{"id":10672,"date":"2012-07-23T09:55:13","date_gmt":"2012-07-23T13:55:13","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=10672"},"modified":"2012-07-23T10:53:18","modified_gmt":"2012-07-23T14:53:18","slug":"homenaje-a-tribute-to-isaac-albeniz-peter-schaaf-en-concierto-in-concert","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/07\/23\/homenaje-a-tribute-to-isaac-albeniz-peter-schaaf-en-concierto-in-concert\/","title":{"rendered":"Isaac Alb\u00e9niz. Homenaje \/ Tribute. Peter Schaaf en concierto \/ in concert"},"content":{"rendered":"<h2>Instituto Cervantes de Nueva York. Auditorio, 24 de julio, <em>7:00 pm<\/em><\/h2>\n<ul>\n<li><strong><a href=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/07\/Schaaf.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-10673\" src=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/07\/Schaaf-210x300.jpg\" alt=\"\" width=\"234\" height=\"327\" \/><\/a>Book I<\/strong><em>: Evocaci\u00f3n, El Puerto, El Corpus en Sevilla <\/em><\/li>\n<li><strong>Book II<\/strong><em>: Ronde\u00f1a, Almer\u00eda, Triana<\/em><\/li>\n<li><strong>Book III<\/strong><em>: El Albaic\u00edn, El Polo, Lavapi\u00e9s<\/em><\/li>\n<li><strong>Book IV<\/strong><em>: M\u00e1laga, Jerez, Erita\u00f1a<\/em><\/li>\n<\/ul>\n<p>El pianista <strong>Peter Schaaf <\/strong>ha\u00a0recibido cr\u00edticas notablemente favorables por la\u00a0grabaci\u00f3n\u00a0de su <strong>CD Iberia<\/strong> (2011), \u00a0la monumental, virtuosa y conmovedora obra maestra de Isaac Alb\u00e9niz. \u00ab&#8230; <em>escuchar la manera hermosa y profunda en que toca Schaaf&#8230; su compromiso\u00a0e intensidad son totales\u00a0y alentadores\u00bb (Jeff Simon, Buffalo News).<\/em><\/p>\n<p><strong>Schaaf *<\/strong>, neoyorquino de nacimiento, se enamor\u00f3 de la m\u00fasica flamenca cuando era un adolescente y escuchaba los discos de\u00a0<strong>Sabicas<\/strong>\u00a0y <strong>Carlos Montoya<\/strong>.\u00a0Aprendi\u00f3 <em>Triana<\/em>,\u00a0de Iberia, cuando era un estudiante de la <em>Juilliard School<\/em>,\u00a0con el apoyo docente de <strong>Rosina Lh\u00e9vinne<\/strong>. Despu\u00e9s continu\u00f3 su carrera como m\u00fasico de c\u00e1mara y acompa\u00f1ante de artistas tales como\u00a0<strong>Yo-Yo Ma<\/strong>, <strong>Jon Vickers<\/strong> y\u00a0<strong>Renata Tebaldi<\/strong>. M\u00e1s tarde,\u00a0tras un par\u00e9ntesis de veinticinco a\u00f1os en los que se dedic\u00f3 a ser fot\u00f3grafo de m\u00fasicos,\u00a0retom\u00f3 el\u00a0piano y aprendi\u00f3 toda <em>Iberia<\/em> de <strong>Alb\u00e9niz<\/strong>, su trabajo, sin duda, m\u00e1s amado.<\/p>\n<p><span style=\"text-decoration: underline\">Precio entrada:<\/span> $15 \/ $10 socios del Instituto Cervantes \/ Modalidad de pago:<\/p>\n<ul>\n<li>Adquirir el ticket en\u00a0<em>Matr\u00edcula on-line<\/em>\u00a0en la p\u00e1gina Web. Luego entrar en\u00a0<em><a id=\"_GPLITA_0\" title=\"Powered by Text-Enhance\" href=\"http:\/\/nyork.cervantes.es\/FichasCultura\/Ficha82889_27_1.htm#\">Courses<\/a><\/em>\u00a0y eligir \u00a0<em>Cultural Events<\/em>\u00a0en la pesta\u00f1a superior izquierda.\u00a0Deber\u00e1 aparecer el evento\u00a0<em>\u00abPeter Schaaf in concert\u00bb<\/em> que permite ya efectuar el pago. Se debe crear una cuenta en caso de que no lo haya hecho previamente<\/li>\n<li>Adquirir la entrada por tel\u00e9fono o present\u00e1ndose f\u00edsicamente en las oficinas de administraci\u00f3n del Instituto y\u00a0hacer la compra\u00a0con tarjeta<\/li>\n<li>M\u00e1s informaci\u00f3n:\u00a0Departamento de Cultura: 212 308 7720 ext.119<\/li>\n<\/ul>\n<div>\n<address>Dentro de <a id=\"abreNuevaMadre_target\" href=\"http:\/\/nuevayork.cervantes.es\/FichasCultura\/Ficha77784_27_1.htm\">M\u00fasica en Amster Yard. <\/a>Ciclo de conciertos<\/address>\n<address><span style=\"color: #333399\"><em><strong>Peter Schaaf<\/strong><\/em>, pianist*, has been receiving rave reviews for his 2011 CD recording of Iberia, the monumental, virtuosic, and deeply moving masterpiece by <em><strong>Isaac Alb\u00e9niz<\/strong><\/em>. \u00ab<em>&#8230; hear how profoundly beautifully Schaaf plays them&#8230;his engagement with the music&#8217;s depths is total and heartening\u00bb\u00a0 <\/em>(Jeff Simon, Buffalo News).<\/span><span style=\"color: #333399\"><strong>Schaaf,<\/strong> a New Yorker, fell in love with flamenco music when he was a teenager listening to recordings of<strong> Sabicas<\/strong> and <strong>Carlos Montoya<\/strong>. He learned \u00abTriana\u00bb, from Iberia, when he was a prize-winning piano student at <em>&#8216;The Juilliard School&#8217;<\/em>, studying with <strong>Rosina Lh\u00e9vinne<\/strong>. He then went on to a career as a chamber musician and an accompanist for such artists as <strong>Yo-Yo Ma, Jon Vickers,<\/strong> and<strong> Renata Teb<\/strong>aldi. Then, after a 25-year hiatus during which he made a substantial career as a photographer of musicians, he returned to the piano specifically to learn the entire Iberia, which he has loved for so many years.<\/span><span style=\"color: #333399\">* Peter Schaaf will be playing an electronic piano<\/span>\u00a0<\/p>\n<\/address>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Instituto Cervantes de Nueva York. Auditorio, 24 de julio, 7:00 pm Book I: Evocaci\u00f3n, El Puerto, El Corpus en Sevilla Book II: Ronde\u00f1a, Almer\u00eda, Triana Book III: El Albaic\u00edn, El Polo, Lavapi\u00e9s Book IV: M\u00e1laga, Jerez, Erita\u00f1a El pianista Peter Schaaf ha\u00a0recibido cr\u00edticas notablemente favorables por la\u00a0grabaci\u00f3n\u00a0de su CD Iberia (2011), \u00a0la monumental, virtuosa y [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[176,90],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10672"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=10672"}],"version-history":[{"count":7,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10672\/revisions"}],"predecessor-version":[{"id":10680,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10672\/revisions\/10680"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=10672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=10672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=10672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}