{"id":4709,"date":"2012-06-28T12:27:53","date_gmt":"2012-06-28T12:27:53","guid":{"rendered":"https:\/\/blogs.cervantes.es\/paris\/?p=4709"},"modified":"2012-06-28T21:15:27","modified_gmt":"2012-06-28T21:15:27","slug":"tras-los-pasos-de-euterpe-8-poetas-espanoles-de-hoy","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/paris\/2012\/06\/28\/tras-los-pasos-de-euterpe-8-poetas-espanoles-de-hoy\/","title":{"rendered":"Tras los pasos de Euterpe: 8 poetas espa\u00f1oles de hoy"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.cervantes.es\/paris\/2012\/06\/28\/tras-los-pasos-de-euterpe-8-poetas-espanoles-de-hoy\/langues-neo-latines\/\" rel=\"attachment wp-att-4711\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-4711\" src=\"https:\/\/blogs.cervantes.es\/paris\/files\/2012\/06\/Langues-neo-latines.jpg\" alt=\"\" width=\"339\" height=\"551\" \/><\/a>La prestigiosa\u00a0revista <a href=\"https:\/\/sites.google.com\/site\/leslanguesneolatines\/\" target=\"_blank\">Les Langues N\u00e9o-Latines<\/a> dedica su n\u00famero 361, junio 2012, a 8 poetas espa\u00f1oles contempor\u00e1neos:<\/p>\n<div>Antonio Colinas (1946)<\/div>\n<div>Jenaro Talens (1946)<\/div>\n<div>Olvido Garc\u00eda Vald\u00e9s (1950)<\/div>\n<div>Andr\u00e9s S\u00e1nchez Robayna (1952)<\/div>\n<div>Carlos Marzal (1961)<\/div>\n<div>Roger Wolfe (1962)<\/div>\n<div>Juan Antonio Gonz\u00e1lez-Iglesias (1964)<\/div>\n<div>Luisa Castro (1966)<\/div>\n<p>Bajo el t\u00edtulo <em>Sur les pas d&#8217;Euterpe. 8 po\u00e8tes espagnols d&#8217;aujourd&#8217;hui<\/em> se incluyen los\u00a0art\u00edculos siguientes:<\/p>\n<p style=\"text-align: left\" align=\"center\">Francisco Aroca\u00a0: \u00a0Antonio Colinas\u00a0: variations sur l\u2019harmonie<\/p>\n<p style=\"text-align: left\" align=\"center\">Vincent Denizeau\u00a0: \u00ab\u00a0<em>Un mar hecho de luz inacabable<\/em>\u00a0\u00bb : itin\u00e9raire po\u00e9tique de Jenaro Talens<\/p>\n<p style=\"text-align: left\" align=\"center\">B\u00e9n\u00e9dicte Mathios\u00a0: Olvido Garc\u00eda Vald\u00e9s : le sujet, le corps, les espaces, une po\u00e9tique des limites et des passages<\/p>\n<p style=\"text-align: left\" align=\"center\">Claude Le Bigot\u00a0: Une musique au c\u0153ur de la lumi\u00e8re\u00a0: en lisant et en \u00e9coutant Andr\u00e9s S\u00e1nchez Robayna<\/p>\n<p style=\"text-align: left\" align=\"center\">Claudie Terrasson\u00a0: Carlos Marzal : de l&#8217;interrogation au chant du monde<\/p>\n<p style=\"text-align: left\" align=\"center\">Lucien Ghariani\u00a0: \u00a0La po\u00e9sie de proximit\u00e9 de Roger Wolfe<\/p>\n<p style=\"text-align: left\" align=\"center\">Daniel Lecler\u00a0: Sous l\u2019angle de l\u2019art et de l\u2019amour\u00a0: Juan Antonio Gonz\u00e1lez Iglesias<\/p>\n<p style=\"text-align: left\" align=\"center\">Lina Iglesias\u00a0: La question du Je et du genre dans la po\u00e9tique de Luisa Castro<\/p>\n<p style=\"text-align: left\" align=\"center\">_______________________________________________________________________________<\/p>\n<p><span style=\"color: #808080\">La prestigieuse\u00a0revue <a href=\"https:\/\/sites.google.com\/site\/leslanguesneolatines\/\" target=\"_blank\"><span style=\"color: #808080\">Les Langues N\u00e9o-Latines<\/span><\/a>\u00a0consacre son num\u00e9ro 361, juin 2012,\u00a0\u00e0 8 po\u00e8tes espagnols contemporains:<\/span><\/p>\n<div><span style=\"color: #808080\">Antonio Colinas (1946)\u00a0<\/span><\/div>\n<div><span style=\"color: #808080\">Jenaro Talens (1946)<\/span><\/div>\n<div><span style=\"color: #808080\">Olvido Garc\u00eda Vald\u00e9s (1950)<\/span><\/div>\n<div><span style=\"color: #808080\">Andr\u00e9s S\u00e1nchez Robayna (1952)<\/span><\/div>\n<div><span style=\"color: #808080\">Carlos Marzal (1961)<\/span><\/div>\n<div><span style=\"color: #808080\">Roger Wolfe (1962)<\/span><\/div>\n<div><span style=\"color: #808080\">Juan Antonio Gonz\u00e1lez-Iglesias (1964)<\/span><\/div>\n<div><span style=\"color: #808080\">Luisa Castro (1966)<\/span><\/div>\n<div style=\"text-align: left\">\n<p><span style=\"color: #808080\">Sous le titre <em>Sur les pas d&#8217;Euterpe: 8 po\u00e8tes espagnols d&#8217;aujourd&#8217;hui<\/em>:\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Francisco Aroca\u00a0: \u00a0Antonio Colinas\u00a0: variations sur l\u2019harmonie\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Vincent Denizeau\u00a0: \u00ab\u00a0<em>Un mar hecho de luz inacabable<\/em>\u00a0\u00bb : itin\u00e9raire po\u00e9tique de Jenaro Talens\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">B\u00e9n\u00e9dicte Mathios\u00a0: Olvido Garc\u00eda Vald\u00e9s : le sujet, le corps, les espaces, une po\u00e9tique des limites et des passages\u00a0\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Claude Le Bigot\u00a0: Une musique au c\u0153ur de la lumi\u00e8re\u00a0: en lisant et en \u00e9coutant Andr\u00e9s S\u00e1nchez Robayna<\/span><\/p>\n<p><span style=\"color: #808080\">Claudie Terrasson\u00a0: Carlos Marzal : de l&#8217;interrogation au chant du monde\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Lucien Ghariani\u00a0: \u00a0La po\u00e9sie de proximit\u00e9 de Roger Wolfe\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Daniel Lecler\u00a0: Sous l\u2019angle de l\u2019art et de l\u2019amour\u00a0: Juan Antonio Gonz\u00e1lez Iglesias\u00a0<\/span><\/p>\n<p><span style=\"color: #808080\">Lina Iglesias\u00a0: La question du Je et du genre dans la po\u00e9tique de Luisa Castro<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La prestigiosa\u00a0revista Les Langues N\u00e9o-Latines dedica su n\u00famero 361, junio 2012, a 8 poetas espa\u00f1oles contempor\u00e1neos: Antonio Colinas (1946) Jenaro Talens (1946) Olvido Garc\u00eda Vald\u00e9s (1950) Andr\u00e9s S\u00e1nchez Robayna (1952) Carlos Marzal (1961) Roger Wolfe (1962) Juan Antonio Gonz\u00e1lez-Iglesias (1964) Luisa Castro (1966) Bajo el t\u00edtulo Sur les pas d&#8217;Euterpe. 8 po\u00e8tes espagnols d&#8217;aujourd&#8217;hui se [&hellip;]<\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[36,43],"tags":[384,381,385,382,387,379,383,380,386],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/posts\/4709"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/comments?post=4709"}],"version-history":[{"count":27,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/posts\/4709\/revisions"}],"predecessor-version":[{"id":4738,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/posts\/4709\/revisions\/4738"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/media?parent=4709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/categories?post=4709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/paris\/wp-json\/wp\/v2\/tags?post=4709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}