{"id":75,"date":"2010-01-17T19:29:40","date_gmt":"2010-01-17T19:29:40","guid":{"rendered":"http:\/\/institutocervanteslondon.wordpress.com\/?p=75"},"modified":"2010-01-17T19:29:40","modified_gmt":"2010-01-17T19:29:40","slug":"%c2%a1mira-mexico-film-festival","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/londres\/2010\/01\/17\/%c2%a1mira-mexico-film-festival\/","title":{"rendered":"\u00a1Mira! M\u00e9xico Film Festival"},"content":{"rendered":"<p><a href=\"http:\/\/www.barbican.org.uk\/film\/series.asp?id=808&amp;show=info\" target=\"_blank\"><\/a><\/p>\n<p><strong>21 &#8211; 27 January 2010. The Barbican Centre, London<\/strong><\/p>\n<p><strong><a title=\"Mira M\u00e9xico\" href=\"http:\/\/www.barbican.org.uk\/film\/series.asp?id=808&amp;show=info\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-thumbnail wp-image-77\" src=\"http:\/\/institutocervanteslondon.files.wordpress.com\/2010\/01\/mira.gif?w=150\" alt=\"\" width=\"150\" height=\"104\" \/><\/a><br \/>\n<\/strong>From civil war and revolution in the Silent era, through the Golden Age of the 30s and 40s to the Nuevo Cine Mexicano, establishing global big-hitters Alfonso Arau (<em>Like Water for Chocolate<\/em>), Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu (<em>Amores Perros<\/em>) Carlos Reygadas (<em>Silent Light<\/em>), Alfonso Cuar\u00f3n (<em>Y Tu Mama Tambien<\/em>) and Guillermo del Toro (<em>The Devil\u2019s Backbone<\/em>) to name a few, Mexican cinema continues to go from strength to strength.<\/p>\n<p><a title=\"Mira M\u00e9xico film festival\" href=\"http:\/\/www.barbican.org.uk\/film\/series.asp?id=808&amp;show=info\" target=\"_blank\">Read more&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>21 &#8211; 27 January 2010. The Barbican Centre, London From civil war and revolution in the Silent era, through the Golden Age of the 30s and 40s to the Nuevo Cine Mexicano, establishing global big-hitters Alfonso Arau (Like Water for Chocolate), Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu (Amores Perros) Carlos Reygadas (Silent Light), Alfonso Cuar\u00f3n (Y Tu Mama [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,14,30],"tags":[1118,1130,1157],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/75"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/comments?post=75"}],"version-history":[{"count":0,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/posts\/75\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/media?parent=75"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/categories?post=75"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/londres\/wp-json\/wp\/v2\/tags?post=75"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}