{"id":7667,"date":"2011-11-23T16:44:34","date_gmt":"2011-11-23T16:44:34","guid":{"rendered":"http:\/\/blogbibny.wordpress.com\/?p=7667"},"modified":"2011-11-23T16:44:34","modified_gmt":"2011-11-23T16:44:34","slug":"javier-ruibal-en-concierto","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2011\/11\/23\/javier-ruibal-en-concierto\/","title":{"rendered":"Javier Ruibal en concierto"},"content":{"rendered":"
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Concierto<\/span><\/h2>\n

29 de noviembre 7:00 pm<\/em><\/span><\/h2>\n

ICNY – Auditorio<\/span><\/h2>\n

\"\"<\/span><\/a><\/span><\/h2>\n<\/div>\n
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Treinta a\u00f1os de oficio y diez discos en el mercado avalan a este m\u00fasico creativo y diferente a todos los de su generaci\u00f3n. Compositor, guitarrista, arreglista y cantante, m\u00fasico de frontera, Ruibal es un buscador de aromas, un perseguidor de la f\u00e1bula y el ensue\u00f1o, un explorador de la belleza. Un sanador a trav\u00e9s del extasis.<\/strong><\/span><\/p>\n

Su voz transita con libertad y desahogo por las sonoridades del flamenco, la m\u00fasica del Magreb, de India y del Caribe, en un ir y venir constante armonioso que nos invita a creer en la fusi\u00f3n de las m\u00fasicas y de las sangres. Sus composiciones est\u00e1n meticulosamente entretejidas con el rock de la vieja escuela, los cantes de ida y vuelta, la poes\u00eda del Veintisiete y el compromiso del jazz.<\/strong><\/span><\/p>\n

En su f\u00e9rtil recorrido se ha visto acompa\u00f1azo por los m\u00e1s distinguidos artistas. Con Paco de Luc\u00eda y Joan Valent compuso la\u00a0 m\u00fasica de la Carmen de Sara Baras. Tambi\u00e9n puso letra a la m\u00fasica de Erik Satie y melod\u00eda a poemas de Lorca y Alberti, adem\u00e1s de ser finalista al Goya a la Mejor Canci\u00f3n por Atunes en el Para\u00edso. Ha compuesto para artistas como Ana Bel\u00e9n, Javier Krahe o Martirio, y ha compartido escenario con Pablo Milan\u00e9s, Joaqu\u00edn Sabina, Carlos Cano y Carmen Par\u00eds, entre muchos otros.<\/strong><\/span><\/p>\n

Thirty years in the business have proven this creative musician different from all others from his culture and generation. Composer, arranger, guitarist and singer.\u00a0Self-taught and unorthodox.\u00a0 A musician on the frontiers. This and endless more definitions have been used to define this creative mind, unclassifiable because of the supremely personal nature of his artistic work.\u00a0 Always letting himself get involved with and fascinated by flamenco music, but never allowing himself to be mistaken for something he wasn’t:\u00a0a flamenco artist.\u00a0 Not for lack of enthusiasm but out of deep respect for this art. However, he has a direct and significant influence on the new flamenco music as an authentic innovator of musical and poetic language.Music and text are both cultivated with the same rigor and care that characterize all aspects of his work.\u00a0Precise in his arrangements, powerful and personal on the guitar.\u00a0 Not only does he express himself splendidly solo, but when he decides his work needs fuller body and consistency he surrounds himself with musicians of\u00a0 the most creative and generous persuasion.His vocal qualities allow him to move freely and without inhibition through the sonorous terrain of flamenco, Magreb, Indian and Caribbean styles in a constant, harmonious flow which invites us to believe firmly that the fusion of musical styles and peoples will bring us to a new place of enlightenment, a new planet still being formed.<\/em><\/span><\/div>\n<\/div>\n
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Dentro de\u00a0\u00a0 \u00a0M\u00fasica en Amster Yard<\/span><\/a>\u00a0\u00a0 Ciclo de conciertos<\/em><\/span><\/h4>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Concierto 29 de noviembre 7:00 pm ICNY – Auditorio Treinta a\u00f1os de oficio y diez discos en el mercado avalan a este m\u00fasico creativo y diferente a todos los de su generaci\u00f3n. Compositor, guitarrista, arreglista y cantante, m\u00fasico de frontera, Ruibal es un buscador de aromas, un perseguidor de la f\u00e1bula y el ensue\u00f1o, un […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[176],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/7667"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=7667"}],"version-history":[{"count":0,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/7667\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=7667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=7667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=7667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}