{"id":8574,"date":"2012-02-22T00:34:46","date_gmt":"2012-02-22T00:34:46","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=8574"},"modified":"2012-02-27T00:38:41","modified_gmt":"2012-02-27T00:38:41","slug":"maremagnum","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/02\/22\/maremagnum\/","title":{"rendered":"Maremagnum"},"content":{"rendered":"
\n
\n

Exposici\u00f3n de fotograf\u00eda<\/span><\/h1>\n

\"\"<\/span><\/a><\/span><\/p>\n

Jordi Soc\u00edas. 23 de febrero – 23 de marzo<\/span><\/h2>\n

Galer\u00eda Amster Yard ICNY <\/strong><\/span><\/h2>\n

Coloquio de apertura el 23 de febrero a las 6:00 pm <\/em>con Jordi Soc\u00edas<\/strong><\/span><\/h4>\n<\/div>\n
\n
\n

Jordi Soc\u00edas<\/strong> (Barcelona, 1945) es una de las figuras clave del fotoperiodismo en Espa\u00f1a. Influido por maestros internacionales de la talla de Cartier-Bresson y Avedon, su estilo representa a varias generaciones de reporteros. Desde los a\u00f1os setenta en adelante, ha colaborado con las revistas y peri\u00f3dicos espa\u00f1oles m\u00e1s importantes. Maremagnum<\/strong> es una retrospectiva de la transici\u00f3n democr\u00e1tica espa\u00f1ola, im\u00e1genes surrealistas y panor\u00e1micas de la vida cotidiana en la ciudad. El cuerpo principal de la exposici\u00f3n contiene una galer\u00eda de retratos que reflejan su particular visi\u00f3n sobre personajes clave que representan la cultura espa\u00f1ola y europea de las \u00faltimas cuatro d\u00e9cadas.<\/span><\/p>\n

En espa\u00f1ol con traducci\u00f3n simult\u00e1nea<\/strong> \/<\/em> <\/em>In Spanish with simultaneous translation<\/em><\/span><\/p>\n<\/div>\n

\n
Dentro de\u00a0 Proyecto Amster Yard: Espacio Abierto<\/span><\/a> <\/em> Programa monogr\u00e1fico<\/span><\/h5>\n<\/div>\n

Jordi Soc\u00edas<\/strong> (Barcelona, 1945) is one of the key names in the evolution of photojournalism in Spain. Influenced by international masters such as <\/em>Cartier-Bresson <\/strong>and<\/em> Avedon,<\/strong> Soc\u00edas\u00b4 style is representative of several generations of reporters. From the 70\u2019s onward he has collaborated with the most renowned Spanish magazines and newspapers. <\/em>Maremagnum<\/strong> is a retrospective of Spain\u2019s transition to democracy, surreal images, and snapshots of every day city life. The main part of the exhibit contains a gallery of portraits that reflect Soc\u00edas\u2019 personal view on major figures of Spanish and European culture during the past four decades.<\/em><\/span><\/p>\n<\/div>\n

\n

Organiza : Instituto Cervantes NY<\/em><\/strong><\/span><\/p>\n<\/div>\n

Patrocinan<\/strong><\/span><\/div>\n
\n

Acci\u00f3n Cultural Espa\u00f1ola (AC\/E) Madrid \/ Embajada de Espa\u00f1a en Washington DC \/ Biblioteca Nacional (BNE) Espa\u00f1a \/ Lunwerg Editores Barcelona \/ Institut Ramon Llull NY\/ Consulado General de Espa\u00f1a NY<\/strong><\/em><\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Exposici\u00f3n de fotograf\u00eda Jordi Soc\u00edas. 23 de febrero – 23 de marzo Galer\u00eda Amster Yard ICNY Coloquio de apertura el 23 de febrero a las 6:00 pm con Jordi Soc\u00edas Jordi Soc\u00edas (Barcelona, 1945) es una de las figuras clave del fotoperiodismo en Espa\u00f1a. Influido por maestros internacionales de la talla de Cartier-Bresson y Avedon, […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[6],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8574"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=8574"}],"version-history":[{"count":4,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8574\/revisions"}],"predecessor-version":[{"id":8578,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8574\/revisions\/8578"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=8574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=8574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=8574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}