{"id":10836,"date":"2012-07-18T10:04:14","date_gmt":"2012-07-18T14:04:14","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=10836"},"modified":"2012-07-15T21:33:56","modified_gmt":"2012-07-16T01:33:56","slug":"visibilidad-de-los-derechos-humanos-en-el-peru-photojournalism-oscar-medrano-perez","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/07\/18\/visibilidad-de-los-derechos-humanos-en-el-peru-photojournalism-oscar-medrano-perez\/","title":{"rendered":"Visibilidad de los Derechos Humanos en el Per\u00fa \/ Photojournalism: Oscar Medrano P\u00e9rez"},"content":{"rendered":"<h2>Exposici\u00f3n \/ <span style=\"color: #333399\"><em>Exhibition<\/em><\/span><\/h2>\n<h2>Auditorio ICNY-\u00a020 al 31 de julio &#8211; Inauguraci\u00f3n: 20 de julio, <em>6:00\u00a0pm <\/em><\/h2>\n<p><a href=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/07\/Lucanamarca_sobreviviente.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-10838\" src=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/07\/Lucanamarca_sobreviviente.jpg\" alt=\"\" width=\"135\" height=\"208\" \/><\/a><strong>Oscar Medrano P\u00e9rez<\/strong> nos aproxima, a trav\u00e9s de 40 fotograf\u00edas, a\u00a0la cruda realidad por la fuerza de las im\u00e1genes captadas en relaci\u00f3n a los acontecimientos hist\u00f3ricos ocurridos en Per\u00fa, que confront\u00f3 la violencia interna y hoy ha vuelto a fortalecer la justicia, la integraci\u00f3n efectiva de la paz y el respeto por los derechos humanos. El autor nos muestra las im\u00e1genes inolvidables de su trabajo durante cinco d\u00e9cadas, documentando la realidad y etapas de violencia ya superadas. Se podr\u00e1 observar la destrucci\u00f3n y muerte en el per\u00edodo que afect\u00f3 a la poblaci\u00f3n peruana al cambiar su historia. Esta etapa, entre 1980 y 1990, se produjo con el surgimiento de Sendero Luminoso grupo terrorista al que el gobierno peruano logr\u00f3 reducir junto con otros. En la muestra se ven im\u00e1genes de esposas, madres e hijas que sufrieron la p\u00e9rdida de sus seres queridos, as\u00ed como de ni\u00f1os hu\u00e9rfanos, miembros de los comit\u00e9s de autodefensa (ronderos).<\/p>\n<p>El autor lleg\u00f3 a lugares casi inaccesibles del Per\u00fa tras los ataques, como Lucanamarca y Huaychao. Adem\u00e1s, Medrano recoge im\u00e1genes no comunes en la sociedad: Peruanos que habitan en las altas cumbres andinas y las poblaciones selv\u00e1ticas, rostros inocentes de ni\u00f1os y ni\u00f1as y ancianos descendientes de culturas ancestrales.<\/p>\n<p>Organizan: <em>Peruvian American Photojournalism Exhibition Committee 2012\u00a0 <\/em>e <em>Instituto Cervantes NY. <\/em>Comisario: <em>Roberto Bustamante <\/em><\/p>\n<p><span style=\"color: #333399\"><strong>Oscar P\u00e9rez Medrano<\/strong><em> leads us to the cruel reality on the strength of the images taken in relation to events which occurred in Peru&#8217;s history. During the 80s and 90s Peru confronted its internal violence and it recently has shifted to further justice, establishing an effective means for the integration of peace and respect for human rights.<\/em><\/span><\/p>\n<p><span style=\"color: #333399\"><em>The author shows us unforgettable images of his photographic work throughout five decades documenting the reality and stages of violence and overcome. The public will see a selection of impressive photos of destruction and death in the period of internal violence that affected the Peruvian people during this historical change, especially the Andean communities. This phase of violence during the 1980 and 1990 occurred with the emergence of Sendero Luminoso. The intervention of the Peruvian government successfully managed to reduce this and other terrorist groups with the capture of its top leaders.<\/em><\/span><\/p>\n<p><span style=\"color: #333399\"><em>In this exhibit the author shows some pictures of wives, mothers and daughters who suffered the loss of their loved ones, as well as orphaned children, members of self-defense committees (ronderos) that emerged during the years of political violence. The author went to places almost inaccessible inPeruafter the terrorist attacks such as the towns of Lucanamarca and Huaychau. The image of the wounded face of Edmundo Camana Sumari, one of the seven survivors of the slaughter of Lucanamarca became famous for his photo with a bandaged head covering his eye.<\/em><\/span><\/p>\n<p><span style=\"color: #333399\"><em>Furthermore, the author picks the other side of the coin of Peruvian reality with uncommon images of its society, portraying villagers of the high Andean peaks and forest populations, innocent faces of children, the elderly descendants of ancient cultures that are far from technological advances and lifestyles, a sector of the new generation of children, adolescents and women of the jungle region. There are portraits of enraged people, images of social conflicts, Andean traditional celebrations and cultural events.<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exposici\u00f3n \/ Exhibition Auditorio ICNY-\u00a020 al 31 de julio &#8211; Inauguraci\u00f3n: 20 de julio, 6:00\u00a0pm Oscar Medrano P\u00e9rez nos aproxima, a trav\u00e9s de 40 fotograf\u00edas, a\u00a0la cruda realidad por la fuerza de las im\u00e1genes captadas en relaci\u00f3n a los acontecimientos hist\u00f3ricos ocurridos en Per\u00fa, que confront\u00f3 la violencia interna y hoy ha vuelto a fortalecer [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[6,90,57],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10836"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=10836"}],"version-history":[{"count":4,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10836\/revisions"}],"predecessor-version":[{"id":10842,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/10836\/revisions\/10842"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=10836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=10836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=10836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}