{"id":9818,"date":"2024-01-29T15:19:50","date_gmt":"2024-01-29T14:19:50","guid":{"rendered":"https:\/\/blogs.cervantes.es\/utrecht\/?p=9818"},"modified":"2024-01-29T17:02:03","modified_gmt":"2024-01-29T16:02:03","slug":"la-pollera-vestido-panameno-tradicional","status":"publish","type":"post","link":"https:\/\/blogs.cervantes.es\/utrecht\/2024\/01\/29\/la-pollera-vestido-panameno-tradicional\/","title":{"rendered":"La Pollera, vestido paname\u00f1o tradicional"},"content":{"rendered":"\n

7\/02\/2024 – 19.00 Instituto Cervantes – Utrecht<\/strong><\/p>\n\n\n\n

La embajada de Panam\u00e1 nos ofrece una conferencia ilustrada sobre la pollera el vestido paname\u00f1o que representa el traje nacional de Panam\u00e1. <\/p>\n\n\n\n

Durante la conferencia se podr\u00e1 ver varios trajes en vivo y en maniqu\u00eds y el traje masculino que acompa\u00f1a a la pollera.<\/p>\n\n\n\n

La Pollera es considerado por muchos como el vestido nacional m\u00e1s bello y costoso del mundo, es un s\u00edmbolo de la identidad del pa\u00eds. Este atuendo colorido es conocido por sus intrincados bordados y dise\u00f1os detallados y lo usan las mujeres para eventos folcl\u00f3ricos culturales tradicionales y para ocasiones especiales y celebraciones.<\/p>\n\n\n\n

Tiene profundas ra\u00edces culturales e hist\u00f3ricas provenientes de Espa\u00f1a.<\/p>\n\n\n\n

Existen diferentes variaciones de la pollera, cada una de las cuales representa una regi\u00f3n o comunidad espec\u00edfica dentro de Panam\u00e1. El vestido a menudo se transmite con orgullo de generaci\u00f3n en generaci\u00f3n y tiene un valor cultural significativo. <\/p>\n\n\n\n

Suele consistir en una blusa y una falda larga hasta los tobillos y a menudo est\u00e1 adornado con encajes, cintas y otros adornos. Dependiendo de la regi\u00f3n de donde provenga, el vestido, puede complementarse con accesorios como joyas de oro, flores en el cabello y, a veces, un tocado decorativo.<\/p>\n\n\n\n

La evoluci\u00f3n del vestido espa\u00f1ol original a la pollera que se usa hoy en d\u00eda es un testimonio de la diversidad cultural de Panam\u00e1 y una fuente de orgullo nacional. Refleja la rica historia del pa\u00eds de influencias ind\u00edgenas, europeas y africanas en su tapiz cultural.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n\n\n\n

The \u00abpollera\u00bb is a Panamanian dress representing the national costume of Panama. Considered by many to be the world\u2019s most beautiful and costly national dress, it is a symbol of the country\u2019s identity. The pollera is a colorful and elaborate outfit worn by women, typically for traditional folkloric and cultural events as well as special occasions and celebrations. It has deep cultural and historical roots which originate in Spain.<\/p>\n\n\n\n

There are different variations of the pollera, each representing a specific region or community within Panama. The dress is often proudly passed down through generations and holds significant cultural value. The pollera is known for its intricate embroidery and detailed designs.<\/p>\n\n\n\n

The dress usually consists of a blouse and a full, ankle-length skirt. The outfit is often adorned with lace, ribbons, and other embellishments. Depending on the region where it is from, the dress may be complemented with accessories such as gold jewelry, flowers in the hair, and sometimes a decorative headdress.<\/p>\n\n\n\n

Evolution of the original Spanish dress into the pollera worn today is a testimony to Panama’s cultural diversity and a source of national pride. It reflects the country’s rich history of indigenous, European, and African influences in its cultural tapestry.<\/p>\n","protected":false},"excerpt":{"rendered":"

7\/02\/2024 – 19.00 Instituto Cervantes – Utrecht La embajada de Panam\u00e1 nos ofrece una conferencia ilustrada sobre la pollera el vestido paname\u00f1o que representa el traje nacional de Panam\u00e1. Durante la conferencia se podr\u00e1 ver varios trajes en vivo y en maniqu\u00eds y el traje masculino que acompa\u00f1a a la pollera. La Pollera es considerado […]<\/p>\n","protected":false},"author":359,"featured_media":9839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[55,1559],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/posts\/9818"}],"collection":[{"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/users\/359"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/comments?post=9818"}],"version-history":[{"count":12,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/posts\/9818\/revisions"}],"predecessor-version":[{"id":9872,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/posts\/9818\/revisions\/9872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/media\/9839"}],"wp:attachment":[{"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/media?parent=9818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/categories?post=9818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.cervantes.es\/utrecht\/wp-json\/wp\/v2\/tags?post=9818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}