{"id":4997,"date":"2014-03-20T17:31:02","date_gmt":"2014-03-20T17:31:02","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=4997"},"modified":"2014-03-20T17:33:44","modified_gmt":"2014-03-20T17:33:44","slug":"leopoldo-pomes-carlos-saura-retratos-portraits","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2014\/03\/20\/leopoldo-pomes-carlos-saura-retratos-portraits\/","title":{"rendered":"Leopoldo Pom\u00e9s \/ Carlos Saura: Retratos | Portraits"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4999\" alt=\"pomes_saura\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2014\/03\/saura_blog.jpg\" width=\"630\" height=\"405\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2014\/03\/saura_blog.jpg 630w, https:\/\/blogs.cervantes.es\/londres\/files\/2014\/03\/saura_blog-300x192.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/p>\n<p>FOTOGRAF\u00cdA<br \/>\nEXPOSICI\u00d3N<\/p>\n<p>24 MARZO \u2013 18 MAYO<br \/>\nSala de exposiciones del Instituto Cervantes de Londres<\/p>\n<p>La exposici\u00f3n re\u00fane una selecci\u00f3n de fotograf\u00edas realizadas por ambos autores a lo largo de su extensa trayectoria, desde los a\u00f1os cincuenta del siglo XX hasta la actualidad. Se centra en el g\u00e9nero del retrato pero entendido el concepto de \u201cretrato\u201d en sentido amplio. De ah\u00ed que encontremos retratos de personas an\u00f3nimas e incluso de animales. Desde el retrato a su barbero que Pom\u00e9s toma en 1950 o el de Pio Baroja que Saura hace en 1956, por sus c\u00e1maras han pasado personalidades del mundo del cine, de la literatura, de las artes, del dise\u00f1o al igual que personas an\u00f3nimas de su entorno familiar y personal. Pom\u00e9s y Saura pertenecen a la misma generaci\u00f3n, han alcanzado un enorme reconocimiento y han seguido trayectorias de alguna manera semejantes: ambos han compaginado su dedicaci\u00f3n a la fotograf\u00eda con otras actividades como las campa\u00f1as publicitarias y el cine; hicieron su primera exposici\u00f3n de fotograf\u00eda en los a\u00f1os 1950 debutando a edad temprana con sendos trabajos documentales; fueron invitados a trabajar en los Juegos Ol\u00edmpicos de Barcelona y han realizado no s\u00f3lo retratos, sino que han llevado su curiosidad a otros \u00e1mbitos de la fotograf\u00eda, fotografiando la ciudad y sus gentes, sus pueblos, su entorno familiar y social<\/p>\n<p>Imagen Geraldine y Ana Torrent, 1975 \u00a9 Carlos Saura<\/p>\n<p>Producida por La F\u00e1brica \u2013 PhotoEspa\u00f1a &amp; Instituto Cervantes<\/p>\n<p>Horario de apertura<\/p>\n<p>LUN \u2013 VIE 10:00am \u2013 8:00pm<br \/>\nS\u00c1B 10:00am \u2013 3:00pm<br \/>\nDOM CERRADO<\/p>\n<p>Entrada libre<\/p>\n<hr \/>\n<p><span style=\"color: #000080\">PHOTOGRAPHY<\/span><br \/>\n<span style=\"color: #000080\">EXHIBITION<\/span><\/p>\n<p><span style=\"color: #000080\">24 MARCH \u2013 18 MAY<\/span><br \/>\n<span style=\"color: #000080\">Exhibition Room Instituto Cervantes de Londres\u00a0<\/span><\/p>\n<p><span style=\"color: #000080\">The exhibition brings together a selection of work produced by both photographers during their long careers, from the 1950s to the present day. It focuses on the portrait genre, but represents \u2018portraiture\u2019 in the broadest sense. It is for that reason that we see portraits of anonymous people and even of animals as part of the collection. Since the portrait Pom\u00e9s took of his barber in 1950, or Saura\u2019s of Pio Baroja in 1956, their cameras have captured personalities from the worlds of cinema, literature, the visual arts and design, as well as ordinary people from their personal lives or family. Pom\u00e9s and Saura belong to the same generation, have achieved enormous success and have followed paths that are in some ways similar. Both have combined their dedication to photography with other activities &#8211; such as publicity campaigns and cinema. They had their first photography exhibitions in the 1950s, each beginning at an early age on their respective documentary projects. Both were invited to produce photographs of the Barcelona Olympic Games, and took not only portraits but also exercised their curiosity for other kinds of photography, taking pictures of the city and its peoples, their native towns, and their family and social circles.<\/span><\/p>\n<p><span style=\"color: #000080\">Image Geraldine y Ana Torrent, 1975 \u00a9 Carlos Saura<\/span><\/p>\n<p><span style=\"color: #000080\">Produced by La F\u00e1brica \u2013 PhotoEspa\u00f1a &amp; Instituto Cervantes<\/span><\/p>\n<p><span style=\"color: #000080\">Opening hours<\/span><\/p>\n<p><span style=\"color: #000080\"> MON \u2013 FRI 10:00am \u2013 8:00pm<\/span><br \/>\n<span style=\"color: #000080\">SAT 10:00am \u2013 3:00pm<\/span><br \/>\n<span style=\"color: #000080\">SUN CLOSED<\/span><\/p>\n<p><span style=\"color: #000080\">Admission free<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOTOGRAF\u00cdA EXPOSICI\u00d3N 24 MARZO \u2013 18 MAYO Sala de exposiciones del Instituto Cervantes de Londres La exposici\u00f3n re\u00fane una selecci\u00f3n de fotograf\u00edas realizadas por ambos autores a lo largo de su extensa trayectoria, desde los a\u00f1os cincuenta del siglo XX hasta la actualidad. Se centra en el g\u00e9nero del retrato pero entendido el concepto de [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,6,21],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4997"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=4997"}],"version-history":[{"count":7,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4997\/revisions"}],"predecessor-version":[{"id":5004,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/4997\/revisions\/5004"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=4997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=4997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=4997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}