{"id":8496,"date":"2012-02-12T15:01:58","date_gmt":"2012-02-12T15:01:58","guid":{"rendered":"http:\/\/blogbibny.wordpress.com\/?p=8496"},"modified":"2012-02-12T15:01:58","modified_gmt":"2012-02-12T15:01:58","slug":"festival-de-flamenco-de-nueva-york-2012","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/02\/12\/festival-de-flamenco-de-nueva-york-2012\/","title":{"rendered":"Festival de flamenco de Nueva York 2012"},"content":{"rendered":"

Ciclo de conciertos<\/span><\/span><\/h2>\n

Instituto Cervantes de Nueva York<\/span><\/h2>\n

[slideshow]<\/span><\/span>\u00a0<\/h2>\n

del 24 de febrero al 11 de marzo<\/span><\/h2>\n
\n

Con m\u00e1s de 500.000 espectadores desde su creaci\u00f3n en el 2001, FLAMENCO FESTIVAL<\/em> se ha convertido en el principal escaparate para el flamenco fuera de nuestras fronteras, present\u00e1ndose en los teatros m\u00e1s emblem\u00e1ticos \u00a0de los Estados Unidos, como en Nueva York el City Center<\/em> o el Carmegie Hall<\/em>, mecas en el mundo de la danza y la m\u00fasica, o el Adrienne Arsht Center <\/em>de Miami, y el Lisner Auditorium <\/em>de Washington DC. Por \u00e9l han pasado casi todas la figuras del flamenco desde los maestro consagrados a los artistas m\u00e1s j\u00f3venes, de las propuestas tradicionales a los enfoques m\u00e1s vanguardistas.\u00a0\u00a0\u00a0<\/strong><\/span><\/p>\n

Since its creation in 2001, Flamenco Festival USA<\/strong> has become the most important showcase for Spanish culture outside Spain and a vital point of encounter between the American public and Spanish artists. <\/em>Flamenco Festival will be presented at the most important venues of USA: Ny City Center in New York; Adrienne Arsh Center in Miami and the Lisner Auditorium in Washington DC.<\/em><\/span><\/p>\n

<\/em>Throughout these ten years, the festival, has continued to grow in terms of artists, size of audiences, and public recognition, and it has become a yearly event. The festival grew from 14,000 spectators in 2001 to 126,000 in 2010. Flamenco Festival USA has presented almost all the most important figures of the\u00a0flamenco panorama, and has highlighted the work of both traditional and contemporary artists.\u00a0\u00a0\u00a0<\/em>\u00a0<\/span><\/p>\n<\/div>\n

Actividades \/ Events<\/em><\/span><\/h3>\n

Jos\u00e9 Mar\u00eda Gallardo del Rey. Classical & Jondo<\/em><\/span><\/a><\/span><\/p>\n

Taller de guitarra con<\/em> Jos\u00e9 Mar\u00eda Gallardo del Rey<\/span><\/a><\/span><\/p>\n

Ricardo Moreno. Un gitano en Nueva York<\/em><\/span><\/a><\/span><\/p>\n

Di\u00e1logos con el flamenco<\/span><\/a><\/em><\/span><\/p>\n

Rosa Torres-Pardo. Suite Espa\u00f1ola<\/em><\/span><\/a><\/span><\/p>\n

\n

Organiza<\/span><\/h3>\n

Instituto Cervantes de Nueva York\u00a0<\/em><\/span><\/p>\n<\/div>\n

\n

Patrocinan<\/span><\/h3>\n

Instituto Andaluz del Flamenco \/ <\/em><\/span>Instituto Nacional de las Artes <\/em><\/span>Esc\u00e9nicas\u00a0\u00a0<\/em><\/span>de la M\u00fasica (INAEM.\u00a0Espa\u00f1a) \/ <\/em><\/span>Andaluc\u00eda se mueve con Europa \/ <\/em><\/span>Fondo Europeo de Desarrollo Regional (FEDER) \/ <\/em><\/span>Embajada de Espa\u00f1a en <\/em><\/span>Washington DC \/ <\/em><\/span>Consulado General de Espa\u00f1a en \u00a0Nueva York<\/em><\/span><\/p>\n

M\u00e1s en:<\/strong> <\/em>http: cervantes.es<\/span><\/a><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ciclo de conciertos Instituto Cervantes de Nueva York [slideshow]\u00a0 del 24 de febrero al 11 de marzo Con m\u00e1s de 500.000 espectadores desde su creaci\u00f3n en el 2001, FLAMENCO FESTIVAL se ha convertido en el principal escaparate para el flamenco fuera de nuestras fronteras, present\u00e1ndose en los teatros m\u00e1s emblem\u00e1ticos \u00a0de los Estados Unidos, como […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[176,202],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8496"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=8496"}],"version-history":[{"count":0,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8496\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=8496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=8496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=8496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}