{"id":1502,"date":"2010-05-30T16:00:42","date_gmt":"2010-05-30T08:00:42","guid":{"rendered":"https:\/\/blogs.cervantes.es\/shanghai\/?p=1502"},"modified":"2013-12-15T13:10:13","modified_gmt":"2013-12-15T05:10:13","slug":"goya-cronista-de-todas-las-guerras","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/shanghai\/2010\/05\/30\/goya-cronista-de-todas-las-guerras\/","title":{"rendered":"Goya: cronista de todas las guerras."},"content":{"rendered":"<p>Goya: cronista de todas las guerras.<br \/>\nLos Desastres y la fotograf\u00eda de guerra<\/p>\n<p>La exposici\u00f3n Goya: cronista de todas las guerras. Los Desastres y la fotograf\u00eda de guerra, sit\u00faa la figura de Goya como precursor del fotoperiodismo al acercar hasta nuestros d\u00edas el legado del mensaje de Goya a trav\u00e9s de la fotograf\u00eda.<br \/>\nLos 82 grabados que componen la serie Los Desastres de la Guerra  ilustran a trav\u00e9s de sus aguatintas y aguafuertes la crudeza y la brutalidad de la guerra. Precisamente este es el mensaje universal  que Goya quiere hacer extensible y que a trav\u00e9s de las fotograf\u00edas de los reporteros de guerra de ayer y de hoy como Eugene Smith, Centelles, Cartier- Bresson, John Burke, George N. Barnard, Robert Capa o Gervasio S\u00e1nchez, sigue a\u00fan hoy denunciando los conflictos armados.<br \/>\nLa serie de grabados se completa con una selecci\u00f3n de fotograf\u00edas tomadas del archivo de la Biblioteca Nacional de Madrid que constata con im\u00e1genes reales sobre la Guerra Civil espa\u00f1ola el poder universal de las im\u00e1genes de la serie de Los Desastres.<\/p>\n<p>Desde el 30 de Mayo de 2010 hasta el 8 de Agosto de 2010 <\/p>\n<p>\u201c\u6208\u96c5\uff0c\u6240\u6709\u6218\u4e89\u7684\u8bb0\u5f55\u8005\uff1a\u300a\u6218\u4e89\u7684\u707e\u96be\u300b\u4e0e\u6218\u4e89\u6444\u5f71\u201d<\/p>\n<p>\u5c55\u89c8\u201c\u6208\u96c5\uff0c\u6240\u6709\u6218\u4e89\u7684\u8bb0\u5f55\u8005\uff1a\u300a\u6218\u4e89\u7684\u707e\u96be\u300b\u4e0e\u6218\u4e89\u6444\u5f71\u201d\u7a81\u51fa\u4e86\u6208\u96c5\u4f5c\u4e3a\u65b0\u95fb\u6444\u5f71\u5148\u9a71\u7684\u5f62\u8c61\uff0c\u5c06\u6208\u96c5\u7684\u7cbe\u795e\u9057\u4ea7\u4f20\u627f\u81f3\u4eca\u3002<br \/>\n\u300a\u6218\u4e89\u7684\u707e\u96be\u300b\u7cfb\u5217\u7248\u753b\u753182\u5e45\u4f5c\u54c1\u7ec4\u6210\uff0c\u901a\u8fc7\u6c34\u5f69\u753b\u548c\u94dc\u7248\u753b\u63ed\u793a\u4e86\u6218\u4e89\u7684\u91ce\u86ee\u884c\u5f84\u548c\u6b8b\u9177\u6027\u3002\u800c\u8fd9\u6b63\u662f\u6208\u96c5\u60f3\u8981\u4f20\u8fbe\u7ed9\u66f4\u591a\u4eba\u7684\u666e\u904d\u4fe1\u606f\uff0c\u800c\u4eca\u5929\u4ecd\u7136\u6709\u5982Eugene Smith, Centelles, Cartier- Bresson, John Burke, George N. Barnard, Robert Capa \u6216\u8005 Gervasio S\u00e1nchez\u7b49\u524d\u8d74\u540e\u7ee7\u7684\u6218\u5730\u8bb0\u8005\u4eec\u7ee7\u7eed\u901a\u8fc7\u6444\u5f71\uff0c\u5bf9\u6b66\u88c5\u51b2\u7a81\u548c\u6218\u4e89\u8fdb\u884c\u7740\u63a7\u8bc9\u3002<br \/>\n\u8fd9\u4e2a\u7cfb\u5217\u7248\u753b\u5c06\u4e0e\u4ece\u9a6c\u5fb7\u91cc\u56fd\u5bb6\u56fe\u4e66\u9986\u6863\u6848\u4e2d\u9009\u51fa\u7684\u6444\u5f71\u4f5c\u54c1\u4e00\u8d77\u5c55\u51fa\uff0c\u8fd9\u4e9b\u53cd\u6620\u4e86\u897f\u73ed\u7259\u5185\u6218\u7684\u771f\u5b9e\u7167\u7247\u8bc1\u660e\u4e86\u300a\u707e\u96be\u300b\u7cfb\u5217\u56fe\u7247\u7684\u4e16\u754c\u5f71\u54cd\u529b\u3002<\/p>\n<p>\u5c55\u671f\uff1a2010\u5e745\u670830\u65e5\u81f32010\u5e748\u67088\u65e5<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Goya: cronista de todas las guerras. Los Desastres y la fotograf\u00eda de guerra La exposici\u00f3n Goya: cronista de todas las guerras. Los Desastres y la fotograf\u00eda de guerra, sit\u00faa la figura de Goya como precursor del fotoperiodismo al acercar hasta nuestros d\u00edas el legado del mensaje de Goya a trav\u00e9s de la fotograf\u00eda. Los 82 [&hellip;]<\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1502"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/comments?post=1502"}],"version-history":[{"count":1,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1502\/revisions"}],"predecessor-version":[{"id":1503,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1502\/revisions\/1503"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/media?parent=1502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/categories?post=1502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/tags?post=1502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}