{"id":8335,"date":"2012-02-20T17:25:00","date_gmt":"2012-02-20T17:25:00","guid":{"rendered":"http:\/\/blogbibny.wordpress.com\/?p=8335"},"modified":"2012-02-20T17:25:00","modified_gmt":"2012-02-20T17:25:00","slug":"8335","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/02\/20\/8335\/","title":{"rendered":"‘La tierra de todos’ pase de pel\u00edcula \/ ‘The Temptress’ film screening"},"content":{"rendered":"

ICNY – Auditorio, <\/strong><\/span>22 de febrero. 6:00 pm<\/em><\/strong><\/span>\u00a0<\/h2>\n

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La tierra de todos\u00a0\/ <\/em><\/strong><\/span>The Temptress<\/span><\/em><\/h2>\n
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\u00a0<\/h2>\n

\u00a0USA. Fred Niblo,\u00a01926, 117 min.<\/em><\/strong><\/span>\u00a0<\/div>\n

Basada en una novela del espa\u00f1ol Vicente Blasco Ib\u00e1\u00f1ez<\/strong> (Sangre y arena), ‘La tierra de todos’<\/strong> fue el segundo largometraje de Greta Garbo<\/strong> en Hollywood y el film que estableci\u00f3 su personalidad magn\u00e9tica como una vampiresa que destruye la vida de aquellos hombres que no pueden ni quieren resistir sus encantos. La actriz encarna a una marquesa que, luego de algunos esc\u00e1ndalos amorosos, decide afincarse en la Argentina, donde conoce a un joven arquitecto que caer\u00e1 rendido ante sus encantos.<\/span><\/p>\n

Based on a novel by the Spaniard<\/em> Vicente Blasco Ib\u00e1\u00f1ez (Sangre y arena), ‘<\/em>La tierra de todos<\/strong>‘ was Greta Garbo\u2019s second film in Hollywood and the one that established her magnetic character as a vampire who destroys the\u00a0lives of those men who do not care to resist her charms.\u00a0The actress plays a marquise who after some romantic scandals decides to settle in Argentina, where she meets a young architect who’ll fall under her charm.\u00a0Mauritz Stiller, a Swedish filmmaker and Garbo’s mentor during her early years as an actress in Scandinavian film, who was responsible for the diva’s journey to the United States, was the first director of the film. But soon after shooting started, due to disagreements with the producers, he was replaced by Fred Niblo.\u00a0Stiller would never again direct Garbo and died shortly after in Stockholm at the age of 45.<\/em><\/span><\/p>\n

El Instituto Cervantes de Nueva York presenta el programa monogr\u00e1fico ESPA\u00d1OLES EN HOLLYWOOD.<\/em><\/strong> Un ciclo de pel\u00edculas seleccionadas por el historiador de cine Rom\u00e1n Gubern,<\/em> que trata sobre la influencia de los espa\u00f1oles en la meca del cine. Los filmes constituyen un recorrido hist\u00f3rico a trav\u00e9s de un siglo (centr\u00e1ndose especialmente en la d\u00e9cada de los treinta), que se ocupa de los actores y actrices m\u00e1s conocidos: Antonio Moreno, Raquel Meller, Catalina B\u00e1rcena\u2026, as\u00ed como de los novelistas que inspiraron los guiones hollywoodienses: Blasco Ib\u00e1\u00f1ez, Jardiel Poncela, etc.<\/span><\/h3>\n

\u00a0<\/h3>\n
Spaniards in Hollywood<\/strong> is a series of films selected by the film historian Rom\u00e1n Gubern that show the influence of Spanish filmmakers in the mecca of cinema.\u00a0The films are a historic journey through a century (with particular focus on the twenties and thirties). They bring to life the work of some of its most famous actors and actresses (Antonio Moreno, Raquel Meller, Catherine Barcenas), as well as the\u00a0novelists who inspired the Hollywood scripts (Blasco Ib\u00e1\u00f1ez, Jardiel Poncela).<\/em><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

ICNY – Auditorio, 22 de febrero. 6:00 pm\u00a0 La tierra de todos\u00a0\/ The Temptress \u00a0 \u00a0USA. Fred Niblo,\u00a01926, 117 min.\u00a0 Basada en una novela del espa\u00f1ol Vicente Blasco Ib\u00e1\u00f1ez (Sangre y arena), ‘La tierra de todos’ fue el segundo largometraje de Greta Garbo en Hollywood y el film que estableci\u00f3 su personalidad magn\u00e9tica como una […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[16,18],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8335"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=8335"}],"version-history":[{"count":0,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8335\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=8335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=8335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=8335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}