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El olvido que seremos (Oblivion)

«El olvido que seremos (Oblivion)» es la biografía desgarradora, pero no sentimental, que el autor Héctor Abad, le dedica a su padre Héctor Abad Gómez, un activista de izquierdas asesinado por los paramilitares en 1987 en Medellín. El libro fue presentado el día 13 de Octubre de este año en el Instituto Cervantes.

En relación a ello, el pasado sábado 27 de Noviembre, el periódico británico The Guardian publicó una reseña de la obra en sus páginas.

El artículo puede consultarse a través de la siguiente dirección web:

http://www.guardian.co.uk/books/2010/nov/27/oblivion-memoir-hector-abad-review

Ediciones EL CIPRÉS: Brand New Spanish Publishing House

Ediciones El Ciprés was born in León, Spain, just a few weeks ago. They are publishing fiction and poetry and Antino, a novel by Mercedes Unzeta Gullón, is the first title in their catalogue. Good luck!

Fear, love, lack of affection/indifference, greed, life and death are the protagonists of this moving true story led by the character of Antino, a young, attractive and lively thirty-seven-year-old man who, at the happiest and most joyful time of his existence learns that his future is coming to an end, and his life is tagged with an expiry date: a few years, although it will be a lot less.

The story, taking place between a Mediterranean island and the city of Madrid, narrates the existential changes that will occur in the life of Antino and those around him. Changes that make the foreseeable turn into the unexpected, and the unthinkable become something usual.

It is essential to take into consideration how the disease is approached in the story.

It used only a sinister and painful excuse to take the reader down a path in which all human grandeurs and miseries are revealed. AIDS is the slap in the face that the characters get, to wake them up to the realities of life and death; knowing how to approach these realities (which we tend to ignore in our day to day lives) with love and courage is one of life’s greatest difficulties. They are the main issues of the human being, its constants: love, life, doubt, death; the difference is on the approach we use.

The story could lead to self-compassion, be torn apart, to an open heart…

Keeping the courage and at the same time building a tender, accepting atmosphere, making bonds that would be impossible in other circumstances, is an achievement that, to anyone who has ever endured (and who hasn’t?) an intense sentiment of any kind must draw an interest.

The reader is first introduced to the situation as an observer, from the outside, with initial surprise. Then he will become a participant, mainly in the love, but also in the pain, the anguish, the contempt, and the astonishment towards the meanness some fellow men are able to display. And will end up seated by Enriqueta and Cristina’s side, feeling the strong presence of Antino, and laughing with their complicity to the dismayed expression of a young funerary.

A strong optimism, full of hope and joy, floods the environment that nurtures/nourishes the details of the story. Love and humour, in equal quantities, are shared out with generosity in its essential lines.

Some novels turn those who approach them into observers, critics, contributors, masters, pupils,… but to achieve all at the same time is a rarity. This novel is one of those rare pieces.

Elena Miranda Alas. Ediciones El Ciprés (“El Ciprés Publishing House”)

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info(at)edicioneselcipres.com

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