{"id":5918,"date":"2015-11-26T11:18:40","date_gmt":"2015-11-26T11:18:40","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=5918"},"modified":"2015-11-26T13:56:58","modified_gmt":"2015-11-26T13:56:58","slug":"mesa-redonda-bunuel-lorca-dali-cultura-biografia-y-legado-open-table-discussion-bunuel-lorca-dali-culture-biography-and-legacy","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2015\/11\/26\/mesa-redonda-bunuel-lorca-dali-cultura-biografia-y-legado-open-table-discussion-bunuel-lorca-dali-culture-biography-and-legacy\/","title":{"rendered":"Mesa redonda &#8211; Bu\u00f1uel, Lorca, Dal\u00ed: cultura, biograf\u00eda y legado \/ Open table discussion &#8211; Bu\u00f1uel, Lorca, Dal\u00ed: Culture, Biography and Legacy"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-5919\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg\" alt=\"Bu\u00f1uel, Lorca, Dal\u00ed - mesa redonda Instituto Cervantes Londres - Open table discussion at Instituto Cervantes London\" width=\"589\" height=\"295\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg 1000w, https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed-300x150.jpg 300w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/a><\/p>\n<p>\u00bfC\u00f3mo construir una vida por medio de una pel\u00edcula? \u00bfC\u00f3mo influy\u00f3\u00a0el sistema de valores de la Residencia de Estudiantes de Madrid -donde vivieran\u00a0Luis Bu\u00f1uel, Federico Garc\u00eda Lorca y\u00a0Salvador Dal\u00ed a principios de la d\u00e9cada de 1920- en el trabajo de los tres artistas? Para sellar\u00a0la <a href=\"https:\/\/www.ica.org.uk\/whats-on\/seasons\/luis-bunuel-aesthetics-irrational\" target=\"_blank\">temporada cinematogr\u00e1fica del ICA \u00abLuis Bu\u00f1uel: est\u00e9tica de lo irracional\u00bb<\/a>, <strong>reunimos\u00a0a un grupo de expertos en\u00a0cultura\u00a0con el fin de analizar la relaci\u00f3n particular de\u00a0Lorca, Bu\u00f1uel y Dal\u00ed<\/strong>, y la forma\u00a0de la que artistas y directores de cine han intentado captar tanto la est\u00e9tica revolucionaria de los tres artistas como su valios\u00edsimo legado cultural.<\/p>\n<p>El <strong>actor Nickolas Grace<\/strong> (quien diera vida a Lorca en el largometraje de Bardem en 1995, \u00abLorca, muerte de un poeta\u00bb), los <strong>directores Mike Dibb<\/strong> (El esp\u00edritu de Lorca, BBC Arena 1986; La fama y humillaci\u00f3n de de Salvador Dal\u00ed, BBC Arena 1996) <strong>y Pablo Romero<\/strong> (Universidad de Roahampton, actualmente inmerso en un nuevo proyecto sobre Las Hurdes de Bu\u00f1uel junto con Dibb), y la <strong>acad\u00e9mica y traductora Sarah Wright<\/strong> (Royal Holloway, University of London), se re\u00fanen con <strong>Mar\u00eda Delgado<\/strong> (Royal Central School of Speech and Drama, University of London) para hablar de la cultura, biograf\u00eda y legado de Bu\u00f1uel, Dal\u00ed y Lorca.<\/p>\n<p><strong>D\u00f3nde: Instituto Cervantes de Londres &#8211; 102 Eaton Square, London SW1W 9AN<\/strong><\/p>\n<p><strong>Cu\u00e1ndo: mi\u00e9rcoles 2 de diciembre 2015, 18:30h<\/strong><\/p>\n<p>______________________________________<\/p>\n<p><a href=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-5919\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg\" alt=\"Bu\u00f1uel, Lorca, Dal\u00ed - mesa redonda Instituto Cervantes Londres - Open table discussion at Instituto Cervantes London\" width=\"589\" height=\"295\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed.jpg 1000w, https:\/\/blogs.cervantes.es\/londres\/files\/2015\/11\/bu\u00f1uel-lorca-dal\u00ed-300x150.jpg 300w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/a><\/p>\n<p>What does it mean to construct a life through film? How did the unique ethos of Madrid\u2019s Residencia de Estudiantes where Luis Bu\u00f1uel, Federico Garc\u00eda Lorca and Salvador Dal\u00ed all lived during the early 1920s influence the creative work of all three artists? To mark the<a href=\"https:\/\/www.ica.org.uk\/whats-on\/seasons\/luis-bunuel-aesthetics-irrational\" target=\"_blank\"> ICA\u2019s \u2018Luis Bu\u00f1uel: Aesthetics of the Irrational\u2019 film season<\/a>, <strong>this panel brings together a group of different cultural critics to examine the unique relationships between Lorca, Bu\u00f1uel and Dal\u00ed<\/strong>, and the ways in which artists and filmmakers have sought to \u2018capture\u2019 both the ground-breaking aesthetics of the three artists and their unique cultural legacy.<\/p>\n<p><strong>Actor Nickolas Grace<\/strong> (who played Lorca in Bardem\u2019s 1995 film Lorca, muerte de un poeta), <strong>filmmakers Mike Dibb<\/strong> (The Spirit of Lorca, BBC Arena 1986; The Fame and Shame of Salvador Dal\u00ed, BBC Arena 1996) <strong>and Pablo Romero<\/strong> (University of Roehampton, currently working on a new film on Bu\u00f1uel\u2019s Las Hurdes with Dibb), and <strong>academic and translator Sarah Wright<\/strong> (Royal Holloway, University of London) join <strong>Maria Delgado<\/strong> (Royal Central School of Speech and Drama, University of London) to discuss the culture, biography and legacy of Bu\u00f1uel, Dal\u00ed and Lorca.<\/p>\n<p><strong>Where:\u00a0Instituto Cervantes London &#8211; 102 Eaton Square, London SW1W 9AN<\/strong><\/p>\n<p><strong>When: Wednesday 2 December 2015, 6.30 pm<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfC\u00f3mo construir una vida por medio de una pel\u00edcula? \u00bfC\u00f3mo influy\u00f3\u00a0el sistema de valores de la Residencia de Estudiantes de Madrid -donde vivieran\u00a0Luis Bu\u00f1uel, Federico Garc\u00eda Lorca y\u00a0Salvador Dal\u00ed a principios de la d\u00e9cada de 1920- en el trabajo de los tres artistas? Para sellar\u00a0la temporada cinematogr\u00e1fica del ICA \u00abLuis Bu\u00f1uel: est\u00e9tica de lo irracional\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,6,14,36],"tags":[322,1118,375,376,306,152,374,373],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/5918"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=5918"}],"version-history":[{"count":8,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/5918\/revisions"}],"predecessor-version":[{"id":5927,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/5918\/revisions\/5927"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=5918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=5918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=5918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}