{"id":8591,"date":"2012-02-27T17:43:06","date_gmt":"2012-02-27T17:43:06","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=8591"},"modified":"2012-02-27T18:36:10","modified_gmt":"2012-02-27T18:36:10","slug":"classical-jondo","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/02\/27\/classical-jondo\/","title":{"rendered":"Classical & Jondo"},"content":{"rendered":"

Concierto <\/span>de <\/span>Jos\u00e9 Mar\u00eda Gallardo del Rey <\/em><\/span><\/h3>\n

\"\"<\/a><\/span><\/h3>\n

\u00a0<\/h3>\n

ICNY Auditorio 27 de febrero, 6:00 pm <\/em><\/span><\/h3>\n

Jos\u00e9 Mar\u00eda Gallardo del Rey<\/em><\/strong> hace su debut en Sevilla con nueve a\u00f1os y desde entonces ha venido cosechando los mayores \u00e9xitos de p\u00fablico y cr\u00edtica por todo el mundo. Artista de formaci\u00f3n y conocimientos musicales ins\u00f3litos en el mundo de la guitarra, es el solista m\u00e1s requerido y programado por las orquestas de todo el mundo. Directores y m\u00fasicos le confirman un\u00e1nimes como guitarrista de referencia. Su formaci\u00f3n como guitarrista cl\u00e1sico ha sido enriquecida por su intensa relaci\u00f3n con el mundo del flamenco. La conjunci\u00f3n de ambos estilos ha creado una manera \u00fanica de interpretar y entender la m\u00fasica espa\u00f1ola. Es por esto que su presencia se torna imprescindible en proyectos como \u201cPasi\u00f3n Espa\u00f1ola\u201d, con Pl\u00e1cido Domingo<\/strong><\/em> (Grammy Latino 2008), \u201cHabanera Gipsy\u201d, con Elina Garan\u00e7a<\/strong><\/em> (2010) , \u201cCaprichos L\u00edricos\u201d, con Teresa Ber<\/strong>ganza<\/strong><\/em> (1996) o su labor como director y asesor art\u00edstico de Paco de Luc\u00eda<\/strong><\/em> en su debut con el Concierto de Aranjuez. (Jap\u00f3n 1990).\u00a0<\/span>\u00a0<\/p>\n

Clase magistral de guitarra con Jos\u00e9 Mar\u00eda Gallardo del Rey<\/span>\u00a0<\/h3>\n

Taller<\/em><\/span>\u00a0<\/h2>\n

ICNY – Auditorio 28 de febrero,06:00 pm<\/em>\u00a0\u00a0<\/span>\u00a0<\/h3>\n

<\/em>C\u00e1tedra de Guitarra Espa\u00f1ola con una master class<\/em> sobre repertorio de m\u00fasica espa\u00f1ola, centr\u00e1ndose en la importancia del flamenco<\/strong><\/span>\u00a0<\/p>\n

El n\u00famero de inscritos es entre cinco y seis participantes<\/strong><\/span>\u00a0<\/p>\n

El perfil se corresponde con guitarristas de nivel avanzado y profesional, aunque tambi\u00e9n se acepta el grado medio. La clase, adem\u00e1s, estar\u00e1 abierta al p\u00fablico general, que podr\u00e1 asistir como oyente. <\/strong><\/span>Interesados en registrarse como alumnos\u00a0contacten p. f.\u00a0<\/strong><\/span>\u00a0<\/p>\n

tel. : 212 308 7720 ext.113<\/strong><\/span><\/p>\n

En espa\u00f1ol con traducci\u00f3n simult\u00e1nea<\/em><\/strong><\/span>\u00a0<\/p>\n

M\u00e1s en:<\/em><\/strong> Festival de flamenco de Nueva York 2012 <\/span><\/a>\u00a0Programa monogr\u00e1fico <\/em><\/span><\/p>\n

Since his debut in Seville at the age of nine, <\/em>Jose Mar\u00eda Gallardo del Rey <\/strong>has achieved universal public and critical acclaim. As a mature artist with a profound affinity for all aspects of the guitar, he has become a leading authority on the instrument among conductors and players alike, and a soloist in great demand by orchestras throughout the world. His development as a classical guitarist has been enriched by his intense relationship with the world of Flamenco. The fusion of both styles has created a unique way of playing and listening to Spanish music, and Jose Mar\u00eda has made an indispensable contribution to projects like \u201cPasi\u00f3n Espanola\u201d with <\/em>Pl\u00e1cido Domingo<\/strong> (Grammy Latino 2008), \u201cHabanera Gipsy\u201d with <\/em>Elina Garan\u00e7a<\/strong> (2010), \u201cCaprichos L\u00edricos\u201d with <\/em>Teresa Berganza<\/strong>, and in his role as director and artistic adviser to <\/em>Paco de Luc\u00eda<\/strong>for the latter’s Japanese d\u00e9but with the Concierto de Aranjuez in 1990.\u00a0<\/em><\/span>\u00a0<\/p>\n

Guitar masterclass with Jos\u00e9 Mar\u00eda Gallardo del Rey<\/span>\u00a0<\/em><\/h3>\n

WORKSHOP. <\/span><\/em>ICNY – Auditorio 28 de febrero, 6:00 pm\u00a0<\/span><\/em><\/h3>\n

This Spanish Guitar Master Class will cover general repertoire of Spanish music, focusing on the importance of flamenco.<\/span><\/em><\/strong>\u00a0<\/p>\n

Maximum number of participants is six. <\/span><\/em><\/p>\n

This workshop is aimed at guitarists of advanced or professional level, although intermediate level is also accepted. The session will be open to the general public, who will be able to attend as auditors. To register, please call <\/span><\/em><\/p>\n

<\/em>212 308 7720 ext.113<\/strong><\/span><\/em>\u00a0<\/strong><\/p>\n

\u00a0Simultaneous interpretation<\/em><\/span>\u00a0<\/p>\n

Organiza:<\/strong> <\/em>Festival Flamenco de Nueva York e Instituto Cervantes NY <\/span><\/p>\n

Colabora:<\/strong> SAVAREZ S. A. <\/span><\/p>\n

Patrocina:<\/strong> <\/em>Instituto Andaluz del Flamenco; INAEM Instituto Nacional de las Artes Esc\u00e9nicas y de la M\u00fasica. Espa\u00f1a; Andaluc\u00eda se mueve con Europa; FEDER Fondo Europeo de Desarrollo Regional; Embajada de Espa\u00f1a en Washington DC; Consulado General de Espa\u00f1a NY<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Concierto de Jos\u00e9 Mar\u00eda Gallardo del Rey \u00a0 ICNY Auditorio 27 de febrero, 6:00 pm Jos\u00e9 Mar\u00eda Gallardo del Rey hace su debut en Sevilla con nueve a\u00f1os y desde entonces ha venido cosechando los mayores \u00e9xitos de p\u00fablico y cr\u00edtica por todo el mundo. Artista de formaci\u00f3n y conocimientos musicales ins\u00f3litos en el mundo […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[176,202],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8591"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=8591"}],"version-history":[{"count":13,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8591\/revisions"}],"predecessor-version":[{"id":8606,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/8591\/revisions\/8606"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=8591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=8591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=8591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}