Central America after being shipwrecked at Cape Horn, and then twice more between Manila and Macao.<\/span><\/p>\n

La Fol\u00eda<\/strong>\u2019s duo of soloists form part of the longest continuously running Baroque music group in Spain, since it was founded in Madrid in 1977 by Pedro Bonet. Pedro Bonet and Bel\u00e9n Gonz\u00e1lez Casta\u00f1o are the recorder soloists of the Baroque music group La Fol\u00eda. As this duo, they perform a rich and abundant Baroque repertoire for two recorders without bass, together with a sample of pieces for solo recorder and for recorder with bass, as well as duet pieces of medieval and Renaissance contrapuntal music. For these they play many instruments of different typologies and tessituras, which makes for a very varied concert and is one of the attractions of performances from this duo.<\/span><\/p>\n

Pedro Bonet is professor of recorder at the Real Conservatorio Superior in Madrid, where he also teaches the Theory of Interpretation, Ancient Music Improvisation, and Baroque Ensemble. Bel\u00e9n Gonz\u00e1lez Casta\u00f1o has completed numerous concert tours and CD recordings with La Fol\u00eda. She combines her professional flautist activity with the piano, on which she also performs both as a soloist and in chamber music groups.<\/span><\/p>\n

Organised by Instituto Cervantes Londres<\/span>
\nAdmission free booking essential<\/span>\u00a0reservas.londres@cervantes.es<\/a> \/ 02072010752<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Concierto conmemoraci\u00f3n\u00a0del V centenario del descubrimiento del Oc\u00e9ano Pac\u00edfico Con la participaci\u00f3n de La Fol\u00eda LUN 09 \u2013 6.30pm Auditorio del Instituto Cervantes de Londres La ruta espa\u00f1ola a Extremo Oriente qued\u00f3 instituida a partir de 1567, cuando se logr\u00f3 realizar el tornaviaje, es decir la traves\u00eda del Pac\u00edfico (oc\u00e9ano que hab\u00eda descubierto Vasco N\u00fa\u00f1ez […]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,41],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4797"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=4797"}],"version-history":[{"count":8,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4797\/revisions"}],"predecessor-version":[{"id":4809,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4797\/revisions\/4809"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=4797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=4797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=4797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}