{"id":1651,"date":"2013-12-10T19:00:41","date_gmt":"2013-12-10T11:00:41","guid":{"rendered":"https:\/\/blogs.cervantes.es\/shanghai\/?p=1651"},"modified":"2013-12-20T16:40:14","modified_gmt":"2013-12-20T08:40:14","slug":"presentacion-de-tesis-doctoral-redescubriendo-a-antonio-ramos-espejo-espanol-shanghailander-y-cimiento-del-cine-chino-a-cargo-de-juan-ignacio-toro-escudero-universidad-complut","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/shanghai\/2013\/12\/10\/presentacion-de-tesis-doctoral-redescubriendo-a-antonio-ramos-espejo-espanol-shanghailander-y-cimiento-del-cine-chino-a-cargo-de-juan-ignacio-toro-escudero-universidad-complut\/","title":{"rendered":"(Re)Descubriendo a Antonio Ramos Espejo, espa\u00f1ol, shanghailander y cimiento del cine chino, a cargo de Juan Ignacio Toro Escudero  |  \uff08\u91cd\u65b0\uff09\u53d1\u73b0\u5b89\u4e1c\u5c3c\u5965\u2022\u62c9\u83ab\u65af\u2022\u57c3\u65af\u4f69\u970d\u2014\u2014\u5ba2\u5c45\u4e0a\u6d77\u7684\u897f\u73ed\u7259\u4eba\u3001\u4e2d\u56fd\u9996\u5bb6\u7535\u5f71\u9662\u7684\u521b\u529e\u4eba\uff0c\u4e3b\u8bb2\u4eba\uff1a\u80e1\u5b89\u2022\u4f0a\u683c\u7eb3\u897f\u5965\u2022\u6258\u6d1b\u2022\u57c3\u65af\u5e93\u5fb7\u7f57"},"content":{"rendered":"<p><iframe width=\"680\" height=\"383\" src=\"http:\/\/player.youku.com\/embed\/XNjUwMjAyMzUy.html\" frameborder=\"0\"><\/iframe><\/p>\n<p align=\"justify\">Juan Ignacio Toro Escudero \u2013doctorando de la Universidad Complutense de Madrid\u2013 presenta su investigaci\u00f3n en torno a la g\u00e9nesis de la industria del cine china, incomprensible sin la participaci\u00f3n fundacional de un pu\u00f1ado de extranjeros, y en especial sobre una de las figuras capitales del Shanghai m\u00edtico de la Belle \u00e9poque: el espa\u00f1ol Antonio Ramos Espejo, director, productor, distribuidor y exhibidor primordial del Shanghai cinematogr\u00e1fico de las tres primeras d\u00e9cadas del siglo XX, injustamente olvidado en los manuales al uso. <\/p>\n<p align=\"justify\">\u6765\u81ea\u9a6c\u5fb7\u91cc\u5eb7\u666e\u987f\u65af\u5927\u5b66\u7684\u80e1\u5b89\u2022\u4f0a\u683c\u7eb3\u897f\u5965\u2022\u6258\u6d1b\u2022\u57c3\u65af\u5e93\u5fb7\u5c06\u4e3a\u5927\u5bb6\u4ecb\u7ecd\u4e86\u4ed6\u56f4\u7ed5\u4e2d\u56fd\u7535\u5f71\u4ea7\u4e1a\u7684\u8d77\u6e90\u5f00\u5c55\u7684\u7814\u7a76\u3002\u4e2d\u56fd\u7535\u5f71\u7684\u8d77\u6b65\u79bb\u4e0d\u5f00\u51e0\u4f4d\u5916\u56fd\u4eba\u7684\u79ef\u6781\u63a8\u52a8\uff0c\u5c24\u5176\u662f\u751f\u6d3b\u5728\u7f8e\u597d\u5e74\u4ee3\u4f20\u5947\u822c\u7684\u4e0a\u6d77\u7684\u5176\u4e2d\u4e00\u4f4d\u6838\u5fc3\u4eba\u7269\uff1a\u897f\u73ed\u7259\u4eba\u5b89\u4e1c\u5c3c\u5965\u2022\u62c9\u83ab\u65af\u2022\u57c3\u65af\u4f69\u970d\u3002\u4ed6\u662f\u5bfc\u6f14\u3001\u5236\u4f5c\u4eba\uff0c\u4e5f\u662f20\u4e16\u7eaa\u524d30\u5e74\u4e0a\u6d77\u7535\u5f71\u4ea7\u4e1a\u6700\u65e9\u7684\u53d1\u884c\u5546\u548c\u5f71\u9662\u8fd0\u8425\u5546\u3002\u4ed6\u7684\u8d21\u732e\u7edd\u4e0d\u8be5\u4e3a\u4e16\u4eba\u6240\u9057\u5fd8\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juan Ignacio Toro Escudero \u2013doctorando de la Universidad Complutense de Madrid\u2013 presenta su investigaci\u00f3n en torno a la g\u00e9nesis de la industria del cine china, incomprensible sin la participaci\u00f3n fundacional de un pu\u00f1ado de extranjeros, y en especial sobre una de las figuras capitales del Shanghai m\u00edtico de la Belle \u00e9poque: el espa\u00f1ol Antonio Ramos [&hellip;]<\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17,18],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1651"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/comments?post=1651"}],"version-history":[{"count":6,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1651\/revisions"}],"predecessor-version":[{"id":1668,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/posts\/1651\/revisions\/1668"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/media?parent=1651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/categories?post=1651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/shanghai\/wp-json\/wp\/v2\/tags?post=1651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}