{"id":7870,"date":"2011-12-14T18:35:47","date_gmt":"2011-12-14T18:35:47","guid":{"rendered":"http:\/\/blogbibny.wordpress.com\/?p=7870"},"modified":"2011-12-14T18:35:47","modified_gmt":"2011-12-14T18:35:47","slug":"el-verdugo-un-oficio-del-siglo-xx-mesa-redonda","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2011\/12\/14\/el-verdugo-un-oficio-del-siglo-xx-mesa-redonda\/","title":{"rendered":"El Verdugo: Un oficio del siglo XX. Mesa redonda"},"content":{"rendered":"
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\u00a0<\/span>\u00a0 The Executioner: A Trade of the Twentieth Century<\/em><\/strong><\/span><\/h2>\n

Round table discussion<\/em><\/span><\/h3>\n

Basilio Mart\u00edn Patino,\u00a0director de cine\u00a0 <\/span>y\u00a0 <\/span>Brandi Grissom,\u00a0periodista ‘ Texas Tribune’<\/em><\/span><\/h2>\n

\u00a0<\/h2>\n

Auditorio ICNY- 15 diciembre, 7:30 pm<\/span><\/h2>\n

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<\/em><\/em>Tomando como referencia la pel\u00edcula El Verdugo<\/em>, de Luis Garc\u00eda Berlanga, y el documental Querid\u00edsimos Verdugos<\/em>, de Basilio Mart\u00edn Patino \u2013 prohibido por el franquismo -, el Instituto Cervantes de Nueva York se propone ahondar en la psicolog\u00eda del \u201cejecutor de sentencias\u201d, eufemismo que, de manera ir\u00f3nica, utiliza Patino en su pel\u00edcula. En ella, se hace patente que la realidad imita la ficci\u00f3n, y deja de manifiesto el ambiente miserable que rodea la figura del verdugo, quien no deja de ser otra v\u00edctima. Ambos largometrajes suponen una \u00e1cida mirada a la Espa\u00f1a franquista, donde la pena de muerte sigui\u00f3 vigente hasta 1974, a\u00f1o en que el r\u00e9gimen conden\u00f3 a garrote vil a su \u00faltimo preso: Salvador Puig Antich. Partiendo de estos dos ejemplos cinematogr\u00e1ficos, la mesa redonda pretende establecer, de igual modo, un paralelismo entre el verdugo espa\u00f1ol y americano, \u00e9ste \u00faltimo aun presente, as\u00ed como plantear algunas cuestiones sobre el sistema de justicia estadounidense.<\/span><\/div>\n<\/div>\n<\/div>\n
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Referencing the\u00a0movie The Executioner by Luis\u00a0Garc\u00eda\u00a0Berlanga,\u00a0and the documentary\u00a0Dearest\u00a0Executioners by\u00a0Basilio\u00a0Mart\u00edn\u00a0Patino – banned by the Spanish\u00a0 Francoregime for years -, the \u00a0Instituto \u00a0Cervantes\u00a0 of New \u00a0York \u00a0intends to\u00a0 delve into\u00a0the psychology of \u00abexecuting sentences\u00bb, an euphemism\u00a0that, ironically, documentary-maker Patino uses in his film.\u00a0 In both movies,\u00a0it becomes clear that\u00a0 reality\u00a0 mimics \u00a0fiction,\u00a0 and reveals\u00a0 the\u00a0 miserable\u00a0 environment\u00a0 that surrounds\u00a0the figure of the\u00a0executioner, who\u00a0continues to\u00a0be another\u00a0victim of the system. Both films\u00a0are a\u00a0sour\u00a0look at\u00a0Franco’s Spain,\u00a0where\u00a0the death penalty\u00a0remained in force until\u00a01974. That\u00a0year, the regime executed\u00a0his\u00a0last sentenced-to-death- prisoner: Salvador\u00a0Puig\u00a0Antich.\u00a0 The panel\u00a0seeks to establish\u00a0a parallel between the\u00a0Spanish and American\u00a0executioner (the latter\u00a0still present), while\u00a0raising some\u00a0questions about the\u00a0U.S. justice\u00a0system.<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\u00a0Organizan<\/span><\/strong><\/div>\n
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Consulado General de Espa\u00f1a NY\u00a0 e \u00a0Instituto Cervantes NY<\/span><\/em><\/strong><\/p>\n

<\/em>Dentro\u00a0 de \u00a0Spanish Cinema Now! 2011<\/span><\/a>\u00a0Ciclo de cine<\/span><\/em><\/strong>\u00a0<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0 The Executioner: A Trade of the Twentieth Century Round table discussion Basilio Mart\u00edn Patino,\u00a0director de cine\u00a0 y\u00a0 Brandi Grissom,\u00a0periodista ‘ Texas Tribune’ \u00a0 Auditorio ICNY- 15 diciembre, 7:30 pm \u00a0 Tomando como referencia la pel\u00edcula El Verdugo, de Luis Garc\u00eda Berlanga, y el documental Querid\u00edsimos Verdugos, de Basilio Mart\u00edn Patino \u2013 prohibido por el […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[16,105,20],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/7870"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=7870"}],"version-history":[{"count":0,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/7870\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=7870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=7870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=7870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}