{"id":1490,"date":"2011-08-24T16:44:33","date_gmt":"2011-08-24T08:44:33","guid":{"rendered":"https:\/\/blogs.cervantes.es\/shanghai\/?p=1490"},"modified":"2013-12-12T16:46:18","modified_gmt":"2013-12-12T08:46:18","slug":"apertura-del-ciclodirectores-de-escena-espanola-en-el-gran-teatro-del-liceo-a-cargo-de-joan-matabosch","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/shanghai\/2011\/08\/24\/apertura-del-ciclodirectores-de-escena-espanola-en-el-gran-teatro-del-liceo-a-cargo-de-joan-matabosch\/","title":{"rendered":"Apertura del ciclo\u201dDirectores de escena espa\u00f1ola en el Gran Teatro del Liceo\u201d, a cargo de Joan Matabosch"},"content":{"rendered":"<p>Joan Matabosch, director art\u00edstico del Gran Teatro del Liceo \u2015uno de los s\u00edmbolos de Barcelona y de la \u00f3pera europea\u2212, presenta las mejores \u00f3peras de los grandes directores de escena espa\u00f1oles: Turandot de N\u00faria Espert, L&#8217;elisir d&#8217;amore de Mario Gas, Carmen de Calixto Bieito, La Peque\u00f1a Flauta M\u00e1gica y La cenicienta.  <\/p>\n<p>\u897f\u73ed\u7259\u6b4c\u5267\u5bfc\u6f14\u4e8e\u91cc\u745f\u6b27\u5927\u5267\u9662 <\/p>\n<p>\u91cc\u745f\u6b27\u5927\u5267\u9662\u662f\u5df4\u585e\u7f57\u90a3\u8457\u540d\u7684\u6587\u5316\u5386\u53f2\u6807\u5fd7\u548c\u6b27\u6d32\u6b4c\u5267\u754c\u7684\u91cd\u8981\u4ee3\u8868\u4e4b\u4e00\uff0c\u591a\u5e74\u6765\u4fdd\u6301\u7740\u8eab\u4e3a\u4e00\u7ebf\u6587\u5316\u827a\u672f\u4e2d\u5fc3\u7684\u91cd\u70b9\u4f5c\u7528\u3002\u5176\u827a\u672f\u6307\u5bfc\u7235\u5b89\u2022\u739b\u5854\u6ce2\u58eb\uff08Joan Matabosch\uff09\u4e3a\u6211\u4eec\u4ecb\u7ecd\u4e86\u897f\u73ed\u7259\u8457\u540d\u6b4c\u5267\u5bfc\u6f14\u7684\u4f5c\u54c1\uff1a\u52aa\u8389\u4e9a\u2022\u827e\u65af\u535a\u7279\uff08Nuria Espert\uff09\u7684\u300a\u56fe\u5170\u6735\u300b\u3001\u9a6c\u91cc\u5965\u2022\u560e\u65af\uff08Mario Gas\uff09\u7684\u300a\u7231\u7684\u7518\u9187\u300b\u3001\u5361\u91cc\u514b\u65af\u591a\u2022\u6bd4\u8036\u4f9d\u6735\uff08Calixto Bieito\uff09\u7684\u300a\u5361\u95e8\u300b\u2026\u2026\u7b49\uff0c\u4ee5\u53ca\u300a\u5c0f\u5c0f\u9b54\u7b1b\u300b\u548c\u300a\u8f9b\u5fb7\u745e\u62c9\u300b\u3002 <\/p>\n<p>\u5f00\u5e55\uff1a\u5468\u4e09\uff0c2011\u5e748\u670824\u65e5\uff0c19:00<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joan Matabosch, director art\u00edstico del Gran Teatro del Liceo \u2015uno de los s\u00edmbolos de Barcelona y de la \u00f3pera europea\u2212, presenta las mejores \u00f3peras de los grandes directores de escena espa\u00f1oles: Turandot de N\u00faria Espert, L&#8217;elisir d&#8217;amore de Mario Gas, Carmen de Calixto Bieito, La Peque\u00f1a Flauta M\u00e1gica y La cenicienta. \u897f\u73ed\u7259\u6b4c\u5267\u5bfc\u6f14\u4e8e\u91cc\u745f\u6b27\u5927\u5267\u9662 \u91cc\u745f\u6b27\u5927\u5267\u9662\u662f\u5df4\u585e\u7f57\u90a3\u8457\u540d\u7684\u6587\u5316\u5386\u53f2\u6807\u5fd7\u548c\u6b27\u6d32\u6b4c\u5267\u754c\u7684\u91cd\u8981\u4ee3\u8868\u4e4b\u4e00\uff0c\u591a\u5e74\u6765\u4fdd\u6301\u7740\u8eab\u4e3a\u4e00\u7ebf\u6587\u5316\u827a\u672f\u4e2d\u5fc3\u7684\u91cd\u70b9\u4f5c\u7528\u3002\u5176\u827a\u672f\u6307\u5bfc\u7235\u5b89\u2022\u739b\u5854\u6ce2\u58eb\uff08Joan Matabosch\uff09\u4e3a\u6211\u4eec\u4ecb\u7ecd\u4e86\u897f\u73ed\u7259\u8457\u540d\u6b4c\u5267\u5bfc\u6f14\u7684\u4f5c\u54c1\uff1a\u52aa\u8389\u4e9a\u2022\u827e\u65af\u535a\u7279\uff08Nuria Espert\uff09\u7684\u300a\u56fe\u5170\u6735\u300b\u3001\u9a6c\u91cc\u5965\u2022\u560e\u65af\uff08Mario [&hellip;]<\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1490"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/comments?post=1490"}],"version-history":[{"count":1,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1490\/revisions"}],"predecessor-version":[{"id":1491,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1490\/revisions\/1491"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/media?parent=1490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/categories?post=1490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/tags?post=1490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}