{"id":9135,"date":"2012-04-16T10:45:47","date_gmt":"2012-04-16T14:45:47","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=9135"},"modified":"2012-04-16T12:06:35","modified_gmt":"2012-04-16T16:06:35","slug":"del-guion-a-la-pantalla-from-the-script-to-the-screen","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/04\/16\/del-guion-a-la-pantalla-from-the-script-to-the-screen\/","title":{"rendered":"Del gui\u00f3n a la pantalla \/ From the Script to the Screen"},"content":{"rendered":"<h2>ICNY-Auditorio. 16 de abril. <em>07:15 pm<\/em><\/h2>\n<h2>Mesa redonda \/ <em>Round table discussion<\/em><\/h2>\n<h3><em>Ablo Solarz<\/em>,\u00a0<em>Airo Carrillo<\/em>,\u00a0<em>Na Katz y<\/em>\u00a0<em>Anuel Herrera<\/em>, guionistas profesionales, moderados por <em>\u00c1ngel Lara<\/em>, tambi\u00e9n guionista,\u00a0hablan sobre los siguientes temas<\/h3>\n<ul>\n<li>Cine de autor vs. Cine de g\u00e9nero. La importancia del espectador y los elementos implicados en el proceso creativo<\/li>\n<li>La importancia de la relaci\u00f3n entre el guionista, el director y el productor y c\u00f3mo lidiar con las demandas comerciales<\/li>\n<li>Guiones de contrato y guiones de autor<\/li>\n<li>Adaptaciones literarias y narrativa hist\u00f3rica<\/li>\n<li>Escritura para distintas plataformas y formatos. Adaptaci\u00f3n del trabajo a las perspectivas de las nuevas redes sociales. \u00bfCu\u00e1les son las influencias de ciertos g\u00e9neros televisivos como las tele-novelas y los programas de tele-realidad?\u00a0<\/li>\n<li>\u00bfInfluye el presupuesto en el planteamiento del gui\u00f3n?<\/li>\n<\/ul>\n<p><em><strong>Traducci\u00f3n simult\u00e1nea<\/strong><\/em><\/p>\n<p><a href=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/04\/Dominican-shorts.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-thumbnail wp-image-9155\" src=\"https:\/\/blogs.cervantes.es\/nyork\/files\/2012\/04\/Dominican-shorts-150x121.jpg\" alt=\"\" width=\"123\" height=\"102\" \/><\/a><strong>Con anterioridad &#8211; <em>6:00 pm<\/em> &#8211;<\/strong> se proyectar\u00e1 una serie de <a href=\"http:\/\/nyork.cervantes.es\/FichasCultura\/Ficha81249_27_2.htm\">cortos dominicanos<\/a>. 60 min: <em><strong>&#8216;One Robbery, Two Friends and Three to Run&#8217;;\u00a0 \u00a0&#8216;Head \/Tails&#8217;;\u00a0\u00a0 &#8216;Almost&#8217; ;\u00a0&#8216;Alike&#8217;<\/strong><\/em>. Espa\u00f1ol sutitulados en ingl\u00e9s<\/p>\n<p><em>Dentro de <strong><span style=\"color: #800080\"><a href=\"http:\/\/gestioncultura.cervantes.es\/publico\/FichaCul.asp?CodActividad=80687&amp;CodIdioma=2\"><span style=\"color: #800080\">Cine Club. Ciclo de cine\u00a0\u00a0<\/span><\/a><\/span><\/strong><\/em><\/p>\n<div>\n<h3><em><\/em>\u00a0<\/h3>\n<h3><em>A panel of four professionally diverse screenwriters and moderated by screenwriter <strong>\u00c1ngel Lara<\/strong> will discuss, among other topics<\/em><\/h3>\n<div>\n<ul>\n<li><em>Genre vs. auteur cinema, the importance of audience (the spectator) and the elements involved in the creative process<\/em><\/li>\n<li><em>The importance of the \u2018triangular\u2019 writer-director-producer relationship. How to deal with difficult directors and producers\u2019 commercial demands<\/em><\/li>\n<li><em>Screenwriter for hire vs. auteur scripts<\/em><\/li>\n<li><em>Literary adaptations and historical narratives, and taking creative freedom in telling this stories<\/em><\/li>\n<li><em>Writing for different platforms and formats, and adapting the work to new social media perspectives. What are the influences of other television genres such as\u00a0soap operas\u00a0or reality show formats?<\/em><\/li>\n<li><em>Does the budget drive the script? Is creativity restricted by budget, or could the budget challenge and push the writer to be more creative within her or his writing? \u00a0<\/em><\/li>\n<\/ul>\n<p><strong>Simultaneous interpretation<\/strong><\/p>\n<p><strong><em>06:00 pm <\/em>before the discussion there\u00a0 <\/strong>several <span style=\"color: #800080\"><a href=\"http:\/\/nyork.cervantes.es\/FichasCultura\/Ficha81249_27_2.htm\"><span style=\"color: #800080\">dominican short films<\/span><\/a><\/span> participating at the 2011 <em><strong>Dominican Global Film Festival<\/strong><\/em> will be screened (60&#8242;):\u00a0\u00a0&#8216;<strong><em>One Robbery, Two Friends and Three to Run&#8217;<\/em><\/strong>;\u00a0\u00a0 &#8216;<strong><em>Head \/Tails&#8217;;\u00a0<\/em><\/strong>\u00a0 &#8216;<strong><em>Almost&#8217; ;<\/em><\/strong>\u00a0&#8216;<strong><em>Alike&#8217;\u00a0\u00a0\u00a0 <\/em><\/strong><em>Spanish with English subtitles<\/em>\u00a0<\/p>\n<\/div>\n<\/div>\n<p><strong>Organizan<\/strong>:\u00a0<em>Havana Film Festival<\/em> e <em>Instituto Cervantes NY<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ICNY-Auditorio. 16 de abril. 07:15 pm Mesa redonda \/ Round table discussion Ablo Solarz,\u00a0Airo Carrillo,\u00a0Na Katz y\u00a0Anuel Herrera, guionistas profesionales, moderados por \u00c1ngel Lara, tambi\u00e9n guionista,\u00a0hablan sobre los siguientes temas Cine de autor vs. Cine de g\u00e9nero. La importancia del espectador y los elementos implicados en el proceso creativo La importancia de la relaci\u00f3n entre [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[105,222,20],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9135"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=9135"}],"version-history":[{"count":17,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9135\/revisions"}],"predecessor-version":[{"id":9250,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9135\/revisions\/9250"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=9135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=9135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=9135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}