{"id":6716,"date":"2016-08-15T14:19:24","date_gmt":"2016-08-15T14:19:24","guid":{"rendered":"https:\/\/blogs.cervantes.es\/londres\/?p=6716"},"modified":"2016-08-15T14:20:39","modified_gmt":"2016-08-15T14:20:39","slug":"la-etica-del-polvo-en-londres-the-ethics-of-dust-in-london","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2016\/08\/15\/la-etica-del-polvo-en-londres-the-ethics-of-dust-in-london\/","title":{"rendered":"\u00abLa \u00e9tica del polvo\u00bb, en Londres \/ \u00abThe Ethics Of Dust\u00bb, In London"},"content":{"rendered":"<p>Nada m\u00e1s y nada menos que <strong>el polvo es el enfoque principal de<\/strong> <a href=\"http:\/\/www.timeout.com\/london\/art\/jorge-otero-pailos-the-ethics-of-dust\" target=\"_blank\"><strong>esta obra<\/strong>, expuesta en el palacio de Westminster<\/a>\u00a0y realizada por el conservacionista y artista espa\u00f1ol Jorge Otero-Pailos. La limpieza de las paredes de este patrimonio de la humanidad invit\u00f3 a Otero-Pailos a cubrir las mismas con l\u00e1minas de l\u00e1tex, que, al despegarlas, se llevaron consigo 900 a\u00f1os de historia, expuesta ahora en el recibidor del palacio de Westminster.<\/p>\n<p><a href=\"https:\/\/blogs.cervantes.es\/londres\/files\/2016\/08\/etica-del-polvo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-6717\" src=\"https:\/\/blogs.cervantes.es\/londres\/files\/2016\/08\/etica-del-polvo.jpg\" alt=\"\u00e9tica del polvo, exposici\u00f3n en Londres\" width=\"600\" height=\"338\" srcset=\"https:\/\/blogs.cervantes.es\/londres\/files\/2016\/08\/etica-del-polvo.jpg 750w, https:\/\/blogs.cervantes.es\/londres\/files\/2016\/08\/etica-del-polvo-300x169.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>La intensa sencillez y profundidad de la obra est\u00e1 siendo apreciada por centenares de visitantes diarios<a href=\"https:\/\/visit.parliament.uk\/HouseofParliament\/shop\/ViewItems.aspx?CG=EXH&amp;C=EXHTKT\" target=\"_blank\"> previa reserva<\/a>, que encuentran sus propias interpretaciones en las sombras y manchas que,\u00a0a lo largo de los siglos, han ido <strong>grabando\u00a0la historia de la ciudad en las paredes del palacio<\/strong>. \u00bfEsperar\u00edas encontrar respuestas a dudas albergadas durante tiempo, o te parece una obra de arte fr\u00edvola que deber\u00eda ocupar otro lugar? Nos encantar\u00eda escuchar tu opini\u00f3n en comentarios.<\/p>\n<hr \/>\n<p><font color=\"#000088\"><br \/>\nNothing less than dust is the main focus of this artwork, <strong><a href=\"http:\/\/www.timeout.com\/london\/art\/jorge-otero-pailos-the-ethics-of-dust\" target=\"_blank\">exhibited at the Westminster Palace hall<\/a><\/strong> and authored by Spanish conservationist and artist Jorge Otero-Pailos. During cleaning works on the walls of this World Heritage site, Otero-Pailos decided to cover them with latex sheets, which, upon removal, revealed a whole lot of history in the form of shadows and marks.<\/p>\n<p>The intense depth and simplicity of this work is being experienced, as well as interpreted, in many different ways by hundreds of visitors on a daily basis (<a href=\"https:\/\/visit.parliament.uk\/HouseofParliament\/shop\/ViewItems.aspx?CG=EXH&amp;C=EXHTKT\" target=\"_blank\">booking requested<\/a>). <strong>Would you expect the wall dust of the Westminster Palace to shed some light on a few questions of your own<\/strong>, or rather you believe this is a superficial work of art that should be exhibited\u00a0elsewhere? We look forward to\u00a0your opinion in comments.<br \/>\n<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nada m\u00e1s y nada menos que el polvo es el enfoque principal de esta obra, expuesta en el palacio de Westminster\u00a0y realizada por el conservacionista y artista espa\u00f1ol Jorge Otero-Pailos. La limpieza de las paredes de este patrimonio de la humanidad invit\u00f3 a Otero-Pailos a cubrir las mismas con l\u00e1minas de l\u00e1tex, que, al despegarlas, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[572,571,569,574,570,573],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/6716"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=6716"}],"version-history":[{"count":3,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/6716\/revisions"}],"predecessor-version":[{"id":6720,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/6716\/revisions\/6720"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=6716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=6716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=6716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}