{"id":9305,"date":"2012-04-18T19:39:50","date_gmt":"2012-04-18T23:39:50","guid":{"rendered":"https:\/\/blogs.cervantes.es\/nyork\/?p=9305"},"modified":"2012-04-18T23:16:26","modified_gmt":"2012-04-19T03:16:26","slug":"memoria-social-e-historica-una-reflexion-sobre-el-cine-latinoamericano","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/nyork\/2012\/04\/18\/memoria-social-e-historica-una-reflexion-sobre-el-cine-latinoamericano\/","title":{"rendered":"Memoria social e hist\u00f3rica. Una reflexi\u00f3n sobre el cine latinoamericano"},"content":{"rendered":"
\n

Mesa redonda \/ Round table discussion<\/span><\/em><\/span><\/h2>\n

Instituto Cervantes – Auditorio. 19 de abril. 8:00 pm\u00a0<\/em><\/strong><\/span><\/h3>\n

Elias Jim\u00e9nez,\u00a0director.\u00a0Casa Comal
\n<\/em>Maite Rivera Carbonell,\u00a0directora de cine
\n<\/em>Sergio Ram\u00edrez,\u00a0escritor
\n<\/em>Josefina Cuxl Xuc,\u00a0directora de cine
\n<\/em>Leyzer Edinter Chiquin Ch\u00f2,\u00a0director de cine
\n<\/em>Amalia Cordova,\u00a0comisaria.\u00a0Museum of Latin American Indian<\/em><\/strong><\/span><\/p>\n

\"\"<\/a>La historia tiende a menudo a ignorar la voz de los m\u00e1s desfavorecidos. En Latinoamerica no es una excepci\u00f3n por lo que, tomando como punto de partida la memoria social, varios directores de cine intentar\u00e1n involucrar a esas voces marginadas con el fin de ampliar su comprensi\u00f3n hist\u00f3rica.\u00a0<\/span><\/p>\n

\n
Los realizadores debatir\u00e1n\u00a0entre otros temas:<\/span><\/div>\n
\n

– Comunidades ind\u00edgenas e ideolog\u00eda pol\u00edtica<\/span><\/p>\n

– Voces subalternas y discursos hegem\u00f3nicos<\/span><\/p>\n

– Visibilidad y representaci\u00f3n de subgrupos en los medios de comunicaci\u00f3n<\/span><\/p>\n

– Percepci\u00f3n y memoria de la violencia en el marco de la historia oficial de un pa\u00eds<\/span><\/p>\n

– Cr\u00edmenes de guerra y recuperaci\u00f3n desde perspectivas de g\u00e9nero, \u00e9tnicas y religiosas<\/span><\/p>\n

– Comunidades imaginarias en econom\u00edas post-colonizadas y su relaci\u00f3n con el\u00a0Estado.\u00a0<\/span><\/p>\n

– Diversidad cultural e intangibilidad en las pel\u00edculas, desde la antiguedad hasta nuestros d\u00edas.<\/span><\/p>\n

Traducci\u00f3n simult\u00e1nea<\/em><\/span><\/p>\n

Dentro de\u00a0\u00a0Cine Club <\/span><\/a><\/span><\/em><\/span><\/strong><\/p>\n<\/div>\n<\/div>\n

\n
\n

History and Social Memory, a Self-Reflexion From Latin American Cinema<\/em><\/h2>\n

History often ignores the voice of the disenfranchised. This is no exception in Latin America, yet through social memory as a point of departure, film directors are attempting to insert often-ignored voices to expand our understanding of history. <\/em><\/span><\/p>\n

A panel of directors will discuss, among other topics<\/em>:<\/span><\/p>\n<\/div>\n

\n

–\u00a0Indigenous communities and political ideology<\/em><\/span><\/p>\n

–\u00a0Subaltern voices and hegemonic discourses<\/em><\/span><\/p>\n

–\u00a0Visibility and representation of subgroups in the media<\/em><\/span><\/p>\n

–\u00a0Perception and memory of violence within the official history of a country<\/em><\/span><\/p>\n

–\u00a0Reconciling war crimes and restorations from ethnic, religious, and gender perspectives<\/em><\/span><\/p>\n

–\u00a0\u00a0Interrogating imagined communities in (post)colonized economies and their relationship to the State<\/em><\/span><\/p>\n

–\u00a0Cultural diversity and intelligibility from the ancient to the modern as represented in film<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

Organizan:<\/strong> Instituto Cervantes de Nueva York<\/strong> \u00a0y \u00a0Havana Film Festival<\/strong><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Mesa redonda \/ Round table discussion Instituto Cervantes – Auditorio. 19 de abril. 8:00 pm\u00a0 Elias Jim\u00e9nez,\u00a0director.\u00a0Casa Comal Maite Rivera Carbonell,\u00a0directora de cine Sergio Ram\u00edrez,\u00a0escritor Josefina Cuxl Xuc,\u00a0directora de cine Leyzer Edinter Chiquin Ch\u00f2,\u00a0director de cine Amalia Cordova,\u00a0comisaria.\u00a0Museum of Latin American Indian La historia tiende a menudo a ignorar la voz de los m\u00e1s desfavorecidos. […]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[16,20],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9305"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/comments?post=9305"}],"version-history":[{"count":12,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9305\/revisions"}],"predecessor-version":[{"id":9339,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/posts\/9305\/revisions\/9339"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/media?parent=9305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/categories?post=9305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/nyork\/wp-json\/wp\/v2\/tags?post=9305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}